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Who Can Count the Mercies
Author: Mrs. R. A. Turner Appears in 1 hymnal First Line: Who can count the mercies That our Lord bestows
Who Can Count the Mercies
Numberless as the Sands
Author: Laura E. Newell Appears in 4 hymnals First Line: Who can count the mercies that our God bestows Refrain First Line: Numberless, numberless Used With Tune: [Who can count the mercies that our God bestows]
Numberless as the Sands
[Who can count the mercies that our God bestows]
Appears in 2 hymnals Composer and/or Arranger: J. B. Herbert Used With Text: Numberless as the Sands
[Who can count the mercies that our God bestows]
[Who can count the mercies]
Appears in 1 hymnal Composer and/or Arranger: J. R. M. Incipit: 12312 11234 32123 Used With Text: Who Can Count the Mercies
[Who can count the mercies]
Who Can Count the Mercies
Author: Mrs. R. A. Turner Hymnal: Little Sacred Songs #84 (1892) Languages: English Tune Title: [Who can count the mercies]
Who Can Count the Mercies
Numberless as the Sands
Author: Laura E. Newell Hymnal: Glory Songs #19 (1911) First Line: Who can count the mercies that our God bestows Refrain First Line: Numberless, numberless Languages: English Tune Title: [Who can count the mercies that our God bestows]
Numberless as the Sands
Numberless as the Sands
Author: Laura E. Newell Hymnal: The New Gospel Song Book #120 (1914) First Line: Who can count the mercies that our God bestows Refrain First Line: Numberless, numberless Languages: English Tune Title: [Who can count the mercies that our God bestows]
Numberless as the Sands
James R. Murray
1841 - 1905 Person Name: J. R. M. Composer of "[Who can count the mercies]" in Little Sacred Songs L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209.
Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th.
James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman.
He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee.
"Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs.
In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory."
His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition.
Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend.
--DNAH Archives
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For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170.
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Also available in the DNAH Archives:
1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society.
2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.
James R. Murray
J. B. Herbert
1852 - 1927 Composer of "[Who can count the mercies that our God bestows]" in Glory Songs
J. B. Herbert
Laura E. Newell
1854 - 1916 Author of "Numberless as the Sands" in Glory Songs Born: February 5, 1854, New Marlborough, Connecticut.
Died: October 13, 1916, Manhattan, Kansas.
Daughter of Mr. and Edward A. Pixley, but orphaned as an infant, Laura was adopted by her aunt, then Mrs. Hiram Mabie, who at the time lived in New York. In 1858, the Mabie family moved to a farm south of where Wamego, Kansas, now stands. Two years after the move, Mr. Mabie died, and his wife resumed teaching.
In 1860, Mrs. Mabie accepted a position in Topeka, Kansas, where she taught many years. Under her tutelage, Laura received her education. As early as age 12, Laura was writing rhymes, and two years later her poems began to appear in local newspapers. She had no thought of a literary career; she simply wrote to give vent to her poetical mind.
In 1871, Laura married Lauren Newell, a carpenter from Manhattan, Kansas. They had at least six children, and belonged to the Congregational denomination.
In 1873, Laura was listening to an address by a speaker who lamented the death of "genuine" hymns, and she resolved to try her hand in that line of work. That began a long period of writing songs, sacred and secular, services for all anniversary occasions, cantatas, adapting words to music, and music to words.
"Mrs. Newell is indeed a prolific writer. Her poems number in the thousands. She has had over eight hundred poems published in a single year, a most remarkable record. The great ease with which Mrs. Newell writes is one of her special gifts. Not long since an order, accompanied by music and titles, was sent her for eight poems to suit. At seven o’clock in the evening she sat down to her organ to catch the music. Then she went to her desk, and at ten o’clock the order was ready for the return mail. Her work pleased the publisher so well that he sent her an order for forty-eight additional poems. Mrs. Newell writes several hundred poems annually.
She is a very modest and unpretentious lady, and goes about her daily work as cheerfully as her poems advise others to do. The deeply religious character of the woman stands out boldly in nearly all her work. The next world is apparently as real to her as the present. Her heart is in her work, and to the end of life’s chapter, while able, may she wield her pen to tell the Story to dear to her heart, in verse and song." Hall, pp. 316-17
http://www.hymntime.com/tch/bio/n/e/w/newell_lep.htm
Laura E. Newell
