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Vär Herras Jesu Kristi död
Author: H. Spegel, d. 1714; J. O. Wallin Appears in 3 hymnals Used With Tune: [Vär Herras Jesu Kristi död]
Vär Herras Jesu Kristi död
[Vär Herras Jesu Kristi död]
Appears in 3 hymnals Tune Key: g minor Incipit: 51712 31223 45332 Used With Text: Vär Herras Jesu Kristi död
[Vär Herras Jesu Kristi död]
[Vär Herras Jesu Kristi död]
Appears in 3 hymnals Tune Key: a minor Incipit: 51713 21723 45432 Used With Text: Vär Herras Jesu Kristi död
[Vär Herras Jesu Kristi död]
GOTTLOB, ES GEHT NUNMEHR ZU ENDE
Meter: 8.8.8.8 Appears in 31 hymnals Composer and/or Arranger: Johann Sebastian Bach Tune Key: G Major or modal Incipit: 31343 21233 36711 Used With Text: Wår Herres Jesu Kristi Död
GOTTLOB, ES GEHT NUNMEHR ZU ENDE
Vär Herras Jesu Kristi död
Author: H. Spegel, d. 1714; J. O. Wallin Hymnal: Svenska Psalm-Boken af År 1819 #154 (1892) Languages: Swedish Tune Title: [Vär Herras Jesu Kristi död]
Vär Herras Jesu Kristi död
Vär Herras Jesu Kristi död
Author: H. Spegel, d. 1714; J. O. Wallin Hymnal: Svenska Psalm-Boken af År 1819 #154b (1892) Tune Title: [Vär Herras Jesu Kristi död]
Vär Herras Jesu Kristi död
Wår Herres Jesu Kristi Död
Author: Haquin Spegel Hymnal: The Cyber Hymnal #15519 Meter: 8.8.8.8 Lyrics: 1 Wår Herres Jesu Kristi död
Hugswalar oss i all wår nöd,
Och när wi tänke deruppå,
En hjertans glädje wi då få.
2 Afplanat har han med sitt blod
Den handskrift, som emot oss stod;
Ty han war oss så god och huld,
Att han betalte all wår skuld.
3 Att detta trofast är och sant,
Han gifwer oss en säker pant
Uti sin helga nattward, der
Wi smake huru ljuf han är.
4 Hans heliga lekamen sann,
Hans dyra blod, som för oss rann,
Wi undfå wid hans helga bord,
Som han har lofwat i sitt ord.
5 En harlig spis är detta wisst,
På hwilken aldrig blifwer brist,
Ett himmelskt manna, som war själ
Till ewigt lif bewarar wäl.
6 Säll är då hwarje wärdig gäst.
Som lit till Jesu ord har fäst;
Ty Jesus will med kärlek bo
Hos den, som har en stadig tro;
7 Och som will helgad bli i Gud,
Ej wika från hans ord och bud,
Men Kristo lefwer, synden dör
Och så Guds helga wilja gör.
8 Men den owärdig gar härtill,
Ej tror, ej sig omwända will,
Ham äter döden uti sig
Och blir fördömd ewinnerilg.
9 Gif oss att tro af hjertans grund,
Att wi fa frälsning och miskund
Utaf din nådes fullhet stor.
Amen, wälsignad den det tror! Languages: Swedish Tune Title: GOTTLOB, ES GEHT NUNMEHR ZU ENDE
Wår Herres Jesu Kristi Död
Johann Sebastian Bach
1685 - 1750 Composer of "GOTTLOB, ES GEHT NUNMEHR ZU ENDE" in The Cyber Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
Johan Olof Wallin
1779 - 1839 Person Name: J. O. Wallin Alterer of "Vär Herras Jesu Kristi död" in Svenska Psalm-Boken af År 1819 Johan Olaf Wallin was born at Stora Tuna, in 1779, and early displayed his poetical powers. In 1805, and again in 1809, he gained the chief prize for poetry at Upsala. In the latter year he became pastor at Solna; here his ability as a preacher was so striking that he was transferred to Stockholm, in 1815, as "pastor primarius," a title for which we have no exact equivalent. In 1818 he was made Dean of Westeras, and set about the task of editing a revised hymn-book for the whole of Sweden. This task he completed in 1819, and published it as, Den Swenska Psalmboken, af Konungen gillad och stadfästad (The Swedish hymn-book, approved and confirmed by the King). To it he contributed some 150 hymns of his own, besides translations and recastings; and the book remains now in the form in which he brought it out. It is highly prized by the Swedes, and is in use everywhere.
--John Julian, Dictionary of Hymnology, p. 1000 (1907)
Johan Olof Wallin
Haqvin Spegel
1645 - 1714 Person Name: H. Spegel, d. 1714 Author of "Vär Herras Jesu Kristi död" in Svenska Psalm-Boken af År 1819 Haquin Spegel (Haqvin) (14 June 1645 – 17 April 1714), born Håkan Spegel in Ronneby in Blekinge (today in Sweden), was a religious author and hymn writer who held several bishop's seats.
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Haqvin Spegel
