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Text Identifier:"^till_the_day_break_and_the_shadows_flee$"

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GUAYAQUIL

Meter: 11.11.11.11 D Appears in 1 hymnal Composer and/or Arranger: George Cole Stebbins Tune Key: A Flat Major Incipit: 34326 76554 51217 Used With Text: Till The Day Break

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Till The Day Break

Author: Ada R. Habershon Hymnal: The Cyber Hymnal #11029 Meter: 11.11.11.11 D First Line: Till the day break and the shadows flee away Refrain First Line: Till the day break and the shadows flee away Lyrics: 1 Till the day break and the shadows flee away, Waiting for the shining of the sun’s first ray; Looking for the brightness that proclaims Him near, Longing for the Presence which has grown so dear. Refrain: Till the day break and the shadows flee away, Till the day break when He comes again for me; Till the day break and the shadows flee away, Longing for the moment when His face I see. 2 Through the hours of darkness, waiting for the light, For the cloudless sunrise that will end the night; Watching for the morning when our Lord shall come, And His voice will call us to the heavenly home. [Refrain] 3 Many of His waiting ones in Him now sleep, Till the night be over, earth their dust will keep; But at day break, they from out their graves shall rise, And with all His people meet Him in the skies. [Refrain] 4 He is waiting patiently for that bright day, When the earthborn shadows will have fled away; When He will receive us to Himself at last— No more separation, sin and sorrow past. [Refrain] Languages: English Tune Title: GUAYAQUIL

Till the day break and the shadows flee

Author: Ada R. Habershon Hymnal: Alexander's Gospel Songs and Solos #d116 (1917) Languages: English

Till the day

Author: Ada R. Habershon Hymnal: Hymnal of the Baltimore Conference on Christian Fundamentals #d61 (1919) First Line: Till the day break and the shadows flee Languages: English

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Ada R. Habershon

1861 - 1918 Author of "Till the day break and the shadows flee"

George C. Stebbins

1846 - 1945 Person Name: George Cole Stebbins Composer of "GUAYAQUIL" in The Cyber Hymnal Stebbins studied music in Buffalo and Rochester, New York, then became a singing teacher. Around 1869, he moved to Chicago, Illinois, to join the Lyon and Healy Music Company. He also became the music director at the First Baptist Church in Chicago. It was in Chicago that he met the leaders in the Gospel music field, such as George Root, Philip Bliss, & Ira Sankey. At age 28, Stebbins moved to Boston, Massachusetts, where he became music director at the Claredon Street Baptist Church; the pastor there was Adoniram Gordon. Two years later, Stebbins became music director at Tremont Temple in Boston. Shortly thereafter, he became involved in evangelism campaigns with Moody and others. Around 1900, Stebbins spent a year as an evangelist in India, Egypt, Italy, Palestine, France and England. (www.hymntime.com/tch)
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