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John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "CECILIA" in The School Hymnary As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Anonymous

Author (st. 2-3) of "Who Trusts in God, a Strong Abode" in Trinity Hymnal (Rev. ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Walsham How

1823 - 1897 Alterer of "Who Trusts in God, a Strong Abode" in Trinity Hymnal (Rev. ed.) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Composer of "CONSTANCE" in Trinity Hymnal (Rev. ed.) Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Edward Henry Bickersteth

1825 - 1906 Person Name: Edward H. Bickersteth Arranger of "Who Trusts in God, a Strong Abode" in The Cyber Hymnal Bickersteth, Edward Henry, D.D., son of Edward Bickersteth, Sr. born at Islington, Jan. 1825, and educated at Trinity College, Cambridge (B.A. with honours, 1847; M.A., 1850). On taking Holy Orders in 1848, he became curate of Banningham, Norfolk, and then of Christ Church, Tunbridge Wells. His preferment to the Rectory of Hinton-Martell, in 1852, was followed by that of the Vicarage of Christ Church, Hampstead, 1855. In 1885 he became Dean of Gloucester, and the same year Bishop of Exeter. Bishop Bickersteth's works, chiefly poetical, are:— (l) Poems, 1849; (2) Water from the Well-spring, 1852; (3) The Rock of Ages, 1858 ; (4) Commentary on the New Testament, 1864; (5) Yesterday, To-day, and For Ever, 1867; (6) The Spirit of Life, 1868; (7) The Two Brothers and other Poems, 1871; (8) The Master's Home Call, 1872 ; (9) The Shadowed Home and the Light Beyond, 1874; (10) The Beef and other Parables, 1873; (11) Songs in the House of Pilgrimage, N.D.; (12) From Year to Year, 1883. As an editor of hymnals, Bp. Bickersteth has also been most successful. His collections are:— (1) Psalms & Hymns, 1858, based on his father's Christian Psalmody, which passed through several editions; (2) The Hymnal Companion, 1870; (3) The Hymnal Companion revised and enlarged, 1876. Nos. 2 and 3, which are two editions of the same collection, have attained to an extensive circulation. [Ch. of England Hymnody.] About 30 of Bp. Bickersteths hymns are in common use. Of these the best and most widely known are:—" Almighty Father, hear our cry"; "Come ye yourselves apart and rest awhile"; "Father of heaven above"; "My God, my Father, dost Thou call"; "O Jesu, Saviour of the lost"; "Peace, perfect peace"; "Rest in the Lord"; "Stand, Soldier of the Cross"; " Thine, Thine, for ever"; and "Till He come.” As a poet Bp. Bickersteth is well known. His reputation as a hymn-writer has also extended far and wide. Joined with a strong grasp of his subject, true poetic feeling, a pure rhythm, there is a soothing plaintiveness and individuality in his hymns which give them a distinct character of their own. His thoughts are usually with the individual, and not with the mass: with the single soul and his God, and not with a vast multitude bowed in adoration before the Almighty. Hence, although many of his hymns are eminently suited to congregational purposes, and have attained to a wide popularity, yet his finest productions are those which are best suited for private use. -John Julian, Dictionary of Hymnology (1907) ================= Bickersteth, Edward Henry, p. 141, ii. Bishop Bickersteth's 1890 edition of his Hymnal Companion is noted on p. 1312, i., and several of his own hymns and translations, which appear therein for the first time, are annotated in this Appendix. One of these, "All-merciful, Almighty Lord," for the Conv. of St. Paul, was written for the 1890 edition of Hymnal Companion. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================== Bickersteth, B. H., p. 141, ii. Bp. Bickersteth died in London, May 16, 1906. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Johann Sebastian Bach

1685 - 1750 Person Name: J.S. Bach Arranger of "WAS MEIN GOTT WILL" in Rejoice in the Lord Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

Benjamin H. Kennedy

1804 - 1889 Person Name: Benjamin Hall Kennedy Author of "Who trusts in God, a strong abode" in The Harvard University Hymn Book Kennedy, Benjamin Hall, D.D., son of the Rev. Raun Kennedy, sometime Incumbent of St. Paul's, Birmingham, and editor of A Church of England Psalm-Book, &c, 1821 (12th ed. 1848), was born at Summer Hill, near Birmingham, Nov. 6, 1804, and educated at King Edward's School, Birmingham; Shrewsbury School; and St. John's College, Cambridge. He graduated B.A. in 1827 (First Class Classical Tripos and First Chancellor's Medallist). He was Fellow of his College 1828-36; Head Master of Shrewsbury School, 1836-66; and Regius Professor of Greek in the University of Cambridge and Canon of Ely , 1867. Dr. Kennedy took Holy Orders in 1829, and was for some time Prebendaiy in Lichfield Cathedral and Rector of West Felton, Salop. He was elected Hon. Fellow of St. John's College, Cambridge, in 1880. Besides his Public School Latin Grammar, Palaestra Latina, Palaestra Stili Latini, &c, his editions of some of the Classics, and University Sermons, Dr. Kennedy published the following:— (1) The Psalter, or the Psalms of David, in English Verse. By a Member of the University of Cambridge, 1860; (2) Hymnologia Christiana, or Psalms & Hymns Selected and Arranged in the Order of the Christian Seasons (quoted in this Dictionary as Kennedy), 1863. i. From these two works many psalms and hymns have passed into other collections. The following versions of the Psalms first appeared in The Psalter, 1860, and again in the Hymnologia Christiana 1863. In many instances they have undergone considerable alteration in the latter work, and those of great length are broken into parts:— 1. All ye people, come and clap, &c. Ps. xlvii. 2. Arise, 0 Lord, with healing rod. Ps. x. 3. As pants the hind for cooling streams. Ps. xlii. 4. As Thy mercy lasts for ever. Ps. cix. 5. Be merciful to me, 0 God. Ps. lvii. 6. Be Thou my Judge, and I will strive. Ps. xvii. 7. Bless ye the Lord, His solemn praise record. Ps. cxxxiv. 8. Bow down Thine ear, and hear my cry. Ps. lxxxvi. 9. Come, ye children, list to me. Ps. xxxiv. 10. Ever, O my God and King. Ps. cxlv. 11. Ever will I bless the Lord. Ps. xxxiv. 12. Every king shall bow before Him. Ps. lxxii. 13. Full oft my chafing thoughts, &c. Ps. lxxiii. 14. God, avert the deadly blow. Ps. lix. 15. God, in Judah's homes is known. Ps. lxxvi. 16. God of my righteousness. Ps. iv. 17. Hear Thou my prayer, O Lord. Ps. cxliii. 18. Help us, O Lord, the good decay. Ps. xii. 19. How blest are they who flee, &c. Ps. cxix. 20. How blest the man, who fears to stray. Ps. i. 21. How blest the man whose errors, &c. Ps. xxxii. 22. How good it is to praise the Lord. Ps. xcii. 23. How long art silent, Lord? how long. Ps. xxxv. 24. How long forgotten, Lord, by Thee. Ps. xiii. 25. How long wilt Thou conceal Thy face. Ps. lxxxix. 26. I lift mine eyes unto the hills. Ps. cxxi. 27. I love the Lord, for He is nigh. Ps. cxvi. 28. I muse upon Thine ancient praise. Ps. lxxvii. 29. I praise Thee, Lord, who o'er my foes. Ps. xxx. 30. I trod the path of life, my strength. Ps. cii. 31. In trouble to the Lord I prayed. Ps. cxx. 32. Jehovah reigns, arrayed in light. Ps. xciii. 33. Judge me, O God; maintain my cause. Ps. xliii. 34. Lord, hear my prayer, and let my cry. Ps. cii. 35. Lord, I am not lofty-minded. Ps. cxxxi. 36. Lord, I lift my soul to Thee. Ps. xxv. 37. Lord, my Rock. I cry to Thee. Ps. xxviii. 38. Lord, save me from the foeman's wrath. Ps. cxl. 39. Lord, Thou wilt guard with faithful love. Ps. xxxvii. 40. Lord, Thy love and truth I praise. Ps. ci. 41. My God, my God, to Thee I cry, Ah! why hast Thou, &c. Ps. xxii. 42. My heart is fain, O God, my heart. Ps. cviii. 43. My portion is the living Lord. Ps. cxix. 44. My Saviour is the living Lord. Ps. xi. 45. My Shepherd is the Lord, no care. Ps. xxiii. 46. My trust is in Thy holy Name. Ps. lxxi. 47. My voice to God ascends on high. Ps. lxxvii. 48. Not in envy, not in anger. Ps. xxxvii. 49. Not in Thy fury, Lord, reprove. Ps. xxxviii. 50. O grant us, God of love. Ps. lxvii. 51. O God, be merciful to me. Ps. li. 52. 0 God of hosts, a vine. Ps. lxxx. 53. 0 God, subdue the power of sin. Ps. vii. 54. O Lord, in Thine accepted day. Ps. lxix. 55. 0 Lord our King, how bright Thy fame. Ps. viii. 56. O Lord, the God of my salvation. Ps. lxxxviii. 57. 0 praise ye the Lord, Praise Him in His shrine. Ps. cl. 58. O rejoice, ye righteous, in the Lord. Ps. xxxiii. 59. Oft, as to scatter kings. Ps. lxviii. 60. Out of the depths to Thee I cry. Ps. cxxx. 61. Praise, O my soul, the Lord and all. Ps. ciii. 62. Praise, 0 my soul, the Lord; how great. Ps. civ. 63. Praise the Lord, for good is He. Ps. cxxxvi. 64. Praise the Lord, for it is wise. Ps. cxlvii. 65. Praise the Lord from heaven on high. Ps. cxlviii. 66. Praise the Lord, His people; raise. Ps. cxlvi. 67. Praise ye the Lord, all nations. Ps. cxvii. 68. Praise ye the Lord, for good is He. Ps. cxviii. 69. Praise ye the Lord, for very good. Ps. cvii. 70. Praised be the Lord, my Rock of might. Ps. cxliv. 71. Save me, O God, the dangerous, &c. Ps. lxix. 72. Save me through Thy name, 0 God. Ps. liv. 73. Seek we Jehovah's house, they said. Ps. cxxii. 74. Sing a new song unto the Lord. Ps. xcvi. 75. Sing the Lord, ye sons of heaven. Ps. xxix. 76. Sing unto the Lord with mirth. Ps. c. 77. Take note, O Lord, of all my fears. Ps. lvi. 78. The heavens declare Thy wondrous fame. Ps. lxxxix. 79. The heavens, O God, Thy glory tell. Ps. xxx. 80. The king, 0 Lord, with hymns of praise. Ps. xxi. 81. The life of man is like the grass. Ps. ciii. 82. The Lord in thy distressful day. Ps. xx. 83. The Lord is King; glad earth, and ye. Ps. xcvii. 84. There is no God, so saith the fool. Ps. xiv. 85. Thou searchest all my secret ways. Ps. cxxxix. 86. To Thee I call. O Lord, be swift. Ps. cxli. 87. 'Twas dream-like, when the Lord's decree. Ps. cxxvi. 88. Unless the Lord with us had wrought. Ps. cxxiv. 89. Unto my feet a lantern shines Thy word. Ps. cxix. 90. Unto the Lord I make my moan. Ps. cxlii. 91. We sat and wept by Babel's stream. Ps. cxxxvii. 92. When Israel came from Egypt's strand. Ps. cxiv. 93. When through the dismal waste. Ps. lxviii. 94. Who rules his life by God's behest. Ps. cxxviii. 95. Whoe'er his secret home has made. Ps. xci. 96. With weary care brought low. Ps. lxix. 97. With my whole heart I will praise Thee. Ps. cxxxviii. 98. Within Thy tabernacle, Lord. Ps. xv. 99. Ye Judges of the earth, be still. Ps. lxxxii. ii. The following also appeared in The Psalter, 1860, and again in Hymnologia Christiana 1863, mostly altered, and based upon the corresponding Psalms by George Sandys (q.v.), published in his Paraphrase upon the Psalms of David, 1636:— 100. Blest he whose timely mercies heed. Ps. xli. 101. Hide not, 0 Lord, Thy cheering face. Ps. xl. 102. I waited for a gentle word. Ps. xl. 103. Israel of God, be Christ your Guide. Ps. cxv. 104. Who in the Lord securely lay. Ps. cxxv. iii. To the Rev. A. T. Russell's Psalms & Hymns, 1851, Dr. Kennedy was indebted to a limited extent in preparing his Psalter, 1860. In his Preface he says, p. viii.," Mr. Russell's metres, and occasionally his words, have been adopted in the following Psalms: 2, 24, 39, 45, 46, 50, 84, 85, 90, 110, 111, 113." Of these the following, sometimes with alterations of the 1860 text, were given in the

Joachim Magdeburg

1525 - 1587 Person Name: Johannes Magdeburg Author of "Who trusts in God, a strong abode" in The Harvard University Hymn Book Magdeburg, Joachim , was born circa 1525 at Gardelegen in the Altmark. He matriculated at the University of Wittenberg, April, 1544, and in 1546 was appointed rector of the school at Schöningen, near Helmstädt, Brunswick. He became pastor of Dannenberg in Lüneburg in 1547, but being unable to exist on his slender income resigned in 1549, and in the same year became pastor of Salzwedel in the Altmark. But refusing to adopt the Roman ceremonies prescribed by the Act of Interim he was, in 1552 (Easter Sunday, April 17) banished from the Electorate of Brandenburg. About May, 1552, by the influence of Johann Aepinus, Superintendent of Hamburg, he was appointed diaconus of St. Peter's Church in Hamburg, and there became acquainted with Flacius Illyricus [Matthias Flach, Extreme Lutheran, church historian, &c, died at Frankfurt-am-Main, March 11, 1575]. After the death of Aepinus, May 13, 1553, Paulus von Eitzen, his successor, was not so friendly, and when, during the controversy in 1558 regarding Holy Communion, Magdeburg published a tractate without submitting it to the revision of Eitzen, the latter obtained the removal of Magdeburg from his post, May 25, 1558. He then went to Magdeburg to help his friend Flacius as one of the compilers of the Church history known as the Magdeburg Centuries. Shortly thereafter he was appointed pastor of Ossmanstedt in Thuringia; but, as a follower of Flacius, was dispossessed in 1562. He then stayed for longer or shorter periods with Count von Mansfeld, Baron von Schönburg and others, until, after the Emperor Maximilian II. had once more permitted Protestant preachers in Austria, he was, at Count von Mansfeld's recommendation, appointed by the commandant of Raab in Hungary as regimental chaplain at Raab in 1564, and, after his house there was burnt, at the castle of Gräfenworth (east of Krems), to the German-speaking Austrian troops. There he had to contend with the machinations of the Roman clergy, and after joining with nineteen others of the Evangelical clergy in Austria in presenting a Confession of Faith to an Austrian Diet (Landtag), was compelled to leave; and in 1571 we find him living at Erfurt. In 1581 he was preacher at Efferding in Austria; but in 1583 was expelled as an adherent of Flacius. His later history is unknown (Koch, i. 446; Allgemeine Deutsche Biographie, xx., 53, &c). Wachernagel, iii. pp. 1035-1042, gives five pieces under his name. The only one translation into English is:— Wer Gott vertraut, hat wohl gebaut. Trust in God. Founded on Ps. lxxiii. 25, 26. Wachernagel, iii. p. 1042, prints st. i. from Magdeburg's Christliche und tröstliche Tischgesenge, mit vier Stimmen, Erfurt, 1572 (where it is the hymn for Saturday evening); and thinks it probable, though not certain, that it is an original by Magdeburg. In S. Calvisius's Harmonia cantionum ecclesiasticarum, Leipzig, 1597, st. ii. and iii., are first found. Lauxmann in Koch, viii., 373, thus sums up the evidence:— ”From these circumstances it seems evident that the hymn originally consisted only of the first stanza, but that Magdeburg's authorship, in opposition to other claims [it has been ascribed to J. Kolross and to J. Mühlmann] is beyond doubt." The text of 1597 is repeated in Wachernagel, iii. p. 1043, and the Unverfälschter Liedersegen, 1851, No. 642, in 3 st. of 8 (or 12) lines. Translated as:— 1. Who trusts in God, his work abides. By A. T. Russell, of st. i., ii., as No. 230, in his Psalms & Hymns, 1851. 2. Who puts his trust in God most just. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Service, 1858, p. 192, and her Chorale Book for England, 1863, No. 145. Repeated, slightly altered, in the Pennsylvania Lutheran Church Book, 1568. 3. Who trusts in God a strong abode. A good but free translated by Dr. B. H. Kennedy, as No. 486, in his Hymnologia Christiana, 1863, repeated in J. L. Porter's Collection 1876, and others. In Morrell and How's Psalms & Hymns, 1864, No 208, it was considerably altered by Bishop How, and this form is repeated in the Society for Promoting Knowledge’s Church Hymns, 1871; Thring's Collection, 1882, and others; the Baptist Hymnal, 1879, omitting the last four lines, and ascribing it, in error, to M. Luther. Another translation is: "Who lives in God has safe abode." By Dr. H. Mills, 1856, p. 244. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)