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Search Results

Text Identifier:"^when_for_eternal_worlds_we_steer$"

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Texts

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"Vain world, adieu"

Appears in 121 hymnals First Line: When for eternal worlds we steer Lyrics: 1 When for eternal worlds we steer, And seas are calm, and skies are clear, And faith in lively exercise, And distant hills of Canaan rise. The soul for joy then claps her wings, And loud her lovely sonnet sings, Vain world, adieu, Vain world, adieu, And loud her lovely sonnet sings, Vain world, adieu. 2 With cheerful hopes her eyes explore Each landmark on the distant shore: The trees of life, the pastures green, The golden streets, the crystal stream; Again for joy she claps her wings, And loud her lovely sonnet sings, Vain world, adieu. 3 The nearer still she draws to land, More eager all her powers expand; With steady helm and free bent sail, Her anchor drops within the vail; Again for joy she claps her wings And her celestial sonnet sings, Glory to God. Used With Tune: "VAIN WORLD, ADIEU"

Tunes

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SONNET

Appears in 7 hymnals Tune Sources: Musical Gems Incipit: 13455 67156 55132 Used With Text: When for eternal worlds we steer
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FAVORING GALE

Meter: 8.4 Appears in 2 hymnals Used With Text: Vain World, Adieu
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THE SAILOR'S HOME

Meter: 8.8.8.8 Appears in 1 hymnal Composer and/or Arranger: Wm. M. Caudill; William Walker Used With Text: When for eternal worlds we steer

Instances

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When for eternal worlds we steer

Hymnal: The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) #182 (1854) Meter: 8.8.8.8 Lyrics: 1. When for eternal worlds we steer, And seas are calm, and skies are clear, And faith in lively exercise, And distant hills of Canaan rise. The soul for joy then claps her wings, And loud her lovely sonnet sings, I'm going home, I'm going home, And loud her lovely sonnet sings, I'm going home. 2. With cheerful hope, his eyes explore Each landmark on the distant shore; The trees of lifeā€”the pasture green, The crystal stream, delightful scene: Again for joy she plumes her wings, And loud her lovely sonnet sings, I'm almost home, I'm almost home, And loud her lovely sonnet sings, I'm almost home. 3. The nearer still she draws to land, More eager all her powers expand; With steady helm, and free bent sail, Her anchor drops within the vail: And now for joy she folds her wings, And her celestial sonnet sings, I'm home at last, I'm home at last, And her celestial sonnet sings, I'm almost home. 4. She meets with those who are gone before, On heaven's high and genial shore, Around the dear Redeemer's feet, And loud they shout, Our God and King, And ceaseless hallelujahs sing, We're safe at last, we're safe at last, And ceaseless hallelujahs sing We're safe at last. Languages: English Tune Title: THE SAILOR'S HOME
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When for eternal worlds we steer

Hymnal: Hymn Book of the Methodist Protestant Church #S47 (1859) Languages: English
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When for eternal worlds we steer

Hymnal: Hymn Book of the Methodist Protestant Church. (11th ed.) #S47 (1868) Languages: English

People

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Authors, composers, editors, etc.

William J. Kirkpatrick

1838 - 1921 Person Name: W. J. K. Arranger of "[When for the eternal worlds I steer]" in Songs of Redeeming Love No. 2 William J. Kirkpatrick (b. Duncannon, PA, 1838; d. Philadelphia, PA, 1921) received his musical training from his father and several other private teachers. A carpenter by trade, he engaged in the furniture business from 1862 to 1878. He left that profession to dedicate his life to music, serving as music director at Grace Methodist Church in Philadelphia. Kirkpatrick compiled some one hundred gospel song collections; his first, Devotional Melodies (1859), was published when he was only twenty-one years old. Many of these collections were first published by the John Hood Company and later by Kirkpatrick's own Praise Publishing Company, both in Philadelphia. Bert Polman

Anonymous

Person Name: Anon. Author of "When for eternal worlds we steer" in A Collection of Hymns, for the use of the United Brethren in Christ In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.