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See My Hands and Feet
Author: Mary Louise Bringle Meter: 8.7.8.7 D Appears in 3 hymnals First Line: Touch that soothes and heals the hurting Refrain First Line: See my hands and feet, said Jesus
See My Hands and Feet
PLEADING SAVIOR
Meter: 8.7.8.7 D Appears in 126 hymnals Composer and/or Arranger: Ralph Vaughan Williams Tune Sources: J. Leavitt’s Christian Lyre, 1830 Tune Key: F Major Incipit: 32161 23532 32161 Used With Text: See My Hands and Feet
PLEADING SAVIOR
Be My Hands and Feet
Author: Mary Louise Bringle, b. 1953 Hymnal: RitualSong (2nd ed.) #635 (2016) Meter: 8.7.8.7 with refrain First Line: Touch that soothes and heals the hurting Refrain First Line: See my hands and feet, said Jesus Topics: Easter Languages: English Tune Title: ANDERSON
Be My Hands and Feet
See My Hands and Feet
Author: Mary Louise Bringle, b. 1953 Hymnal: Worship (4th ed.) #793 (2011) Meter: 8.7.8.7 with refrain First Line: Touch that soothes and heals the hurting Refrain First Line: See my hands and feet, Said Jesus Topics: Mission / Ministry Languages: English Tune Title: GENEVA
See My Hands and Feet
See My Hands and Feet
Author: Mary Louise Bringle, b. 1953 Hymnal: Lift Up Your Hearts #929 (2013) Meter: 8.7.8.7 D First Line: Touch that soothes and heals the hurting Refrain First Line: See my hands and feet, said Jesus Topics: Evangelism; Grateful Living; Justice; Elements of Worship Charge and Blessing Scripture: Luke 24:39 Languages: English Tune Title: PLEADING SAVIOR
See My Hands and Feet
Mary Louise Bringle
b. 1953 Person Name: Mary Louise Bringle, b. 1953 Author of "See My Hands and Feet" in Lift Up Your Hearts
Mary Louise Bringle
Ralph Vaughan Williams
1872 - 1958 Harmonizer of "PLEADING SAVIOR" in Lift Up Your Hearts Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Tony Alonso
b. 1980 Person Name: Tony E. Alonso, b. 1980 Composer of "ANDERSON" in RitualSong (2nd ed.) Tony Alonso has published several collections of liturgical music and his music appears in many hymnals throughout the world. He has an Bachelor of Music degree from Northwestern University and a M.A. degree in theology from Loyola Marymount University.
Tony Alonso
