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Peoples, Clap Your Hands!
Author: Joy F. Patterson Meter: 10.10.10.10.10.10 Appears in 3 hymnals First Line: Peoples, clap your hands! Shout to God with joy
Peoples, Clap Your Hands!
Psalm 47: God Mounts His Throne
Author: Marty Haugen Appears in 5 hymnals First Line: All you peoples, clap your hands, Shout to God in gladness (Haugen) Refrain First Line: God mounts his throne Used With Tune: [All you peoples, clap your hands] (Haugen)
Psalm 47: God Mounts His Throne
All Peoples, Clap Your Hands
Author: Christopher L. Webber Meter: 6.6.8.6 D Appears in 1 hymnal Topics: Ascension; Enemies; Epiphany Season; God as King of Kings; Joy; Mercy; Missions; Peoples; Prophecy; Rejoicing; Suffering; Worship Scripture: Psalm 47 Used With Tune: DIADEMATA
All Peoples, Clap Your Hands
GENEVAN 47
Meter: 10.10.10.10.10.10 Appears in 10 hymnals Composer and/or Arranger: Claude Goudimel Tune Key: D Major Incipit: 53123 43221 55671 Used With Text: Peoples, Clap Your Hands! (Psalm 47)
GENEVAN 47
[All you peoples clap your hands]
Appears in 2 hymnals Composer and/or Arranger: H. Ricardo Ramirez Tune Key: F Major Incipit: 55531 55315 53127 Used With Text: God mounts his throne to shouts of joy
[All you peoples clap your hands]
[All you peoples, clap your hands]
Appears in 5 hymnals Composer and/or Arranger: Marty Haugen Tune Key: G Major Incipit: 11651 342 Used With Text: Psalm 47: God Mounts His Throne
[All you peoples, clap your hands]
Peoples, clap your hands
Author: Joy F. Patterson, 1931- Hymnal: The Book of Praise #31 (1997) Meter: 10.10.10.10.10.10 First Line: Peoples, clap your hands! Shout to God with joy! Topics: God King; Joy; Metrical Psalms; Music / Singing / Song; Nations; Praise Scripture: Psalm 47 Languages: English Tune Title: GENEVAN 47
Peoples, clap your hands
Peoples, Clap Your Hands!
Author: Joy F. Patterson Hymnal: The Presbyterian Hymnal #194 (1990) Meter: 10.10.10.10.10.10 First Line: Peoples, clap your hands! Shout to God with joy Topics: God Adoration and Praise Scripture: Psalm 47 Languages: English Tune Title: GENEVAN 47
Peoples, Clap Your Hands!
Peoples, Clap Your Hands! (Psalm 47)
Author: Joy F. Patterson Hymnal: Glory to God #261 (2013) Meter: 10.10.10.10.10.10 First Line: Peoples, clap your hands! Shout to God with joy! Topics: Jesus Christ Ascension and Reign; The Life of the Nations Scripture: Psalm 47 Languages: English Tune Title: GENEVAN 47
Peoples, Clap Your Hands! (Psalm 47)
George J. Elvey
1816 - 1893 Composer of "DIADEMATA" in Christian Worship George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music.
Bert Polman
George J. Elvey
Ralph Vaughan Williams
1872 - 1958 Harmonizer of "FOREST GREEN" in Psalms and Hymns to the Living God Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
Marty Haugen
b. 1950 Author of "Psalm 47: God Mounts His Throne" in RitualSong (2nd ed.) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world.
Emily Brink
Marty Haugen
