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Text Identifier:"^when_gathering_clouds_around_i_view$"

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When gathering clouds around I view

Meter: 8.8.8.8.8.8 Appears in 276 hymnals Topics: Visitation of the Sick Used With Tune: CAREYS

Tunes

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WER NUR DEN LIEBEN GOTT LÄSZT WALTEN

Meter: 8.8.8.8 Appears in 269 hymnals Tune Key: a flat minor Incipit: 51232 12757 77651 Used With Text: When gathering clouds around I view
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MELITA

Meter: 8.8.8.8.8.8 Appears in 491 hymnals Composer and/or Arranger: John Bacchus Dykes Tune Sources: Hymns An­cient and Mo­dern, 1861 Tune Key: C Major Incipit: 13355 66551 25554 Used With Text: When Gathering Clouds Around I View
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FILLMORE

Meter: 8.8.8.8.8.8 Appears in 73 hymnals Composer and/or Arranger: Jeremiah Ingalls Tune Key: F Major Incipit: 13212 32123 55565 Used With Text: When Gathering Clouds

Instances

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When gathering Clouds around I view

Hymnal: Carols, Hymns, and Songs #132 (1882) Languages: English Tune Title: [When gathering clouds around I view]
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When Gathering Clouds around I View

Author: R. Grant Hymnal: Concordia #147 (1918) First Line: When gath'ring clouds around I view Lyrics: 1 When gath'ring clouds around I view, And days are dark, and friends are few, On Him I lean, who not in vain Experienced ev'ry human pain; He sees my wants, allays my fears, And counts and treasures up my tears. 2 If vexing thoughts within me rise, And, sore dismayed, my spirit dies, Still He, who once vouchsaved to bear The sick'ning anguish of despair, Shall sweetly soothe, shall gently dry, The throbbing heart, the streaming eye. 3 And oh, when I have safely past Through ev'ry conflict but the last; Still, still unchanging, watch beside My painful bed, for Thou hast died: Then point to realms of cloudless day, And wipe the latest tear away. Topics: The Christian Life Trust and Confidence Languages: English Tune Title: WHEN GATHERING CLOUDS
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When Gathering Clouds Around I View

Author: Robert Grant Hymnal: The Cyber Hymnal #7366 Meter: 8.8.8.8.8.8 Lyrics: 1. When gathering clouds around I view, And days are dark, and friends are few, On Him I lean, who not in vain Experienced every human pain; He sees my wants, allays my fears, And counts and treasures all my tears. 2. If aught should tempt my soul to stray From heavenly wisdom’s narrow way, To fly the good I would pursue, Or do the sin I would not do, Still He, who felt temptation’s power, Shall guard me in that dangerous hour. 3. If wounded love my bosom swell, Deceived by those I prized too well, He shall His pitying aid bestow, Who felt on earth severer woe, At once betrayed, denied, or fled, By those who shared His daily bread. 4. If vexing thoughts within me rise And, sore dismayed, my spirit dies, Still He, who once vouchsafed to bear The sickening anguish of despair, Shall sweetly soothe, shall gently dry, The throbbing heart, the streaming eye. 5. When, sorrowing, o’er some stone I bend, Which covers what was once a friend, And from his voice, his hand, his smile, Divides me for a little while, Thou, Savior, mark’st the tears I shed, For Thou didst weep o’er Lazarus dead. 6. And O, when I have safely passed, Through every conflict but the last; Still, still unchanging, watch beside My painful bed, for Thou hast died; Then point to realms of cloudless day, And wipe the latest tear way. Languages: English Tune Title: MELITA

People

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John Bacchus Dykes

1823 - 1876 Composer of "MELITA" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby (1838- ) Composer of "BENEDICTION" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn, 1809-1847 Harmonizer of "ATTOLLE PAULUM" in Methodist Hymn and Tune Book Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman
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