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Come Unto Me
Appears in 16 hymnals First Line: Come unto me, all ye that labor and are heavy aden
Come Unto Me
Come Unto Me
Appears in 37 hymnals First Line: Come unto me, all ye that labor and are heavy laden Used With Tune: [Come unto me, all ye that labor and are heavy laden]
Come Unto Me
Come Unto Me
Appears in 5 hymnals First Line: Come unto me, all ye that labor, all ye that labor and are heavy laden
Come Unto Me
[Come unto me, all ye that labor and are heavy laden]
Appears in 80 hymnals Composer and/or Arranger: Richard Farrant Incipit: 11235 43221 Used With Text: Come Unto Me
[Come unto me, all ye that labor and are heavy laden]
GREENVILLE
Appears in 449 hymnals Incipit: 33211 22321 55433 Used With Text: Come unto me, all ye that labor
GREENVILLE
COME UNTO ME
Appears in 17 hymnals Composer and/or Arranger: Anon. Incipit: 32125 43221 Used With Text: Come unto me, all ye that labor and are heavy laden
COME UNTO ME
Come Unto Me
Author: W. J. Henry Hymnal: Salvation Echoes #28 (1900) First Line: Come unto me, all ye that labor Refrain First Line: Come unto me, all ye that labor Languages: English Tune Title: [Come unto me, all ye that labor]
Come Unto Me
Come Unto Me, All Ye That Labor
Hymnal: Gospel Trio of Sacred Song #45 (1891) First Line: Come unto me all ye that labor Languages: English Tune Title: [Come unto me all ye that labor]
Come Unto Me, All Ye That Labor
Come Unto Me
Hymnal: Spiritualist Hymnal #109 (1911) First Line: Come unto me all ye that labor Lyrics: Come unto me, all ye that labor and are heavy laden,
and I will give you rest.
Take my yoke upon you, and learn of me
for I am meek and lowly in heart,
and ye shall find rest unto your souls.
Come, come, come unto me. Languages: English Tune Title: [Come unto me all ye that labor]
Come Unto Me
Anonymous
Person Name: Anon. Composer of "COME UNTO ME" in The Praise Hymnary In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Composer of "CHANT No. 4" in The New Sabbath School Hosanna William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
James McGranahan
1840 - 1907 Composer of "[Come unto me all ye that labor]" in The Gospel Choir No. 2 James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
