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Text Identifier:"^where_shall_we_learn_to_die$"

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Where shall we learn to die?

Author: A. P. Stanley Appears in 4 hymnals Used With Tune: REDEMPTION

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[Where shall we learn to die?]

Appears in 1 hymnal Composer and/or Arranger: C. H. H. Parry Incipit: 54132 11436 65517 Used With Text: Where shall we learn to die?
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REDEMPTION

Appears in 1 hymnal Composer and/or Arranger: J. F. Bridge Incipit: 32123 44323 45765 Used With Text: Where shall we learn to die?

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Where shall we learn to die?

Author: A. P. Stanley Hymnal: The Westminster Abbey Hymn-Book #147a (1897) Languages: English Tune Title: [Where shall we learn to die?]
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Where shall we learn to die?

Author: Arthur P. Stanley Hymnal: Hymns of the Church Universal #119 (1890) Languages: English
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Where shall we learn to die?

Author: A. P. Stanley Hymnal: The Westminster Abbey Hymn-Book #147b (1897) Languages: English Tune Title: REDEMPTION

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C. Hubert H. Parry

1848 - 1918 Person Name: C. H. H. Parry Composer of "[Where shall we learn to die?]" in The Westminster Abbey Hymn-Book Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”. John Perry

Arthur Penrhyn Stanley

1815 - 1881 Author of "Where shall we learn to die" Stanley, Arthur Penrhyn, Dean of Westminster, one of the most distinguished English Churchmen of the nineteenth century, was the son of Rev. Edward Stanley, Bishop of Norwich, and was born at Alderly, in Cheshire, December 13, 1815. At the age of fourteen he became a pupil of Dr. Arnold, of Rugby, in whose famous school he displayed a strength of moral character which was a prophecy of the frank and courageous man that was to be. He took well-nigh all the honors at Oxford, where he graduated in 1837. Entering the ministry of the Church of England, he filled successively various positions of honor and responsibility until in 1855 he was appointed Regius Professor of Ecclesiastical History at Oxford. In 1864 he became Dean of Westminster. His marriage that same year to Lady Augusta Bruce, a personal friend and attendant of Queen Victoria, increased the freedom and intimacy of his already cordial relations with the royal family. He died July 18, 1881. He was a Churchman of broad and liberal views. His catholicity of spirit was one of his most notable characteristics. His contributions to theological literature are numerous and well known. His Life of Dr. Arnold, of Rugby, 1844, is one of the most successful volumes of biography in the English language. Among his historical writings his lectures on the Eastern Church, 1861, Jewish Church (two volumes), 1863-65, and the Church of Scotland, 1868, are accounted as of highest value. He is the author of about a dozen hymns, and of several translations. These, although of a high order of excellence, do not take rank with his prose writings, which for choice English diction, scholarly erudition, and Christian catholicity are not surpassed, perhaps, by anything in the religious literature of England in the nineteenth century. Day of wrath, O dreadful day 599 He is gone; a cloud of light 170 O Master, it is good to be 131 From Hymn Writers of the Church by Charles S. Nutter, 1915 ============================ Stanley, Arthur Penrhyn, D.D., was born at Alderley, in Cheshire, Dec. 13, 1815. His father, Edward Stanley, was the son of Sir Edward Stanley of Alderley, and younger brother of the first Lord Stanley of Alderley, and was rector of the parish until 1837, when he became Bishop of Norwich. His mother, Catherine Stanley, was daughter of tho Rev. Oswald Leycester, Rector of Stoke-upon-Tern, Shropshire. Arthur Stanley received his early education under the superintendence of his father; but in 1829 he was sent to Rugby to be under the direct charge of Dr. Arnold, who bad been appointed to the head-mastership the year before, and of whom Mr. Stanley had been an early friend and admirer. Arthur Stanley bore the stamp of Rugby and of its great headmaster to the end of his life. In 1834 he went up to