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We are children of one Father
Author: Lucy Larcom Appears in 5 hymnals Hymnal Title: Services for Congregational Worship. The New Hymn and Tune Book Used With Tune: ALLELUIA DULCE CARMEN
We are children of one Father
[We are children of one Father]
Appears in 5 hymnals Composer and/or Arranger: Henry Farmer Hymnal Title: A Book of Song and Service Incipit: 55532 12315 67143 Used With Text: Fatherland
[We are children of one Father]
ALLELUIA DULCE CARMEN
Appears in 237 hymnals Composer and/or Arranger: Anon. Hymnal Title: Services for Congregational Worship. The New Hymn and Tune Book Tune Sources: Essay on The Church Plain Chant, 1782 Incipit: 12345 43211 14321 Used With Text: We are children of one Father
ALLELUIA DULCE CARMEN
Fatherland
Author: Lucy Larcom Hymnal: A Book of Song and Service #74 (1905) Hymnal Title: A Book of Song and Service First Line: We are children of one Father Topics: God our Father Languages: English Tune Title: [We are children of one Father]
Fatherland
We are children of one Father
Author: Lucy Larcom Hymnal: Praise in Song #197 (1888) Hymnal Title: Praise in Song Languages: English Tune Title: FATHERHOOD
We are children of one Father
We are children of one Father
Author: Lucy Larcom Hymnal: Services for Congregational Worship. The New Hymn and Tune Book #522 (1914) Hymnal Title: Services for Congregational Worship. The New Hymn and Tune Book Languages: English Tune Title: ALLELUIA DULCE CARMEN
We are children of one Father
Henry Farmer
1819 - 1891 Hymnal Title: A Book of Song and Service Composer of "[We are children of one Father]" in A Book of Song and Service
Henry Farmer
Lucy Larcom
1824 - 1893 Hymnal Title: Services for Congregational Worship. The New Hymn and Tune Book Author of "We are children of one Father" in Services for Congregational Worship. The New Hymn and Tune Book Larcom, Lucy, was born at Beverley Farm, Massachusetts, in 1826. Her Poems were published in 1864. Her hymn, "When for me the silent oar" [Death Anticipated), was published in 1868. She died in 1893.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===============
Larcom, Lucy, p. 1576, ii. The extended use of this writer's hymns justifies a more detailed account of her life and work than is given on p. 1576. She was born in 1824, and worked from 1837-45 in the mills of Lawrence, Mass., then engaged in elementary teaching 1846-49, became a student at Monticello Female Seminary, Alton, Ill., 1849-52, and then entered upon advanced teaching in higher-class schools, and literary work. She edited with J. G. Whittier, Child Life in Poetry, 1871; Child Life in Prose, 1873; Songs of Three Centuries, 1875, &c. Her own works are Poems, 1869; Childhood Songs, 1875; Wild Roses of Cape Ann, 1881; Poetical Works, 1885; At the Beautiful Gate; And Other Songs of Faith, 1892. Her autobiography was published as A New England Girlhood. She died in 1893. In addition to "When for me the silent oar," of her hymns the following are in common use:—
i. From her Poems, 1869.
1. Hand in hand with angels. Angelic companion¬ship.
2. If the world seems cold to you.
3. When for me the silent oar. Death
ii. From her Wild Roses of Cape Ann, 1881.
4. In Christ I feel the heart of God.
5. O Spirit, "Whose name is the Saviour.”
in. From her Poetical Works, 1885.
6. Breaks the joyful Easter dawn, master.
7. Heavenly Helper, Friend Divine. Christ the Friend.
iv. From her At the Beautiful Gate, &c, 1892.
8. Draw Thou, my soul, O Christ. Looking to Jesus.
9. O God, Thy world is sweet with prayer. Prayer.
10. Open your hearts as a flower to the light.
11. King, happy bells of Easter time. Easter.
The above notes are from the British Museum copies of Miss Larcom's works.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Lucy Larcom
Anonymous
Person Name: Anon. Hymnal Title: Services for Congregational Worship. The New Hymn and Tune Book Composer of "ALLELUIA DULCE CARMEN" in Services for Congregational Worship. The New Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
