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Search Results

Text Identifier:"^ubi_caritas_et_amor$"

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Ubi Caritas

Author: Communauté de Taizé Meter: Irregular Appears in 34 hymnals First Line: Ubi caritas et amor Text Sources: Ubi caritas et amor, 9th c.

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[Ubi caritas et amor]

Appears in 2 hymnals Tune Key: E Major Incipit: 33444 34553 45552 Used With Text: Ubi caritas Deus ibi est (Where There Is Charity)
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UBI CARITAS

Appears in 38 hymnals Composer and/or Arranger: Jacques Berthier, 1923-1994 Tune Key: F Major Incipit: 33221 14323 32216 Used With Text: Ubi Caritas et Amor

Instances

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Ubi caritas et amor

Hymnal: Voices Together #773 (2020) Meter: Irregular Lyrics: Ubi caritas et amor, ubi caritas, Deus ibi est. Translation: Where charity and love are found, God is there. Topics: Community; Footwashing; God Love of; God Presence of; Heritage Before 1500; Holy Thursday; Kindness; Love for Others; Praying Short Prayer Responses; Unity; Unity in Diversity Scripture: 1 Corinthians 10:16-17 Languages: Latin Tune Title: TAIZÉ UBI CARITAS

Ubi Caritas (Donde Hay Amor) (Where True Charity)

Hymnal: Bendigo al Señor #112 (2004) First Line: Ubi caritas et amor Languages: English; Latin; Spanish Tune Title: [Ubi caritas et amor]

Ubi Caritas et Amor (Live in Charity)

Author: Taize Community Hymnal: Singing the New Testament #242 (2008) First Line: Ubi caritas et amor (Live in charity and steadfast love) Topics: Love for each other; Ministry and Service; Sending/Commission; Society Scripture: 1 John 4:16 Languages: English; Latin Tune Title: UBI CARITAS

People

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Authors, composers, editors, etc.

Michael Praetorius

1571 - 1621 Author of "Ubi Caritas" in Worship in Song Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

Joseph Gelineau

1920 - 2008 Composer of "[Ubi caritas et amor]" in More Voices Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Communauté de Taizé

Person Name: Taizé Community Author of "Ubi Caritas" in Worship (3rd ed.)