Oxford, having won a Balliol scholarship, the "blue ribbon of undergraduate life," and commenced a career of unusual brilliancy at the University. He gained the Newdigate prize for English Verse (the subject being The Gypsies); the Ireland scholarship (the highest test of Greek scholarship), and a First Class in Classical Honours, all in 1837. He won the Prize for the Latin Essay in 1839, the Prize for the English Essay, and the Ellerton Prize for the Theological Essay in 1840, and was in the same year elected to a Fellowship at University College. He was then appointed College Tutor, and held that office for twelve years. In 1845-6 he was Select Preacher for the University. From 1850 to 1852 he was Secretary to the Oxford University Commissioners. In 1851 he was appointed Canon of Canterbury, and held that post until 1855, when he was elected Regius Professor of Ecclesiastical History at Oxford, to which a Canonry at Christ Church was attached. He was also chosen in 1858 Examining Chaplain to the Bishop of London, his fellow Rugbeian, Dr. Tait. These offices he held until 1863, when, on the elevation of Dean Trench to the Archbishopric of Dublin, he was appointed to the Deanery of Westminster. In the same year he married Lady Augusta Bruce, a sister of the Earl of Elgin, and a personal friend and attendant of Queen Victoria. This marriage brought him into still closer relation with the Court, at which he had before been so highly valued, that he had been twice chosen to accompany the Prinoe of Wales in his travels in the East. He was singularly happy in his married life, and felt the death of Lady Augusta, which occurred in 1876, as an irreparable loss. In 1872, he took part in the Old Catholic Congress at Cologne; and at the close of the same year he was again appointed Select Preacher, not, however, without considerable opposition being made to the appointment on account of the Dean's theological views; the vote, however, was carried by 349 against 287. In 1875 he was installed Lord Rector of the University of St. Andrews, having received the degree of LL.D. from that University four years previously. He died at the Deanery, Westminster, on July 18, 1881, after a short illness. Dr. Stanley was a voluminous and very popular writer, his pure and picturesque style being singularly fascinating. The first work by which he became known to the literary world was the Life and Correspondence of Dr. Arnold, published in 1844. This is an almost perfect model of biography. Though the writer is distinctly a hero-worshipper, he never allows his worship to violate the rules of good taste, while he brings out all the points in his hero's character most vividly, and exercises a most wise discretion in permitting him, as far as possible, to tell his own tale. This was followed in 1850 by Memoirs of Edward Stanley, Bishop of Norwich, and Catherine Stanley, which is very interesting both for its intrinsic merits, and also as a pious tribute of filial affection; but it does not reach the level of the Life of Arnold. In 1854 appeared the Epistles to the Corinthians, the value of which will be variously estimated according to the theological standpoint of the reader. But his next two works will command the admiration of all persons who are competent to judge. In his Historical Memorials of Canterbury, published in 1854, and Sinai and Palestine in connexion with their History, published in 1856, Dr. Stanley was again on his own proper ground where his almost unique powers of description had their full scope. The former was a very popular work, reaching a 6th edition in 1872; but Sinai and Palestine was still more warmly welcomed, and may be con¬sidered, with the Life of Dr. Arnold, as Dr. Stanley's chef-d'oeuvre. Passing over for the present his sermons, we next come to his Lectures on the History of the Eastern Church, pub. in 1861; this also was very popular, reaching a 5th ed. in 1869. Then followed a series of Lectures on the History of the Jewish Church, in 2 volumes (1863-5). His next publication again showed him at his best. The Historical Memorials of Westminster Abbey, pub. in 1867, may be regarded as a companion volume to the Historical Memorials of Canterbury, and is, at least, worthy of its predecessor. Dr. Stanley attained great eminence as a preacher, especially in his own Abbey. His manner was most solemn and impressive, and his