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When thou wakest in the morning
Author: G. M. Taylor Appears in 14 hymnals Used With Tune: LUX EOI
When thou wakest in the morning
HOHENWERFEN
Meter: 8.7.8.7 D Appears in 2 hymnals Composer and/or Arranger: Milo Wilson Nethercutt Tune Key: F Major Incipit: 53431 21513 53652 Used With Text: Tell Jesus
HOHENWERFEN
[When thou wakest in the morning]
Appears in 3 hymnals Composer and/or Arranger: Mrs. Lewis S. Chafer Incipit: 56515 65256 53276 Used With Text: Tell Jesus
[When thou wakest in the morning]
[When thou wakest in the morning]
Appears in 1 hymnal Composer and/or Arranger: E. C. Avis Incipit: 33321 35322 23432 Used With Text: Tell Jesus All
[When thou wakest in the morning]
When Thou Wakest
Author: G. M. Taylor Hymnal: Northfield Hymnal #99 (1904) First Line: When thou wakest in the morning Lyrics: 1 When thou wakest in the morning
Ere thou tread the untried way,
Of the lot that lies before thee
Thor’ the coming busy day.
Whether sunbeams promise brightness,
Whether dim forebodings fall,
Be thy dawning glad or gloomy,
Go to Jesus, tell Him all.
2 In the calm of sweet communion
Let thy daily work be done;
In the peace of soul-outpouring,
Care be banished, patience won.
And if earth with its enchantments
Seek thy spirit to enthrall,
Ere thou listen, ere thou answer,
Turn to Jesus, tell Him all.
3 And if weariness creeps o'er thee
As the day wears to its close,
Or if sudden fierce temptation
Bring thee face to face with foes;
In thy weakness, in thy peril,
Raise to heav’n a truthful call;
Strength and calm for every crisis,
Come, in telling Jesus all. Topics: Prayer and Supplication Tune Title: [When thou wakest in the morning]
When Thou Wakest
When Thou Wakest
Hymnal: The Gospel Hymn Book #126 (1903) First Line: When thou wakest in the morning Topics: Prayer; Young People Languages: English Tune Title: [When thou wakest in the morning]
When Thou Wakest
When thou wakest in the morning
Author: G. M. Taylor Hymnal: Hymns of Consecration and Faith #339 (1902) Languages: English Tune Title: LUX EOI
When thou wakest in the morning
Arthur Sullivan
1842 - 1900 Person Name: Sir A. Sullivan Composer of "LUX EOI" in Hymns of Consecration and Faith Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas.
Bert Polman
Arthur Sullivan
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart Composer of "EVERTON" in The Song Companion to the Scriptures Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Anonymous
Person Name: Anon. Author of "Tell Jesus" in One Hundred Gospel Hymns In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
