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Go, labor on: spend and be spent
Author: Horatius Bonar Meter: 8.8.8.8 Appears in 449 hymnals Topics: Admonition
Go, labor on: spend and be spent
Walk in the Light
Author: Bernard Barton Meter: 8.6.8.6 Appears in 486 hymnals Topics: Admonition First Line: Walk in the light: so shalt thou know Refrain First Line: Walk in the light, Walk in the light
Walk in the Light
Work, for the Night Is Coming
Author: Annie L. Coghill Appears in 1,212 hymnals Topics: Admonition; Admonition Lyrics: 1 Work, for the night is coming,
Work thro' the morning hours;
Work while the dew is sparkling,
Work 'mid springing flow'rs.
Work when the day grows brighter,
Under the glowing sun;
Work, for the night is coming,
When man's work is done.
2 Work for the night is coming,
Work thro' the sunny noon;
Fill brightest hours with labor--
Rest comes sure and soon.
Give every flying minute
Something to keep in store;
Work, for the night is coming,
When man works no more.
3 Work for the night is coming,
Under the sunset skies:
While their bright tints are glowing,
Work, for daylight flies.
Work till the last beam fadeth,
Fadeth to shine no more;
Work, while the night is dark'ning,
When man's work is o'er.
Scripture: Matthew 20:1-16 Used With Tune: [Work for the night is coming]
Work, for the Night Is Coming
SOMEWHERE LISTENING
Meter: 8.8.8.9.6.6.9.7.6.9 Appears in 40 hymnals Composer and/or Arranger: Eduardo J. Lango; Louis Sykes Topics: Admonition Tune Key: G Major Incipit: 12314 43213 32744 Used With Text: I'll Be Somewhere Listening for My Name
SOMEWHERE LISTENING
[Brightly beams our Father's mercy]
Appears in 391 hymnals Composer and/or Arranger: Philip P. Bliss Topics: Admonition; Admonition Tune Key: A Flat Major Incipit: 56532 17666 21712 Used With Text: Let the Lower Lights Be Burning
[Brightly beams our Father's mercy]
["Give me thy heart," says the Father above]
Appears in 83 hymnals Composer and/or Arranger: William J. Kirkpatrick, 1838-1921 Topics: Admonition Tune Key: F Major Incipit: 51233 34123 52343 Used With Text: Give Me Thy Heart
["Give me thy heart," says the Father above]
Let Jesus Come into Your Heart
Author: Leila N. Morris Hymnal: Favorite Hymns of Praise #55 (1967) Topics: Admonition; Admonition First Line: If you are tired of the load of your sin Refrain First Line: Just now, your doubtings give o'er Lyrics: 1 If you are tired of the load of your sin,
Let Jesus come into your heart;
If you desire a new life to begin,
Let Jesus come into your heart.
Chorus:
Just now, your doubtings give o'er;
Just now, reject Him no more;
Just now, throw open the door;
Let Jesus come into your heart.
2 If 'tis for purity now that you sigh,
Let Jesus come into your heart;
Fountains for cleansing are flowing nearby,
Let Jesus come into your heart. (Chorus)
3 If there's a tempest your voice cannot still,
Let Jesus come into your heart;
If there's a void this world never can fill,
Let Jesus come into your heart. (Chorus)
4 If you would join the glad songs of the blest,
Let Jesus come into your heart;
If you would enter the mansions of rest,
Let Jesus come into your heart. (Chorus) Languages: English Tune Title: [If you are tired of the load of your sin]
Let Jesus Come into Your Heart
Why Do You Wait?
Author: George F. Root Hymnal: Favorite Hymns of Praise #61 (1967) Topics: Admonition; Admonition First Line: Why do you wait, dear brother Refrain First Line: Why not? why not? Lyrics: 1 Why do you wait, dear brother,
Oh, why do you tarry so long?
Your Savior is waiting to give you
A place in His sanctified throng.