style of composition was exactly suited for a sermon. It is fair to add that sermons would also, of course, be the species of composition in which what many considered the most unsatisfactory features of Dr. Stanley's intellectual character, his vagueness of doctrine and extreme breadth of statement, were most conspicuous. He published several volumes of sermons and single sermons. The chief are: Sermons and Essays on the Apostolical Age (1846), Sermons preached in Canterbury Cathedral (1857), Sermons on the Unity of Evangelical and Apostolical Teaching (1859), Sermons in the East preached before the Prince of Wales (1863), Address and Sermons at St. Andrews, 1877. The point of view from which this sketch naturally regards Dean Stanley as a writer is that from which he appears at the least advantage. Thirteen of his hymns which had been published singly have been incorporated in the Westminster Abbey Hymn Book, but none of them have attained any extensive popularity; and, to tell the truth, they do not deserve it. That exquisite taste and felicity of diction which distinguish more or less all his prose writings seem to desert him when he is writing verse. This is all the more strange because one would have said that he regarded outward nature, as well as the works and history of man, with a poet's eye. Like another great writer, Jeremy Taylor, his prose is poetical, but his poetry is prosaic. The divine afflatus is wanting. Of course he always writes as a scholar; hence his translations are more successful than his original hymns; but in neither department has he produced anything that can at all be termed classical; and it is from his general eminence rather than from his contributions to hymnology that he requires even the small space which has been devoted to him in this article. [Rev. J. H. Overton, D.D.] In addition to Dean Stanley's trsanslations from the Latin, and his popular hymns, "He is gone! beyond the skies,'' and "Master, it is good to be," the following are also in common use:— 1. Let us with a gladsome mind. National Hymn. The Accession. This hymn is called "Hymn for the Accession (June 20 2. 0 frail spirit, vital spark. Easter. Given in Macmillan's Magazine, May 1878, and headed "Our Future Hope." 3. Spirit unseen, our spirits' home. Whitsuntide. This hymn was published in Macmillan's Magazine, May, 1879, in 7 stanzas of 8 lines, and 1 stanza of 9 lines, with the following note:—"Manzoni's Hymn for Whitsuntide.” 4. The Lord is come! On Syrian soil. Advent. This hymn appeared in Macmillan's Magazine, Dec. 1872, in 6 stanzas of 8 lines, with the following introduction:— “Hymn for Advent.” 5. When the Paschal evening fell. Holy Communion. This appeared in Macmillan's Magazine, Nov. 1874, in 5 st. of 8 1., 1 st. of 12 1., and 1 st. of 8 1., with this introduction:—" This do in Remembrance of Me. It is intended in the following lines to furnish a sacred hymn founded on the one common idea of commemoration which lies at the basis of all views of the Eucharist, whether material or spiritual, and to express this undoubted intention of the original institution apart from the metaphorical language by which the ordinance is often described." 6. Where is the Christian's Fatherland? The Christian's Fatherland. This poem (it cannot be called a hymn) was given in Macmillan's Magazine, Nov. 1872, in 7 st. of 8 1., with the following introduction:—"The Traveller's Hymn for All Saints' Day. Being an adaptation of Arndt's Poem, 'Was ist des Deutschen Vaterland.'" 7. Where shall we find the Lord? Epiphany. Given in Macmillan's Magazine, March 1880, in 7 st. of 8 1., and introduced thus: —"The Divine Life 8. Where shall we learn to die? Good Friday. This was published in Macmillan's Magazine, March 1880, in 7 st. of 8 1., with the simple heading, "The Perfect Death. Disce mori." 9. Who shall be the last great Seer? St. John Baptist. Appeared in Macmillan's Magazine, July 1879, in 4 st. of 8 1., as a "Hymn for St. John the Baptist Day, June 24." All these hymns were given in full, and without alteration, in the Westminster Abbey Hymn Book, 1883. Their use is mainly confined to that collection. --Excerpts from John Julian, Dictionary of Hymnology (1907)

Frederick Bridge

1844 - 1924 Person Name: J. F. Bridge Composer of "REDEMPTION" in The Westminster Abbey Hymn-Book
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