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To Realms Of Glory I Behold

Author: C. W. Foss; J. O. Wallin Meter: 8.7.8.7.8.8 Appears in 11 hymnals Lyrics: 1 To realms of glory I behold My risen Lord returning; While I, a stranger in the earth, For heaven sit am yearning. Far from my heav'nly Father’s home, ’Mid toil and sorrow here I roam. 2 Far from my home--how long, dear Lord, Before my exile endeth? But far beyond the realms of sense, My fervent prayer ascendeth: My prayer, unuttered, but a groan, Shall rend the skies and reach Thy throne. 3 Then visions of the goodly land By faith my soul obtaineth; There I shall dwell forevermore Where Christ in glory reigneth, In mansions of that blest abode, The city of the living God. 4 In that fair city is no night, Nor any pain or weeping; There is my treasure, there my heart, Safe in my Savior’s keeping; In heav'n, my blessed Lord, with Thee May all my conversation be. 5 In glory He shall come again To earth as He ascended; So let me wait and watch and pray, Until my day is ended. That day, O Lord, is hid from me, But daily do I wait for Thee. 6 And blessed shall that servant be, O Lord, at Thy returning, Whose heart is waiting, Lord, for Thee, Whose lamp is trimmed and burning; Him wilt Thou take to dwell with Thee In joy and peace eternally. Topics: The Church Year Ascension Used With Tune: EISENACH

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EISENACH

Meter: 8.8.8.8.8.8 Appears in 270 hymnals Composer and/or Arranger: Johann Schein; Johann Sebastian Bach, 1685-1750 Tune Key: D Major Incipit: 13455 43256 71766 Used With Text: To Realms of Glory

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To Realms of Glory I Behold

Author: Claude W. Foss; Johan Olof Wallin Hymnal: The Junior Hymnal, Containing Sunday School and Luther League Liturgy and Hymns for the Sunday School #159 (1928) Lyrics: 1 To realms of glory I behold My risen Lord returning; While I, a stranger in the earth, For heav'n am ever yearning. Far from my heav'nly Father’s home, ’Mid toil and sorrow here I roam. 2 In that blest city is no night, Nor any pain or weeping; There is my treasure, there my heart, Safe in my Saviour’s keeping; In heav’n, my blessed Lord, with Thee, May all my conversation be. 3 In glory He shall come again To earth as He ascended; So let me wait and watch and pray, Until my day is ended. That day, O Lord, is hid from me, But daily do I wait for Thee. 4 And blessed shall that servant be, O Lord, at Thy returning, Whose heart is waiting, Lord, for Thee, Whose lamp is trimmed and burning; Him wilt Thou take to dwell with Thee In joy and peace eternally. Amen. Languages: English Tune Title: [To realms of glory I behold]
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To realms of glory I behold

Hymnal: Sunday School Book #51 (1903) Lyrics: 1 To realms of glory I behold My risen Lord returning; While I, a stranger on the earth, For heaven am ever yearning. Far from my heavenly Father's home 'Mid toil and sorrow here I roam. 2 Far from my home--how long, dear Lord, Before my exile endeth? But far beyond the realms of sense My fervent prayer ascendeth: My prayer, unuttered, but a groan, Shall rend the skies and reach Thy throne. 3 Then visions of the goodly land By faith my soul obtaineth; There I shall dwell for evermore Where Christ in glory reigneth, In mansions of that blest abode-- The city of the living God. 4 In that blest city is no night, Nor any pain or weeping; There is my treasure and my heart Safe in my Saviour's keeping: In heaven, my blessed Lord, with Thee, May all my conversation be. 5 In glory He shall come again To earth as He ascended; So let me wait and watch and pray, Until my day is ended. That day, O Lord, is hid from me, But daily do I wait for Thee. 6 And blessed shall that servant be, O Lord, at Thy returning, Whose heart is waiting, Lord, for Thee, Whose lamp is trimmed and burning; Him wilt Thou take to dwell with Thee, In joy and peace eternally. Topics: The Christian Festivals Ascension
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To Realms of Glory I Behold

Author: Johan Olaf Wallin, 1779-1839 Hymnal: Hymnal and Order of Service #94a (1901) Meter: 8.7.8.7.8.8 Lyrics: 1 To realms of glory I behold My risen Lord returning; While I, a stranger in the earth, For heaven am ever yearning. Far from my heavenly Father’s home ’Mid toil and sorrow here I roam. 2 Far from my home--how long, dear Lord, Before my exile endeth? But far beyond the realms of sense My fervent prayer ascendeth: My prayer, unuttered, but a groan, Shall rend the skies and reach Thy throne. 3 Then visions of the goodly land By faith my soul obtaineth; There I shall dwell forevermore Where Christ in glory reigneth In mansions of that bright abode-- The city of the living God. 4 In that blest city is no night, Nor any pain or weeping; There is my treasure and my heart, Safe in my Saviour’s keeping; In heaven, my blessed Lord, with Thee, May all my conversation be. 5 In glory He shall come again To earth as He ascended; So let me wait and watch and pray, Until my day is ended. That day, O Lord, is hid from me, But daily do I wait for Thee. 6 And blessed shall that servant be, O Lord, at Thy returning, Whose heart is waiting, Lord, for Thee, Whose lamp is trimmed and burning; Him wilt Thou take to dwell with Thee, In joy and peace eternally. Topics: Ascension Languages: English Tune Title: MACHS MIT MIR, GOTT, NACH DEINER GÜT

