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Text Identifier:o_day_of_rest_and_gladness

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O Day of Rest and Gladness

Author: Christopher Wordsworth Meter: 7.6.7.6 D Appears in 814 hymnals

Tunes

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ES FLOG EIN KLEINS WALDVÖGELEIN

Meter: 7.6.7.6 D Appears in 41 hymnals Composer and/or Arranger: George Ratcliffe Woodward Tune Sources: Memmingen ms., 17th century Tune Key: G Major Incipit: 11531 71256 11711 Used With Text: O Day of Radiant Gladness
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ELLACOMBE

Meter: 7.6.7.6.7.6.7.6 Appears in 608 hymnals Tune Sources: Gesanbuch der Herzogle, Hofkapelle, Württemberg, 1784 Tune Key: A Major Incipit: 51765 13455 67122 Used With Text: O Day of Rest and Gladness
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DAY OF REST

Appears in 175 hymnals Composer and/or Arranger: James W. Elliott Tune Key: F Major Incipit: 13565 45321 23462 Used With Text: O day of rest and gladness

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Day of Rest and Gladness

Author: Wordsworth Hymnal: Calvary Songs #14a (1875) Lyrics: 1 O day of rest and gladness, O day of joy and light, O balm of care and sadness, Most beautiful, most bright; On thee, the high and lowly, Bending before the throne, Sing Holy, Holy, Holy, To the great Three in One. 2 Today on weary nations The heavenly manna falls; To holy convocations The silver trumpet calls, Where gospel light is glowing With pure and radiant beams, And living water flowing With soul-refreshing streams. 3 New graces ever gaining From this our day of rest, We reach the rest remaining To spirits of the blest. To Holy Ghost be praises, To Father and to Son; The Church her voice upraises To thee, great Three in One. Languages: English Tune Title: [O day of rest and gladness]
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O Day Of Rest And Gladness

Author: C. Wordsworth Hymnal: Hymnal for Church and Home #22 (1927) Lyrics: 1 O day of rest and gladness, O day of joy and light, O balm of care and sadness, Most beautiful, most bright, On thee, the high and lowly, Through ages joined in tune, Sing Holy, Holy, Holy! To the great God Triune. 2 On thee, at the creation, The light first had its birth; On thee, for our salvation, Christ rose from depths of earth; On thee, our Lord, victorious, The Spirit sent from heaven; And thus on thee, most glorious, A triple light was given. 3 Thou art a port protected From storms that round us rise; A garden intersected With streams of Paradise; Thou art a cooling fountain, In life's dry, dreary sand; From thee, like Pisgah's mountain, We view our promised land. 4 To-day on weary nations The heavenly manna falls; To holy convocations The silver trumpet calls, Where gospel-light is glowing With pure and radiant beams, And living water flowing With soul-refreshing streams. 5 New graces ever gaining From this our day of rest, We reach the rest remaining To spirits of the blest. To Holy Ghost be praises; To Father, and to Son; The Church her voice upraises To thee, blest Three in One. Topics: Opening Hymns Languages: English Tune Title: [O day of rest and gladness]
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O day of rest and gladness

Author: Bp. Chr. Wordsworth Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #24a (1894) Meter: 7.6 D Lyrics: 1 O day of rest and gladness, O day of joy and light, O balm of care and sadness, Most beautiful, most bright; On thee, the high and lowly, Through ages joined in tune, Sing, Holy, Holy, Holy, To the great God Triune. 2 On thee, at the creation, The light first had its birth; On thee, for our salvation, Christ rose from depths of earth; On thee our Lord victorious The Spirit sent from heaven; And thus on thee most glorious A triple light was given. 3 Thou art a port protected From storms which round us rise; A garden intersected With streams of Paradise; Thou art a cooling fountain In life's dry dreary sand; From thee, like Pisgah's mountain, We view our promised land. 4 To-day on weary nations The heavenly manna falls; To holy convocations The silver trumpet calls, Where Gospel light is glowing With pure and radiant beams, And living water flowing With soul-refreshing streams. 5 New graces ever gaining From this our day of rest, We reach the Rest remaining To spirits of the blest. To Holy Ghost be praises, To Father, and to Son; The church her voice upraises To Thee, blest Three in One. Amen. Topics: The Lord's Day Languages: English Tune Title: [O day of rest and gladness]

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810-1876 Composer of "AURELIA" in The Hymnary of the United Church of Canada Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Joseph Barnby

1838 - 1896 Person Name: Sir Joseph Barnby Composer of "[O day of rest and gladness]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "DIES DOMINICA" in The Church Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman