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Search Results

Text Identifier:life_of_ages_richly_poured

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Texts

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Life of ages, richly poured

Author: Samuel Johnson Meter: 7.7.7.7 Appears in 93 hymnals Topics: Worship and Praise Used With Tune: VIENNA

Tunes

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VIENNA

Meter: 7.7.7.7 Appears in 189 hymnals Composer and/or Arranger: Justin Heinrich Knecht, 1752-1817 Tune Key: F Major or modal Incipit: 32135 43671 27654 Used With Text: Life of Ages
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BRANDENBURG

Meter: 7.7.7.7 Appears in 350 hymnals Tune Sources: German Melody Tune Key: B Flat Major Incipit: 17151 71213 16212 Used With Text: Life of ages, richly poured
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POSEN

Appears in 136 hymnals Composer and/or Arranger: George C. Strattner, 1650-1705 Incipit: 11112 34355 55671 Used With Text: Life of Ages, Richly Poured

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Life of Ages, Richly Poured

Author: Samuel Johnson Hymnal: The Cyber Hymnal #3737 Meter: 7.7.7.7 Lyrics: 1. Life of ages, richly poured, Love of God, unspent and free, Flowing in the prophet’s word, And the people’s liberty. 2. Never was to chosen race That unstinted tide confined Thine is every time and place, Fountain sweet of heart and mind. 3. Breathing in the thinker’s creed, Pulsing in the hero’s blood, Nerving noblest thought and deed, Fresh’ning time with truth and good. 4. Consecrating art and song, Holy book and pilgrim way, Quelling strife and tyrant wrong, Widening freedom’s sacred sway. Languages: English Tune Title: CULBACH

Life of ages, richly poured

Author: Samuel Johnson Hymnal: The Beacon Song and Service book #22 (1935) Meter: 7.7.7.7 Topics: Worship and Praise Languages: English Tune Title: VIENNA
Text

Life of ages, richly poured

Author: Rev. Samuel Johnson Hymnal: The Hymnal #95 (1950) Meter: 7.7.7.7 Lyrics: 1 Life of ages, richly poured, Love of God, unspent and free, Flowing in the prophet’s word, And the people’s liberty; 2 Breathing in the thinker’s creed; Pulsing in the hero’s blood; Nerving simplest thought and deed; Freshening time with truth and good; 3 Consecrating art and song, Holy book and pilgrim track; Hurling floods of tyrant wrong From the sacred limits back— 4 Life of ages, richly poured, Love of God, unspent and free, Flow still in the prophet’s word, And the people’s liberty! Amen. Topics: God the Father His Love and Fatherhood; Art and Song Service; Dedication Services Of Memorial Gifts; God Love and Fatherhood, His; Installations Minister of Music; Memorial Days; Musical Services; Nation, The; Social Progress Tune Title: HORSHAM

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. BEES" in The Students' Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Richard Redhead

1820 - 1901 Adapter of "ORIENTIS PARTIBUS" in Hymnal for Colleges and Schools Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: H. J. Gauntlett Composer of "UNIVERSITY COLLEGE" in The Fellowship Hymn Book Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman