Search Results

Switch back to the old search page.Advanced Search

Jesus Christ, my sure defense

Author: Luise Henriette of Brandenburg; Catherine Winkworth, 1827-1878 Appears in 56 hymnals Matching Instances: 56 Used With Tune: JESUS, MEINE ZUVERSICHT

Meter: 7.8.7.8.7.7 Appears in 177 hymnals Matching Instances: 25 Composer and/or Arranger: Johann Crueger, 1598-1662 Incipit: 54367 11767 15434 Used With Text: Jesus Christ, my sure defense

GROSSER GOTT, WIR LOBEN DICH

Appears in 222 hymnals Matching Instances: 1 Tune Sources: "Katholisches Gesangbuch," Vienna, 1774 Tune Key: G Major Incipit: 11171 23213 33235 Used With Text: Jesus Christ, My Sure Defense

Instances

Published text-tune combinations (hymns) from specific hymnals

Jesus Christ, My Sure Defense

Author: Luise Henriette of Brandenburg; Catherine Winkworth Hymnal: The Cyber Hymnal #3223 Meter: 7.8.7.8.7.7 Lyrics: 1. Jesus Christ, my sure Defense And my Savior, ever liveth; Knowing this, my confidence Rests upon the hope it giveth Though the night of death be fraught Still with many an anxious thought. 2. Jesus, my Redeemer, lives; I, too, unto life shall waken. Endless joy my Savior gives; Shall my courage, then, be shaken? Shall I fear, or could the Head Rise and leave His members dead? 3. Nay, too closely I am bound Unto Him by hope forever; Faith’s strong hand the Rock hath found, Grasped it, and will leave it never; Even death now cannot part From its Lord the trusting heart. 4. I am flesh and must return Unto dust, whence I am taken; But by faith I now discern That from death I shall awaken With my Savior to abide In His glory, at His side. 5. Glorified, I shall anew With this flesh then be enshrouded; In this body I shall view God, my Lord, with eyes unclouded; In this flesh I then shall see Jesus Christ eternally. 6. Then these eyes my Lord shall know, My Redeemer and my Brother; In His love my soul shall glow— I myself, and not another! Then the weakness I feel here Shall forever disappear. 7. They who sorrow here and moan There in gladness shall be reigning; Earthly here the seed is sown, There immortal life attaining, Here our sinful bodies die, Glorified to dwell on high. 8. Then take comfort and rejoice, For His members Christ will cherish. Fear not, they will hear His voice; Dying, they shall never perish; For the very grave is stirred When the trumpet’s blast is heard. 9. Laugh to scorn the gloomy grave And at death no longer tremble; He, the Lord, who came to save Will at last His own assemble. They will go their Lord to meet, Treading death beneath their feet. 10. Oh, then draw away your hearts Now from pleasures base and hollow. There to share what He imparts, Here His footsteps ye must follow. Fix your hearts beyond the skies, Whither ye yourselves would rise. Languages: English Tune Title: JESUS, MEINE ZUVERSICHT

Jesus Christ, My Sure Defense

Author: Otto von Schwerin, 1616-79; Catherine Winkworth, 1827-78 Hymnal: Lutheran Service Book #741 (2006) Meter: 7.8.7.8.7.7 Lyrics: 1 Jesus Christ, my sure defense And my Savior, now is living! Knowing this, my confidence Rests upon the hope here given, Though the night of death be fraught Still with many an anxious thought. 2 Jesus, my Redeemer, lives; Likewise I to life shall waken. He will bring me where He is; Shall my courage then be shaken? Shall I fear, or could the Head Rise and leave His members dead? 3 No, too closely I am bound By my hope to Christ forever; Faith's strong hand the Rock has found, Grasped it, and will leave it never; Even death now cannot part From its Lord the trusting heart. 4 I am flesh and must return To the dust, whence I am taken; But by faith I now discern That from death I shall awaken With my Savior to abide In His glory, at His side. 5 Glorified, I shall anew With this flesh then be enshrouded; In this body I shall view God, my Lord, with eyes unclouded; In this flesh I then shall see Jesus Christ eternally. 6 Then take comfort and rejoice, For His members Christ will cherish. Fear not, they will hear His voice; Dying, they shall never perish; For the very grave is stirred When the trumpet's blast is heard. 7 Laugh to scorn the gloomy grave And at death no longer tremble; He, the Lord, who came to save Will at last His own assemble. They will go their Lord to meet, Treading death beneath their feet. 8 O, then, draw away your hearts From all pleasures base and hollow; Strive to share what He imparts While you here His footsteps follow. As you now still wait to rise, Fix your hearts beyond the skies! Topics: Death and Burial Scripture: 1 Corinthians 15:34-58 Languages: English Tune Title: JESUS, MEINE ZUVERSICHT

Jesus Lives, My Sure Defense

Author: Otto von Schwerin, 1616-1679; Catherine Winkworth, 1827-1878 Hymnal: Evangelical Lutheran Worship #621 (2006) Meter: 7.8.7.8.7.7 Lyrics: 1 Jesus lives, my sure defense and my everlasting Savior! Knowing this, my confidence rests in hope and will not waver, though the night of death be fraught still with many an anxious thought. 2 Jesus, my redeemer, lives; I too unto life shall waken. Bright the hope this promise gives; shall my courage, then, be shaken? Shall I fear then? Can the head rise and leave his members dead? 3 No, too closely am I bound unto him by hope forever; faith's strong hand the rock has found, grasped it, and will leave it never; even death now cannot part from its Lord the trusting heart. 4 I am flesh and must return unto dust, whence I am taken. But these eyes my Lord will know when from death I shall awaken, with my Savior to abide in his glory, at his side. 5 Then take comfort and rejoice, for his people Christ will cherish. Fear not, they will hear his voice; dying, they shall never perish; for the very grave is stirred when the trumpet's blast is heard. 6 Here on earth, then, let your hearts rise from longings vain and hollow. Seek what Christ your Lord imparts while you in his footsteps follow. As you now still wait to rise, set your hearts beyond the skies! Topics: Hope, Assurance; Easter; Hope, Assurance; Journey, Pilgrimage Languages: English Tune Title: JESUS, MEINE ZUVERSICHT

View 53 more instances

People

Authors, composers, editors, etc.

Catherine Winkworth

1827 - 1878 Translator of "Jesus Christ, My Sure Defense" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Electress Luise Henriette

1627 - 1667 Person Name: Louise Henriette von Brandenburg Author of "Jesus Christ, My Sure Defense" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Luise Henriette, Electress of Brandenburg, daughter of Friedrich Heinrich, Prince of Nassau-Orange and Stadtholder of the United Netherlands, was born at 'S Gravenhage (The Hague), Nov. 27, 1627. She received a careful Christian training, not only in literature, but also in domestic economy and feminine handicrafts. On Dec. 7, 1646, she was married, at the Hague, to the Elector Friedrich Wilhelm of Brandenburg, who was then residing at Cleve, but remained at the Hague to nurse her father, who died March 14, 1647. She then, in June, 1647, joined her husband at Cleve, where her first child, Wilhelm Heinrich, was born in May 1648. In the autumn of 1619 she set out with her husband and child on the way to Berlin, but in the inclement weather the child sickened and died at Wesel, Oct. 24,1649, and it was not till April 10, 1650, that she entered Berlin. On the birth of her second son, Carl Emil (who died 1674), at Oranienburg, near Berlin, on Feb. 16, 1655, she founded an orphanage there as a thank-offering (now the Oranienburg Orphanage at Berlin). On July 11, 1657, her third son, afterwards King Friedrich I. of Prussia, was born at Königsberg. After the birth of her youngest son, Ludwig, at Cleve, in 1666, she never entirely recovered. In the spring of 1667 she was conveyed to Berlin in a litter, and died there June 18, 1667. (Koch, iv. 158; Allgemeine Deutsche Biographie, xix. 623; Goedeke's Grundrias, vol. iii., 1887, p. 319, &c.) Luise Henriette was a woman of noble character; a devoted wife who accompanied her husband in many of his expeditions, and was his right-hand counsellor in matters of state; and a true mother of her people, introducing the culture of the potato, founding model farms, establishing elementary schools, and in many ways interesting herself in restoring their welfare after the ravages of the Thirty Years' War. She was, like the Elector, a member of the Reformed Church, but earnestly desired to promote peace between the Lutheran and Reformed communions, and exerted herself especially on behalf of P. Gerhardt. Another of her efforts in this direction was by means of the Union Hymn Book, which Christoph Runge edited at her direction, and published in 1653. To this book she herself contributed four hymns. In his dedication to the Electress, Runge says she had "augmented and adorned it with your own hymns, viz.: ‘Ein ander stelle sein Vertrauen'; ‘Gott der Reichthumb deiner Güter'; 'Jesus meine Zuversicht'; 'Ich wil von meiner Missethat.' Your Electoral Highness has not only in those your now mentioned hymns (itzt gemeldten geistreichen Ihren eigenen Liedern) made known to all the world your Christian spirit; how your confidence is directed to God alone; how you ascribe to him with thankful heart all the benefits you enjoy; and how you rest the hope of your future everlasting life in Heaven on Christ alone as on a steadfast rock, but have also," &c. &c. The question however remains. Did Runge here mean more than that she had sent for insertion certain hymns which were favourites of her own, perhaps written for her, but not necessarily written by her? Such cases were common enough at an earlier period. It is certainly strange that her name should not be given in any of the many hymn-books in which the third of these ("Jesus meine Zuversicht") was included during the next century. It was not till 1769 that Runge's dedication suggested to D. G. Schöber, and, after him, to other compilers, the idea of the Electress's authorship; but once suggested it was soon generally accepted. Fischer, i. 390-396, gives various additional reasons that make this theory unlikely; such as that while in Runge's dedication they are mentioned as above, yet her name is not affixed to the individual hymns in the body of the book; that in the funeral oration by her private chaplain, no mention is made of her poetical gifts; that Crüger gave them in his Praxis pietatis melica without her name (in the 1664 and later editions the first was omitted), and that in particular the third is too classic and correct in style to have been written by so poor a German scholar as the Electress. This last objection would of course be met if we could suppose with Koch (iv. p. 169) that the hymn was originally written in Dutch, or with Dutch idioms, and was revised and corrected by her minister, Otto von Schwerin, or by Runge. In view of the present evidence we can only say that if the Electress were not the author of these hymns there is at least no proof of any kind to show that they were composed by any of those whose names have sometimes been attached to them; such as Otto von Schwerin (b. 1616, d. 1679), Caspar Ziegler (b. 1621, d. 1690), Hans von Assig (b. 1650, d. 1694), and others. In this state of uncertainty the case must be left till definite proof be forthcoming. Two of these hymns have passed into English, viz.:— i. Ich will von meiner Missethat. Lent. This beautiful hymn first appeared in the Crüger-Runge Gesang-Buch, 1653, No. 45, in 16 st. of 7 1., entitled, "Hymn of Penitence," and without signature. Koch, iv. 160, conjectures that it may have been written at Cleve in 1648. In the Unverfälschter Liedersegen 1851, No. 380. The translations are :— (1) "With sorrow now for past misdeeds," by Miss Cox, 1864, p, 204. (2) "I will return unto the Lord," by Miss Winkworth, 1869, p. 221. ii. Jesus meine Zuversicht. Easter. This beautiful hymn, founded on Job xix. 25-27 and 1 Cor. xv. 35 ff., appeared in the Crüger-Runge Gesang-Buch, 1653, No. 140, in 10 st. of 6 l., and without signature. Its origin is thus given by Lauxmann, in Koch, viii. 69:— "It dates from the early years of her married life. In the autumn of 1649 she lost her first child, the Crown Prince Wilhelm Heinrich, at Wesel, while on her journey [to Berlin], by which death for a long time the hope of succession in the Electoral House and in the Hohenzollern family line seemed to be lost. At Tangermünde, in the Altmark [on the Elbe], she had to spend some quiet winter months, and here probably the princess of twenty-two years poured out her heart before the Lord in this hymn." This, however, is conjecture rather than history; for, as stated above, it is not yet clearly proved that the Electress wrote any hymns. The hymn itself is of the first rank; and A. J. Rambach calls it "an acknowledged masterpiece of Christian poetry;" while C. von Winterfeld says, "it will ever remain a treasure among the hallowed songs of the Evangelical Church." It bears a certain resemblance to the concluding section of the Apotheosis of A. C. Prudentius (lines 1063-1085, with the subtitle "De resurrectione carnis humanae," and beginning, "Nosco meum in Christo corpus consurgere. Quid me"); but can hardly be called a translation of it. It was included in Crüger's Praxis, 1656, No. 182, passed into almost all later hymn-books, and is No. 866 in the Unverfälschter Liedersegen, 1851. The beautiful chorale (as in the Chorale Book for England) appeared in its first form in 1653, along with the hymn. C. von Winterfeld conjectured that it may have been by the Electress. The form now in use is modified from that given by Crüger in his Praxis, 1656. Translated as:— 1. Christ, my Rock, my sure Defence. Omitting st. ix., as No. 51 in the Moravian Hymn Book 1769. In the edition of 1789. No. 833, st. viii. was omitted, and a translation from Christian Gregor’s "Nein, ach nein, er lasst mich nicht," was added as st. iii. (ed. 1886, No. 1241). Abridged forms are in J. A. Latrobe's Collection, 1841, and Dr. Hook's Church School Hymn Book, 1850. 2. Jesus, on Whose name I rest. A good translation of st. i.-iv., vi., by A. T. Russell, as No. 264, in his Psalms & Hymns, 1851. 3. Jesus, my Redeemer, lives. A good translation, omitting st. iv., v., by Miss Winkworth, in her Lyra Germanica 1st Ser., 1855, p. 93. Repeated, in full, in the Ohio Evangelical Lutheran Hymnal

Johann Crüger

1598 - 1662 Person Name: J. Crüger, 1598-1662 Composer of "JESUS, MIENE ZUBERSICHT" in Evangelical Lutheran Hymnary Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

User Links

User Links

Discover

Collections

Store

Connect

Search

Collections

Discover

Texts

Jesus Christ, my sure defense

Tunes

CONFIDENCE

GROSSER GOTT, WIR LOBEN DICH

Instances

Jesus Christ, My Sure Defense

Jesus Christ, My Sure Defense

Jesus Lives, My Sure Defense

View 53 more instances

People

Catherine Winkworth

Electress Luise Henriette

Johann Crüger

View 2 more people