Chorus:
Why not? why not?
Why not come to Him now?
Why not? why not?
Why not come to Him now?
2 What do you hope, dear brother,
To gain by a further delay?
There’s no one to save you but Jesus,
There’s no other way but His way. (Chorus)
3 Do you not feel, dear brother,
His Spirit now striving within?
Oh, why not accept His salvation,
And throw off your burden of sin? (Chorus)
4 Why do your wait, dear brother?
The harvest is passing away;
Your Savior is longing to bless you,
There are danger and death in delay. (Chorus) Languages: English Tune Title: [Why do you wait, dear brother]
Why Do You Wait?
Let Him In
Author: Jonathan B. Atchinson Hymnal: Favorite Hymns of Praise #68 (1967) Topics: Admonition; Admonition First Line: There's a Stranger at the door Lyrics: 1 There’s a Stranger at the door,
Let Him in;
He has been there oft before,
Let Him in;
Let Him in, ere He is gone,
Let Him in, the Holy One,
Jesus Christ, the Father’s Son,
Let Him in.
2 Open now to Him your heart,
Let Him in;
If you wait He will depart,
Let Him in;
Let Him in, He is your Friend;
He your soul will sure defend,
He will keep you to the end,
Let Him in.
3 Hear you now His loving voice?
Let Him in;
Now, oh, now make Him your choice,
Let Him in;
He is standing at your door,
Joy to you He will restore,
And His Name you will adore,
Let Him in.
4 Now admit the heav’nly Guest,
Let Him in;
He will make for you a feast,
Let Him in;
He will speak your sins forgiv’n,
And when earth ties all are riv’n,
He will take you home to heav’n,
Let Him in.
Languages: English Tune Title: [There's a Stranger at the door]
Let Him In
P. P. Bliss
1838 - 1876 Person Name: Philip P. Bliss Topics: Admonition; Admonition Author of "Let the Lower Lights Be Burning" in Hymns of Faith Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives.
Bert Polman
=================
Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:—
i. The Prize, 1870.
1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds.
2. Through the valley of the shadow I must go. Death anticipated.
3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16.
ii. The Charm, 1871.
4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost."
5. Ho! my comrades! see the signal. Faithfulness.
6. O! Jerusalem, the golden city, bright, &c. Heaven.
7. On what Foundation do [did] you build? Christ the Foundation.
iii. The Song Tree, 1872.
8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c.
iv. The Joy, 1873.
9. In me ye may have peace. Peace.
10. To die is gain. Death anticipated.
v. Sunshine, 1873.
11. Down life's dark vale we wander. Death anticipated.
12. More holiness give me. For Holiness.
13. Only an armour-bearer. Soldiers of the Cross.
14. Standing by a purpose true. Faithfulness.
15. This loving Saviour stands patiently. Invitation.
vi. Gospel Songs, 1874.
16. A long time I wandered. Peace and Joy.
17. Brightly beams our Father's mercy. Mercy.
18. Come, brethren, as we march along. Praise.
19. Free from the law, O happy condition. Redemption.
20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known."
21. How much owest thou? Divine Claims.
22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar.
23. See the gentle Shepherd standing. The Good Shepherd.
24. Though the way be sometimes dreary. Divine Leading.
25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'"
vii. Gospel Hymns, No. 1, 1875.
26. One offer of salvation. The Name of Jesus.
27. Wandering afar from the dwellings of men. The Lepers.
viii. The International Lesson Monthly, 1875.
28. Weary gleaner, whence comest thou? Duty.
29. The whole world was lost in the darkness of Sin. Light of the world.
30. Man of sorrows! what a name. Redemption.
31. The Spirit, O sinner, in mercy doth move. Holy Spirit.
ix. Gospel Hymns, No. 2, 1876.
32. At the feet of Jesus. The good choice.
33. Come, sing the Gospel's joyful sound. Salvation.
34. Cut it down, cut it down. Justice and Mercy.
35. Do you see the Hebrew captive? Prayer.
36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people.
