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Text Identifier:"^wen_hast_du_dir_geladen_mein_heiland_mil$"

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[Wen hast Du Dir geladen]

Appears in 18 hymnals Composer and/or Arranger: W. Fink Incipit: 51765 54351 65765 Used With Text: Wen hast Du Dir geladen

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Wen hast du dir geladen, Mein Heiland, mild und

Author: August Tholuck Hymnal: Das neue Gemeinschaftliche Gesangbuch, zum ... der Lutherischen und Reformirten Gemeinden in Nord-Amerika ... neuen Anhg. #ad545 (1866) Languages: German
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Wen hast du dir geladen, Mein Heiland, mild und

Author: August Tholuck Hymnal: Evangelisches Gesangbuch #239 (1862) Languages: German
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Wen hast du dir geladen, Mein Heiland

Author: August Tholuck, 1799-1877 Hymnal: Gesangbuch der Evangelischen Kirche #280 (1908) Topics: Das heilige Abendmahl Languages: German

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Johann Franck

1618 - 1677 Person Name: J. Frank Author of "Wen hast du dir geladen" in Neuestes Gemeinschaftliches Gesangbuch Johann Franck (b. Guben, Brandenburg, Germany, 1618; d. Guben, 1677) was a law student at the University of Köningsberg and practiced law during the Thirty Years' War. He held several positions in civil service, including councillor and mayor of Guben. A significant poet, second only to Paul Gerhardt in his day, Franck wrote some 110 hymns, many of which were published by his friend Johann Crüger in various editions of the Praxis Pietatis melica. All were included in the first part of Franck’s Teutsche Gedichte bestehend im geistliche Sion (1672). Bert Polman ============= Franck, Johann, son of Johann Franck, advocate and councillor at Guben, Brandenburg, was born at Guben, June 1, 1618. After his father's death, in 1620, his uncle by marriage, the Town Judge, Adam Tielckau, adopted him and sent him for his education to the schools at Guben, Cottbus, Stettin and Thorn. On June 28, 1638, he matriculated as a student of law at the University of Königsberg, the only German university left undisturbed by the Thirty Years' War. Here his religious spirit, his love of nature, and his friendship with such men as Simon Dach and Heinrich Held, preserved him from sharing in the excesses of his fellow students. He returned to Guben at Easter, 1640, at the urgent request of his mother, who wished to have him near her in those times of war during which Guben frequently suffered from the presence of both Swedish and Saxon troops. After his return from Prague, May, 1645, he commenced practice as a lawyer. In 1648 he became a burgess and councillor, in 1661 burgomaster, and in 1671 was appointed the deputy from Guben to the Landtag (Diet) of Lower Lusatia. He died at Guben, June 18, 1677; and on the bicentenary of his death, June 18, 1877, a monumental tablet to his memory was affixed to the outer wall of the Stadtkirche at Guben (Koch, iii. 378-385; Allgemeine Deutsche Biographie, vii. 211-212; the two works by Dr. Hugo Jentsch of Guben, Johann Franck, 1877, and Die Abfassungszeit der geistlichen Lieder Johann Franck's, 1876). Of Franck's secular poems those before 1649 are much the best; his later productions becoming more and more affected and artificial, long-winded and full of classical allusions, and much inferior to those of Dach or Opitz. As a hymn writer he holds a high rank and is distinguished for unfeigned and firm faith, deep earnestness, finished form, and noble, pithy, simplicity of expression. In his hymns we miss the objectivity and congregational character of the older German hymns, and notice a more personal, individual tone; especially the longing for the inward and mystical union of Christ with the soul as in his "Jesus, meine Freude." He stands in close relationship with Gerhardt, sometimes more soaring and occasionally more profound, but neither on the whole so natural nor so suited for popular comprehension or Church use. His hymns appeared mostly in the works of his friends Weichmann, Crüger and Peter. They were collected in his Geistliches Sion, Guben, 1674, to the number of 110; and of these the 57 hymns (the other 53 being psalm versions of no great merit) were reprinted with a biographical preface by Dr. J. L. Pasig as Johann Franck's Geistliche Lieder, Grimma, 1846. Two of those translated into English are from the Latin of J. Campanus (q. v.). Four other hymns are annotated under their own first lines:—"Brunquell aller Güter"; "Dreieinigkeit der Gottheit wahrer Spiegel"; "Jesu, meine Freude"; "Schmücke dich, o liebe Secle." The rest are:— i. Hymns in English common use: -- i. Erweitert eure Pforten . [Advent]. Founded on Psalm xxiv. 7-10. First published in C. Peter's Andachts-Zymbeln, Freiberg, 1655, p. 25, in 7 stanzas of 8 lines; repeated 1674, p. 3, and 1846, p. 3, as above. Included in the 1688 and later editions of Crüger's Praxis pietatis, in Bollhagen's Gesang-Buch, 1736, &c. The only translation in common use is:—- Unfold your gates and open, a translation of st. 1, 3, 6, by A. T. Russell, as No. 30 in his Hymns & Psalms, 1851; repeated altered as No. 30 in Kennedy, 1863, and thus as No. 102 in Holy Song, 1869. ii. Herr Gott dich loben wir, Regier. Thanksgiving for Peace. Evidently written as a thanksgiving for the conclusion of the Thirty Years' War, by the Peace of Westphalia, Oct. 24, 1648. First published in the Crüger-Runge Gesang-Buch, Berlin, 1653, No. 306, in 9 st. of 8 l., as the first of the "Hymns of Thanksgiving for Peace attained"; and repeated 1674, p. 182, and 1846, p. 77, as above. Included in Crüger's Praxis, 1653, and many later collections, and, as No. 591, in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord God, we worship Thee, a very good version of st. 2, 3, 6, 8, by Miss Winkworth in her Chorale Book for England, 1863, No. 183. Repeated in full in the Society for Promoting Christian Knowledge Church Hymns, 1871; the Hymnary, 1872; the Psalmist, 1878; and in America in the Pennsylvania Lutheran Church Book, 1868. In the American Protestant Episcopal Collection, 1871; the Hymns & Songs of Praise, N. Y. 1874; and the Ohio Lutheran Hymnal, 1880, the translation of stanza 8 is omitted. iii. Herr ich habe missgehandelt. Lent. Of this fine hymn of penitence stanza i. appeared as No. 19 in Cruger's Geistliche Kirchenmelodien , Leipzig, 1649. The full form in 8 stanzas of 6 lines is No. 41 in the Crüger-Runge Gesang-Buch, Berlin, 1653, entitled "For the forgiveness of sins," repeated 1674, p. 39, and 1846, p. 37, as above. Included in Crüger's Praxis, 1653, and others, and in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord, to Thee I make confession, a very good translation, omitting st. 4, 5, 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 44, repeated in the Appendix to the Hymnal for St. John's, Aberdeen, 1865-1870; and in the Pennsylvania Lutheran Ch. Book, 1868; Evangelical Hymnal, N. Y., 1880; Ohio Lutheran Hymnal, 1880. Another translation is: "Lord, how oft I have offended," by N. L. Frothingham, 1870, p. 177. iv. Herr Jesu, Licht der Heiden. Presentation in the Temple. Founded on the account in St. Luke ii., and probably the finest hymn on the subject. Dr. Jentsch, 1876, p. 9, thinks it was written before Dec. 8, 1669, as C. Peter, who died then, left a melody for it. We have not found the full text earlier than 1674, as above, p. 10, in 6 stanzas of 8 lines, entitled "On the Festival of the Purification of Mary" (1846, p. 10). Included in the 1688 and later editions of Crüger's Praxis, and in the Unverfälschter Liedersegen, 1851, No. 197. The translations in common use are:— 1. Light of the Gentile world , a translation, omitting st. 6, by Miss Winkworth in the first service of her Lyra Germanica, 1855, p. 193 (ed. 1876, p. 195), and thence as No. 147 in the Pennsylvania Lutheran Hymn Book, 1865. This version is in S.M. Double. 2. Light of the Gentile Nations, a good translation, omitting st. 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 80. Repeated in Dr. Thomas's Augustine Hymn Book, 1866, and in America in the Pennsylvania Lutheran Church Book, 1868, and the Ohio Lutheran Hymnal, 1880. ii. Hymns not in English common use: v. Du geballtes Weltgebäude. Christ above all earthly things. Stanza i. in Cruger's Kirchenmelodien, 1649, No. 116. The full text (beginning "Du o schönes) is No. 239 in the Crüger-Runge Gesang-Buch, 1653, in 8 stanzas, entitled "Longing after Eternal Life." Repeated, 1674, p. 194, and 1846, p. 60, as above. The translations are: (1) "Let who will in thee rejoice," by Miss Winkworth, 1855, p. 180 (1876, p. 182). (2) "O beautiful abode of earth," by Miss Warner, 1858 (1861, p. 233). (3) "Thou, O fair Creation-building," by N. L. Frothingham, 1870, p. 232. vi. Unsre müden Augenlieder. Evening. Probably written while a student at Königsberg. First published in J. Weichmann's Sorgen-lägerin, Königsberg, 1648, Pt. iii., No. 4, in 7 st.; repeated 1674, p. 213, and 1846, p. 91, as above. The only translation is by H. J. Buckoll, 1842, p. 79, beginning with st. vi., "Ever, Lord, on Thee relying." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Gottfried W. Fink

1783 - 1846 Person Name: W. Fink Composer of "[Wen hast Du Dir geladen]" in Gesangbuch mit Noten Rv Gottfried Wilhelm Fink PhD Germany 1783-1846. Born at Sulza, Thuringa, Germany, he was a German composer, music theorist, poet, and a protestant clergyman. From 1804-1808 he studied at the University of Leipzig, where he joined the Corps Lusatia, where he made his first attempts at composition and poetry. In 1811 he was appointed Vicar in Leipzig for some years, where he also founded an educational institution, leading it until 1829. Around 1800 he worked for the “Allgemeine musikalische Zeitschrift” (General musical mazazine). In 1827 he became the magazine's editor-in-chief for 15 years. From 1838 he was a lecturer at the University of Leipzig. In 1841 he became a Privatdozent of musicology at the university. That year he became a member of the Prussian Academy of Arts in Berlin, and a year later was appointed university Music Director. He was highly esteemed throughout his life as a music theorist and composer, receiving numberous honors and awards, both at home and abroad. The Faculty of Philosophy at Leipzig University awarded him an honorary doctorate. He wrote mostly Songs and ballads and collected songs as well. He authored important words on music theory and history, but was best known as editor of the “Musikalischer Hausschatz der Germans”, a collection of about 1000 songs and chants, as well as the “Deutsche Liedertafel” (German song board), a collection of polyphonic songs sung by men. He died at Leipzig, Saxony. John Perry

August Tholuck

1799 - 1877 Person Name: Dr. Friedr. Aug. Tholuck Author of "Wen hast Du Dir geladen" in Gesangbuch mit Noten Tholuck, Friedrich August Grottreu, D.D., was born at Breslau, March 30, 1799. He studied at the Universities of Breslau and Berlin. He became a University lecturer (Privatdocent) at Berlin, in Dec. 1820, and extraordinary professor of Theology there in April, 1823 (D.D. from Berlin in 1826). In Nov., 1825, he was appointed ordinary professor of Theology at Halle, and entered on hiss duties at Easter, 1826. He was also appointed as University preacher, in 1839, and a member of the Magdeburg consistory in 1829. From Michaelmas, 1828, to Easter, 1829, he officiated as chaplain to the German Embassy at Rome, having gone there on sick leave. Otherwise, after 1826, his life was spent almost entirely at Halle. He died at Halle, June 10, 1877 (Koch, ,vii. 26; Herzog's Real-Encyklopädie, xv., 560, &c). Tholuck was a celebrated preacher, and a great linguist. He is perhaps best known to English readers by his Commentaries, as e.g. on Romans, 1824 (5th ed., 1856; Eng. translation 1833 and 1836); on St. John's Gospel, 1827 (7th ed., 1857; Eng. tr. 1859); on the Sermon on the Mount, 1833 (5th ed., 1872; Eng. tr. 1834 and 1837, improved in 1859); on Hebrews, 1836 (3rd ed., 1850; Eng. tr. 1842); on the Psalms, 1843 (2nd ed., 1873; Eng. tr. 1856), &c.; and by hisDie Lehre von der Sünde und dem Versohner, oder die wahre Weihe des Zweiflers, 1823 (enlarged ed., 1825; 9th ed., 1871), a sort of religious novel which has powerfully influenced many, e.g. C. J. P. Spitta and has been translated into English, French, Danish and Swedish. He was a many sided man, who exercised a great and far-reaching influence over his contemporaries, and who, by the charm of his personal character as well as by his learning, drew crowds of students to Halle, not only from all parts of Germany, but also from Great Britain and America. His hymns appeared in his Stunden christlicher Andacht, Hamburg, 1839-40. This is a volume of Meditations which has passed through many eds. in German (8th ed., 1870), and of which at least two versions have appeared in English (as Hours of Christian Devotion. In the preface to the Stunden, Tholuck mentions that he had intended to introduce many quotations from German hymns and sacred poems, but could find few that suited his purpose. So he adds "I therefore myself spoke in the language of poetry; only a very few of the verses here interspersed are by other authors." He does not however indicate in any more definite way which are his own compositions. A few pieces from this work have passed into American-German hymn-books, and they have all been translated by Dr. Menzies. Two of which are probably original, are here noted, viz.:— i. Einst wird's geschehn, dass auf der Erde. Second Advent. In his Stunden, 1840, p. 470, as the conclusion of Med. lxvii., in 2 st. of 8 1., and founded on Rom. viii. 21-23. Translated as:— A day will dawn when from on high. In full by Dr. R. Menzies, 1870, as above, p. 551. Included by H. L. Hastings in his Songs of Pilgrimage, Boston, U. S., 1880, No. 193. ii. O süsser Hirte, unter deinem Stabe. The Good Shepherd. In his Stunden, 1840, p. 151, in 7 stanzas of 4 lines as the conclusion of Med. xxvi., and founded on Ps. xxiii. The trs. are (1) "O gentle Shepherd, guided by Thy hand, My soul hath found her everlasting rest." By Miss Dunn, 1853, as above, p. 110. (2) “O gentle Shepherd by Thy staff directed.” By Miss Burlingham in the Bristol Herald, Sept., 1865, p. 143, repeated in Reid's Praise Book, 1872. (3) "Beneath Thy gentle care, O Shepherd dear." By Dr. R. Menzies, 1870. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)