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When Jesus Came to Jordan

Author: Fred Pratt Green Meter: 7.6.7.6 Appears in 22 hymnals

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COMPLAINER

Meter: 7.6.7.6 D Appears in 17 hymnals Composer and/or Arranger: William Walker; Carlton R. Young Tune Key: D Major Incipit: 51135 65353 21351 Used With Text: When Jesus Came to Jordan
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ELLACOMBE

Meter: 7.6.7.6 D Appears in 611 hymnals Tune Sources: Gesangbuch der Herzogl, Wirtemberg, 1784 Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: When Jesus Came to Jordan (Cuando al Jordán Fue Cristo)
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MUNICH

Meter: 7.6.7.6 D Appears in 341 hymnals Tune Sources: Neuvermehrtes Gesangbuch, 1693 Tune Key: D Major Incipit: 12365 43335 43221 Used With Text: When Jesus Came to Jordan

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Published text-tune combinations (hymns) from specific hymnals
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When Jesus Came to Jordan (Cuando al Jordán fue Cristo)

Author: Fred Pratt Green, 1903-2000; Alberto Merubia, 1919-2013 Hymnal: Santo, Santo, Santo #113 (2019) Meter: 7.6.7.6 D Lyrics: 1 When Jesus came to Jordan To be baptized by John, He did not come for pardon, But as the sinless One. He came to share repentance With all who mourn their sins, To speak the vital sentence With which good news begins. 2 He came to share temptation, Our utmost woe and loss, For us and our salvation To die upon the cross. So when the Dove descended On him, the Son of Man, The hidden years had ended, The age of grace began. 3 Come, Holy Spirit, aid us To keep the vows we make; This very day invade us, And ev'ry bondage break. Come, give our lives direction, The gift we covet most: To share the resurrection That leads to Pentecost. --- 1 Cuando al Jordán fue Cristo y Juan le bautizó, no fue perdón pidiendo, pues él jamás pecó. Con los arrepentidos se identificó; les trajo buenas nuevas, y el reino se inició. 2 Él vino a ser tentado, que es nestra condición; sobre una cruz clavado nos trajo salvación. Y cuando la Paloma del cielo descendió, ocultos años cesan, la gracia comenzó. 3 Ayúdanos los votos que hacemos a cumplir. Los yogos que tenemos, oh ven tú a destruir. ¡Desciende y danos vida, que nuestro anhelo es, tras la Resurrección disfrutar Pentecostés! Topics: Año Cristiano Bautismo del Señor; Christian Year Baptism of the Lord; Jesucristo Tentación y Desierto; Jesus Christ Temptation and Wilderness; Jesucristo Vida y Ministerio; Jesus Christ Life and Ministry Scripture: Matthew 3:13-16 Languages: English; Spanish Tune Title: MERLE'S TUNE
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When Jesus Came to Jordan (Cuando al Jordán Fue Cristo)

Author: Fred Pratt Green, 1903-2000; Alberto Merubia, b. 1919 Hymnal: Oramos Cantando = We Pray In Song #397 (2013) Meter: 7.6.7.6 D Lyrics: ENGLISH - 1 When Jesus came to Jordan To be baptized by John, He did not come for pardon, But as the Sinless One. He came to share repentance With all who mourn their sins, To speak the vital sentence With which good news begins. 2 He came to share temptation, Our utmost woe and loss, For us and our salvation To die upon the cross. So when the Dove descended On him, the Son of Man, The hidden years had ended, The age of grace began. 3 Come, Holy Spirit, aid us To keep the vows we make; This very day invade us, And ev'ry bondage break. Come, give our lives direction, The gift we covet most: To share the resurrection That leads to Pentecost. SPANISH - 1 Cuando al Jordán fue Cristo Y Juan le bautizó, No fue perdón pidiendo, Pues él jamás peco. Con los arrepentidos Se identificó; Les trajo buenas nuevas, Y el reino se inició. 2 Él vino a ser tentado, Que es nuestra condición; Sobre una cruz clavado Nos trajo salvación. Y cuando la Paloma Del cielo descendió, Ocultos años cesan, La gracia comenzó. 3 Los votos que te hacemos Ayúdanos cumplir. Los yugos que tenemos, Ven tú a destruir. ¡Desciende y danos vida, Que nuestro anhelo es, Tras la Resurrección Disfrutar Pentecostés! Topics: Baptism of the Lord; Bautismo del Señor; Arrepentimiento; Repentance; Cross; Cruz, Santa; Encarnación; Incarnation; Jesucristo; Jesus Christ; Redemption; Redención; Temptation; Tentación Scripture: Matthew 3:13-17 Languages: English; Spanish Tune Title: ELLACOMBE
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When Jesus Came to Jordan

Author: Fred Pratt Green Hymnal: Celebrating Grace Hymnal #152 (2010) Meter: 7.6.7.6 D Lyrics: 1 When Jesus came to Jordan to be baptized by John, He did not come for pardon, but as the sinless one. He came to share repentance with all who mourn their sins, to speak the vital sentence with which good news begins. 2 He came to share temptation, our utmost woe and loss, for us and our salvation to die upon the cross. So when the dove descended on Him, the Son of Man, the hidden years had ended, the age of grace begun. 3 Come, Holy Spirit, aid us to keep the vows we make; this very day invade us, and every bondage break. Come, give our lives direction, the gift we covet most: to share the resurrection that leads to Pentecost. Topics: God the Son Epiphany; Christian Year-Epiphany; Jesus Christ-Baptism Scripture: Matthew 3:13-17 Languages: English Tune Title: COMPLAINER

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Fred Pratt Green

1903 - 2000 Person Name: Fred Pratt Green, 1903-2000 Author of "When Jesus Came to Jordan (Cuando al Jordán Fue Cristo)" in Oramos Cantando = We Pray In Song The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies. Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more." --Seven New Hymns of Hope , 1971. Used by permission.

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Adapter of "KING'S LYNN" in With One Voice Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Hal H. Hopson

b. 1933 Person Name: Hal H. Hopson, b. 1933 Composer of "MERLE'S TUNE" in Santo, Santo, Santo Hal H. Hopson (b. Texas, 1933) is a prolific composer, arranger, clinician, teacher and promoter of congregational song, with more than 1300 published works, especially of hymn and psalm arrangements, choir anthems, and creative ideas for choral and organ music in worship. Born in Texas, with degrees from Baylor University (BA, 1954), and Southern Baptist Seminary (MSM, 1956), he served churches in Nashville, TN, and most recently at Preston Hollow Presbyterian Church in Dallas, Texas. He has served on national boards of the Presbyterian Association of Musicians and the Choristers Guild, and taught numerous workshops at various national conferences. In 2009, a collection of sixty four of his hymn tunes were published in Hymns for Our Time: The Collected Tunes of Hal H. Hopson. Emily Brink