37. In Zion's rock abiding. Safety.
38. Repeat the story o'er and o'er. Grace and Peace.
39. Tenderly the Shepherd. The Good Shepherd.
x. Gospel Hymns, No. 3, 1878.
40. Hear ye the glad good news from heaven. Faith and Salvation.
41. I will sing of my Redeemer. Praise.
xi. Gospel Hymns, No. 4, 1881.
42. 'Tis known on earth and heaven too. More about Jesus.
xii. Various.
43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:—
44. March to the battle-field. Duty and Victory.
45. There is sin in the camp. Hinderances.
46. 'Tis the promise of God. Praise.
47. While the silvery moon-beams, fall, New Birth.
48. God is always near me. Omnipresence.
Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877.
Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.)
-John Julian, Dictionary of Hymnology (1907)
========================
Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=====================
Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:—
1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877.
2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906.
These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:—
“Do you see the Hebrew captive kneeling?" p. 294.
"Down life's dark vale we wander." p. 285.
"Ho! my comrades, see the signal." p. 105.
"'Tis the promise of God full salvation to give." p. 99.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
P. P. Bliss
W. Stillman Martin
1862 - 1935 Person Name: W. Stillman Martin, 1862-1935 Topics: Admonition Composer of "GOD CARES" in Ambassador Hymnal Born: March 8, 1862, Rowley, Massachusetts.
Died: December 16, 1935, Atlanta, Georgia.
Buried: Westview Cemetery, Atlanta, Georgia.
Husband of hymnist Civilla Martin, Stillman attended Harvard University and was ordained a Baptist minister, though he later switched to the Disciples of Christ denomination. In 1916, he became a professor of Bible studies at Atlantic Christian College in Wilson, North Carolina. Three years later, he moved to Atlanta, Georgia. It was from there he went all over America to run Bible conferences and evangelistic meetings.
Sources:
Hustad, p. 282
http://www.hymntime.com/tch/bio/m/a/r/t/martin_ws.htm
W. Stillman Martin
F. L. Eiland
1860 - 1909 Topics: Admonition Composer of "UNCHANGING HAND" in Zion still Sings Franklin L. Eiland was born in Noxubee county, Miss., March 25, 1860. He was reared on the farm and attended the old field school. The
school house on the hill and the old Oaken Bucket, etc., etc., were objects of interest in his curriculum. He had traveled some before finally leaving home including a trip to Tx, but in 1882 he came to Tx to remain. November 13, 1884 he married Miss Mary E. Nisbett of Robertson county. She lived nine years. In 1894 he married Miss Ella May Kennedy of Van Zandt county. She lived only 10 days. October 21, 1896 he married Miss Minnie Jarushia Valentine of McLennan county. She still survives. They have one sweet little daughter, Mary Ella Oree. She is quite bright and is already starting music at the age of three. Little Elva Lynn came Sept. 16, 1901 and God took her
Aug. 9, 1902. The Eilands have been farmers and professional men along many lines, but Prof. Eiland was the only one that ever embarked in the music business. He was inclined to music from a child and appropriated all the advantages in this line that came his way. Many things of minor importance happened along his life but in 1884 he fell into a meeting conducted by Maj. W. E. Penn, and the superior music rendered there awaked all his latent talent and set him on fire with a desire to make a musician. He at once began a musical career that has attained an abundant success. He soon began teaching and continuing to study to became a composer. He sought the association of those who could teach him and in this and other ways has enjoyed advantages of the best talent to be found. In 1893 he began publishing. From this, came in due time The Trio Music Co. now operated in Waco. Prof. E. is president of the company and editor in chief of the journal. He moved later to Myrtle Springs to secure the benefit of the wonderful waters of those springs. He is given great credit for good influence wielded for his church and community.
From "The Southland", Vol. XII. No. 1, Waco Tx
F. L. Eiland
