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Text Identifier:"^wait_my_soul_upon_the_lord$"

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Wait, My Soul, Upon the Lord

Author: William F. Lloyd Meter: 7.7.7.7 Appears in 163 hymnals First Line: Wait, my soul upon the Lord Lyrics: 1. Wait, my soul, upon the Lord, To His gracious promise flee, Laying hold upon His Word: "As thy days thy strength shall be," "As thy days thy strength shall be." 2. If the sorrows of thy case Seem peculiar still to thee, God has promised needful grace: "As thy days thy strength shall be," "As thy days thy strength shall be." 3. Days of trial, days of grief, In succesion thou may'st see; This is still thy sweet relief: "As thy days thy strength shall be," "As thy days thy strength shall be." 4. Rock of Ages, I'm secure, With Thy promise, full and free, Faithful, positive and sure; "As thy days thy strength shall be," "As thy days thy strength shall be." Topics: The Christian Life Sanctification Used With Tune: HENDON

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WAIT, MY SOUL

Appears in 1 hymnal Used With Text: Deut. xxxiii. 25
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[Wait my soul upon the Lord]

Appears in 4 hymnals Composer and/or Arranger: Rev. J. M. Driver Incipit: 32156 15321 23523 Used With Text: Wait, My Soul, Upon the Lord
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HENDON

Meter: 7.7.7.7 Appears in 724 hymnals Composer and/or Arranger: Rev. H. A. Caesar Malan Tune Key: G Major Incipit: 11151 35433 33242 Used With Text: Wait, My Soul, Upon the Lord

Instances

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Wait, My Soul, Upon the Lord

Author: Wm. F. Lloyd Hymnal: International Praise #121 (1902) First Line: Wait my soul upon the Lord Refrain First Line: "As thy day thy strength shall be" Languages: English Tune Title: [Wait my soul upon the Lord]
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Wait, My Soul, Upon the Lord

Author: W. F. Lloyd Hymnal: Triumphant Songs Nos. 1 and 2 Combined #273 (1890) First Line: Wait my soul upon the Lord Refrain First Line: As thy days thy strength shall be Languages: English Tune Title: [Wait my soul upon the Lord]
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Wait, My Soul, upon the Lord

Author: William F. Lloyd Hymnal: The Cyber Hymnal #7092 Meter: 7.7.7.7 Lyrics: 1. Wait, my soul, upon the Lord, To His gracious promise flee, Laying hold upon His Word, As Thy days thy strength shall be. 2. If the sorrows of thy case Seem peculiar still to thee, God has promised needful grace: As Thy days thy strength shall be. 3. Days of trial, days of grief, In succession thou mayst see; This is still thy sweet relief: As Thy days thy strength shall be. 4. Rock of Ages, I’m secure, With Thy promise, full and free, Faithful, positive, and sure, As Thy days thy strength shall be. Languages: English Tune Title: ST. BEES

People

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Authors, composers, editors, etc.

Carl Maria von Weber

1786 - 1826 Person Name: C. M. von Weber Composer of "SEYMOUR" in Christian Science Hymnal Carl Maria von Weber; b. 1786, Oldenburg; d. 1826, London Evangelical Lutheran Hymnal, 1908

Lyman F. Brackett

1852 - 1937 Person Name: Brackett Composer of "[Wait, my heart, upon the Lord]" in Christian Science Hymnal Brackett was born on September 30, 1852 in Charlestown, Massachusetts. He worked for a while for the Ol­i­ver Dit­son Com­pa­ny, and lat­er taught in Chick­er­ing Hall in Bos­ton. He was the mu­sic ed­it­or of the first Chris­tian Sci­ence Hym­nal in 1892, con­trib­ut­ing 99 tunes. He died on May 8, 1937 in Roslindale, Massachusetts. Sources: Hogdson, Hughes, p. 321 © The Cyber Hymnal™ (www.hymntime.com/tch)

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "[ST. BEES]" in The Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman