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Venite, Exultemus Domino
Appears in 453 hymnals First Line: O come, let us sing unto the Lord (Chant)
Venite, Exultemus Domino
Come, Let Us Sing unto the Lord
Meter: 8.8.8.8 Appears in 16 hymnals Lyrics: 1 Come, let us sing unto the Lord
new songs of praise with sweet accord;
for wonders great by him are done,
his hand and arm have vict'ry won.
2 The great salvation of our God
is seen through all the earth abroad;
before the heathen’s wond'ring sight
he has revealed his truth and right.
3 He called to mind his truth and grace
in promise made to Israel’s race;
and unto earth’s remotest bound
glad tidings of salvation sound.
4 All lands, to God lift up your voice;
sing praise to him, with shouts rejoice;
with voice of joy and loud acclaim
let all unite and praise his name.
5 Praise God with harp, with harp sing praise,
with voice of psalms his glory raise;
with trumpets, cornets, gladly sing
and shout before the Lord, the King.
6 Let earth be glad, let billows roar
and all that dwell from shore to shore;
let floods clap hands with one accord,
let hills rejoice before the Lord.
7 For lo, he comes; at his command
all nations shall in judgment stand;
in justice robed and throned in light,
the Lord shall judge, dispensing right.
Topics: Rejoicing in God; God His perfections; God Sovereignty of Scripture: Psalm 98 Used With Tune: DUKE STREET Text Sources: Associate Reformed Presbyterian Psalter, 1931; mod.
Come, Let Us Sing unto the Lord
Come, Let Us Sing to the Lord
Appears in 2 hymnals First Line: Come, let us sing to the Lord; Let us shout for joy to the Rock of our salvation
Come, Let Us Sing to the Lord
[O come let us sing unto the Lord]
Appears in 120 hymnals Composer and/or Arranger: William Boyce Tune Key: C Major Incipit: 15433 25545 56716 Used With Text: Canticle of Praise to God (Venite Exultemus)
[O come let us sing unto the Lord]
DUKE STREET
Meter: 8.8.8.8 Appears in 1,440 hymnals Composer and/or Arranger: John Hatton Tune Key: D Major Incipit: 13456 71765 55565 Used With Text: Come, Let Us Sing unto the Lord
DUKE STREET
[O come, let us sing unto the Lord]
Appears in 4 hymnals Composer and/or Arranger: Bruce E. Ford, b. 1947 Tune Sources: Plainsong, Tone 7 Tune Key: e minor Incipit: 32346 54554 Used With Text: O come, let us sing unto the Lord
[O come, let us sing unto the Lord]
A Psalm for Singing
Hymnal: Songs for Life #1 (1995) First Line: Come, let us sing unto the Lord Topics: Meeting with God's People Gathering Scripture: Psalm 95:1-3 Languages: English Tune Title: [Come let us sing unto the Lord]
A Psalm for Singing
O Come, Let Us Sing Unto the Lord
Hymnal: The Hymnal #A47 (1950) Lyrics: 1 O come, let us sing unto the Lord:
let us heartily rejoice in the strength of our salvation.
2 Let us come before His presence with thanksgiving:
and show ourselves glad in Him with psalms.
3 For the Lord is a great God:
and a great King above all gods.
4 In His hand are all the corners of the earth:
and the strength of the hills is His also.
5 The sea is His, and He made it:
and His hands prepared the dry land.
6 O come, let us worship and fall down:
and kneel before the Lord our Maker.
7 For He is the Lord our God:
and we are the people of His pasture, and the sheep of His hand.
8 O worship the Lord in the beauty of holiness:
let the whole earth stand in awe of Him.
9 For He cometh, for He cometh to judge the earth:
and with righteousness to judge the world, and the people with His truth.
10 Glory be to the Father, and to the Son:
and to the Holy Ghost;
11 As it was in the beginning, is now and ever shall be:
world without end. Amen. Scripture: Psalm 95 Tune Title: [O come, let us sing unto the Lord]
O Come, Let Us Sing Unto the Lord
O Come, Let Us Sing Unto the Lord
Hymnal: The Hymnal #A48 (1950) Lyrics: 1 O come, let us sing unto the Lord:
let us heartily rejoice in the strength of our salvation.
2 Let us come before His presence with thanksgiving:
and show ourselves glad in Him with psalms.
3 For the Lord is a great God:
and a great King above all gods.
4 In His hand are all the corners of the earth:
and the strength of the hills is His also.
5 The sea is His, and He made it:
and His hands prepared the dry land.
6 O come, let us worship and fall down:
and kneel before the Lord our Maker.
7 For He is the Lord our God:
and we are the people of His pasture, and the sheep of His hand.
8 O worship the Lord in the beauty of holiness:
let the whole earth stand in awe of Him.
9 For He cometh, for He cometh to judge the earth:
and with righteousness to judge the world, and the people with His truth.
10 Glory be to the Father, and to the Son:
and to the Holy Ghost;
11 As it was in the beginning, is now and ever shall be:
world without end. Amen. Scripture: Psalm 95 Tune Title: [O come, let us sing unto the Lord]
O Come, Let Us Sing Unto the Lord
John Warrington Hatton
1710 - 1793 Person Name: John Hatton Composer of "DUKE STREET" in Trinity Hymnal (Rev. ed.) John Warrington Hatton (b. Warrington, England, c. 1710; d, St. Helen's, Lancaster, England, 1793) was christened in Warrington, Lancashire, England. He supposedly lived on Duke Street in Lancashire, from where his famous tune name comes. Very little is known about Hatton, but he was most likely a Presbyterian, and the story goes that he was killed in a stagecoach accident.
Bert Polman
John Warrington Hatton
Thomas Tallis
1505 - 1585 Person Name: T. Tallis Composer of "[O come let us sing unto the Lord] (Tallis)" in The Church Hymnal Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561).
Bert Polman
Thomas Tallis
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart (1813-1879) Composer of "[O come, let us sing unto the Lord]" in The Pilgrim Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
