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Praise, My Soul, the King of Heaven

Author: Henry Francis Lyte, 1793-1847 Meter: 8.7.8.7.8.7 Appears in 548 hymnals Topics: Alternate Harmonizations Scripture: Psalm 103 Used With Tune: PRAISE MY SOUL
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Hark! The Herald Angels Sing

Author: Charles Wesley Meter: 7.7.7.7 D with refrain Appears in 1,371 hymnals Topics: Alternative Harmonizations Lyrics: 1 Hark! the herald angels sing, "Glory to the newborn King; peace on earth and mercy mild, God and sinners reconciled!" Joyful, all ye nations, rise; join the triumph of the skies; with the angelic hosts proclaim, "Christ is born in Bethlehem!" Refrain: Hark! the herald angels sing, "Glory to the newborn King!" 2 Christ, by highest heaven adored, Christ, the everlasting Lord! Late in time behold him come, offspring of the virgin's womb. Veiled in flesh the Godhead see; hail the incarnate Deity, pleased as man with us to dwell, Jesus, our Immanuel. Refrain 3 Hail the heaven-born Prince of Peace! Hail the Sun of Righteousness! Light and life to all he brings, risen with healing in his wings. Mild, he lays his glory by, born that we no more may die, born to raise the lost on earth, born to give them second birth. Refrain Scripture: Malachi 4:2 Used With Tune: MENDELSSOHN
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Praise God from Whom All Blessings Flow

Author: Thomas Ken, 1637-1711 Meter: 8.8.8.8 Appears in 1,317 hymnals Topics: Alternate Harmonizations Used With Tune: OLD 100TH (original)

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LAUDA ANIMA

Meter: 8.7.8.7.8.7 Appears in 287 hymnals Composer and/or Arranger: John Goss Topics: Alternative Harmonizations Tune Key: D Major Incipit: 55551 76543 65342 Used With Text: Praise, My Soul, the King of Heaven
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SINE NOMINE

Meter: 10.10.10 with alleluias Appears in 249 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: Alternative Harmonizations Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For All the Saints
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MENDELSSOHN

Meter: 7.7.7.7 D with refrain Appears in 711 hymnals Composer and/or Arranger: Mendelssohn; William H. Cummings; David Willcocks Topics: Alternative Harmonizations Tune Key: F Major Incipit: 51171 33255 54323 Used With Text: Hark! The Herald Angels Sing

Instances

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Published text-tune combinations (hymns) from specific hymnals
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LORD, Chasten Not in Anger

Author: Clarence P. Walhout Hymnal: Psalter Hymnal (Gray) #6 (1987) Meter: 7.7.6.7.7.6 Topics: Alternative Harmonizations Scripture: Psalm 6 Languages: English Tune Title: GENEVAN 6
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How I Love You, LORD, My God

Author: Ada Roeper-Boulogne Hymnal: Psalter Hymnal (Gray) #18 (1987) Meter: 7.7.7.7 D Topics: Alternative Harmonizations Scripture: Psalm 18 Languages: English Tune Title: ABERYSTWYTH

O Worship the King, All Glorious Above

Author: Robert Grant, 1779-1838 Hymnal: The Covenant Hymnal #23 (1996) Meter: 10.10.11.11 Topics: Alternate Harmonizations First Line: O worship the King all glorious above Scripture: Psalm 104 Tune Title: LYONS

People

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Authors, composers, editors, etc.

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Topics: Alternative Harmonizations Composer of "MENDELSSOHN" in Psalter Hymnal (Gray) Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman

John Goss

1800 - 1880 Topics: Alternative Harmonizations Composer of "LAUDA ANIMA" in Psalter Hymnal (Gray) John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

William Walsham How

1823 - 1897 Topics: Alternative Harmonizations Author of "For All the Saints" in Psalter Hymnal (Gray) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)
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