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Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Harmonizer of "EISENACH" in The Cyber Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Johann Hermann Schein

1586 - 1630 Person Name: Johann Hermann Schein, 1586 - 1630 Composer of "MACH'S MIT MIR, GOTT (EISENACH)" in Service Book and Hymnal of the Lutheran Church in America Schein, Johann Hermann, son of Hieronymus Schein, pastor at Griinhain, near Annaberg, in Saxony, was born at Grünhain, Jan. 20,1586. He matriculated at the University of Leipzig in 1607, and studied there for four years. Thereafter he acted for some time as a private tutor, including two years with a family at Weissenfels. On May 21, 1615, he was appointed Capellmeister, at the court of Duke Johann Ernst, of Sachse-Weimar; and in 1616 he became cantor of I3t. Thomas's Church, and music director at Leipzig, in succession to Seth Calvisius (d. Nov. 24, 1615). This post he held till his death, at Leipzig, Nov. 19, 1630. Schein was one of the most distinguished musicians of his time, both as an original composer, and as a harmoniser of the works of others. As a hymnwriter he was not so prolific, or so noteworthy. Most of his hymns were written on the deaths of his children or friends, e.g. on seven of his children, and on his first wife. They appeared mostly in broadsheet form, and were included, along with his original melodies, in his Cantional oder Gesang-Buch Augspurgischer Confession, Leipzig, 1627; 2nd ed., 1645. [Both in Wernigerode Library.] Those of Schein's hymns which have passed into English are:— i. Machs mit mir, Gott, nach deiner Güt. For the Dying. First published, as a broadsheet, at Leipzig, 1628, as a Trost-Liedlein á 5 (i.e. for 5 voices), &c. [Berlin Library.] The words, the melody, and the five-part setting, are all by Schein. It was written for, and first used at, the funeral, on Dec. 15, 1628, of Margarita, wife of Caspar Werner, a builder and town councillor at Leipzig, and a churchwarden of St. Thomas's. It is in 6 stanzas of 6 lines; the initial letters of 11. 1, 3, in st. i.-iv., forming the name Margarita; and the W of st. v. 1. 1 standing for Werner. In Schein's Cantional, 1645, No. 303 (marked as Trost-Liedlein, Joh. Herm. Scheins, á 5), and later hymn-books, as e.g. the Unverfäschter Liedersegen, 1851, No. 830, st. vi. was omitted. It is Schein's finest production, and one of the best German hymns for the sick and dying. Translated as:— Deal with me, God, in mercy now. This is a good and full translation by Miss Winkworth, in her Chorale Book for England, 1863, No. 191, set to Schein's melody of 1628. ii. Mein Gott und Herr, ach sei nicht fern. For the Dying. First published, with his name, in his Cantional, 1627, No. 262, in 9 stanzas of 6 lines. The initial letters of the stanzas give the name Margarita, probably one of the daughters who predeceased him. It is included, in 5 st., in the 164-8, and later eds., of Crüger's Praxis. The translation in common use is:— My Lord and God, go not away. A good tr. of st. i., ii., iv., v., vii., by A. T. Russell, as No. 254, in his Psalms & Hymns, 1851. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Johan Olof Wallin

1779 - 1839 Person Name: J. O. Wallin Author of "To Realms Of Glory I Behold" in American Lutheran Hymnal Johan Olaf Wallin was born at Stora Tuna, in 1779, and early displayed his poetical powers. In 1805, and again in 1809, he gained the chief prize for poetry at Upsala. In the latter year he became pastor at Solna; here his ability as a preacher was so striking that he was transferred to Stockholm, in 1815, as "pastor primarius," a title for which we have no exact equivalent. In 1818 he was made Dean of Westeras, and set about the task of editing a revised hymn-book for the whole of Sweden. This task he completed in 1819, and published it as, Den Swenska Psalmboken, af Konungen gillad och stadfästad (The Swedish hymn-book, approved and confirmed by the King). To it he contributed some 150 hymns of his own, besides translations and recastings; and the book remains now in the form in which he brought it out. It is highly prized by the Swedes, and is in use everywhere. --John Julian, Dictionary of Hymnology, p. 1000 (1907)