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Shall We Gather at the River (¿Nos Veremos Junto al Río?)
Author: Robert Lowry, 1826-1899 Meter: 8.7.8.7 with refrain Appears in 755 hymnals Topics: Comunión de los Santos First Line: Shall we gather at the river (os veremos junto al río) Refrain First Line: Yes, we'll gather at the river (¡Oh! sí, nos congregaremos) Scripture: Revelation 22:1 Used With Tune: HANSON PLACE Text Sources: Tr. compiled from anonymous sources and altered by Ronald F. Krisman, b. 1946
Shall We Gather at the River (¿Nos Veremos Junto al Río?)
Alleluia! Sing to Jesus (¡Aleluya! Gloria a Cristo)
Author: William C. Dix, 1837-1898; Lorenzo Álvarez, 1897-1969; Esteban Sywulka B. Meter: 8.7.8.7 D Appears in 216 hymnals Topics: Comunión de los Santos First Line: Alleluia! Sing to Jesus! (¡Aleluya! Gloria a Cristo) Scripture: Matthew 28:18-20 Used With Tune: HYFRYDOL
Alleluia! Sing to Jesus (¡Aleluya! Gloria a Cristo)
For the Beauty of the Earth (Por la Excelsa Majestad)
Author: Folliot S. Pierpont, 1835-1917; Federico J. Pagura, b. 1923 Meter: 7.7.7.7.7.7 Appears in 641 hymnals Topics: Comunión de los Santos Scripture: Psalm 105 Used With Tune: DIX
For the Beauty of the Earth (Por la Excelsa Majestad)
LINDA CANCION
Appears in 2 hymnals Composer and/or Arranger: F. B. J. Topics: Comunión con Dios Tune Sources: Latinoamérica, s. 20 Tune Key: C Major Incipit: 33332 13333 23444 Used With Text: Quiero cantar una linda canción
LINDA CANCION
SINE NOMINE
Meter: 10.10.10 with alleluias Appears in 230 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Comunión de los Santos Tune Key: F Major Incipit: 53215 61253 32177 Used With Text: For All the Saints (Hoy por los Santos)
SINE NOMINE
[La vida que vives nos quisite dar]
Appears in 4 hymnals Topics: Comunion Tune Sources: Tradicional Tune Key: C Major Incipit: 51317 75616 51 Used With Text: Señor, Proclamamos la Fe
[La vida que vives nos quisite dar]
Dulce comunión
Author: Pedro Grado (1862-1923); Elisha A. Hoffman (1939-1929) Hymnal: Himnario Adventista del Séptimo Día #374 (2010) Topics: La Vida Christian Oración y comunión First Line: Dulce comunión la que gozo ya Refrain First Line: Libre, salvo de cuitas Scripture: 1 John 1:3 Languages: Spanish Tune Title: [Dulce comunión]
Dulce comunión
Dulce Comunión
Author: Elisha A. Hoffman; Pedro Grado Valdés Hymnal: Celebremos Su Gloria #387 (1992) Meter: 10.9.10.9 with refrain Topics: Comunión con Dios First Line: Dulce comunión la que gozo ya Lyrics: 1 Dulce comunión la que gozo ya
en los brazos de mi Salvador;
¡Qué gran bendición en su paz me da!
¡Oh! yo siento en mí su tierno amor.
Coro:
Libre, salvo, del pecado y del temor;
Libre, salvo, en los brazos de mi Salvador.
2 ¡Cuán dulce es vivir, cuán dulce es gozar!
en los brazos de mi Salvador;
Allí quiero ir y con él morar,
siendo objeto de su tierno amor. [Coro]
3 No hay que temer, ni que desconfiar,
en los brazos de mi Salvador;
Por su gran poder él me guardará
de los lazos del engañador. [Coro] Scripture: Psalm 91 Languages: Spanish Tune Title: SHOWALTER
Dulce Comunión
Dulce Comunión
Author: Elisha A. Hoffman; Pedro Grado Hymnal: El Himnario #325 (1964) Topics: Vida en Cristo Amor y Comunion First Line: Dulce comunión la que gozo ya Refrain First Line: Libre, salvo, del pecado y del temor Languages: Spanish Tune Title: SHOWALTER
Dulce Comunión
Ludwig van Beethoven
1770 - 1827 Person Name: Ludwig van Beethoven, 1770-1827 Topics: Comunión de los Santos Composer of "HYMN TO JOY" in Oramos Cantando = We Pray In Song A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period.
Bert Polman
Ludwig van Beethoven
H. W. Baker
1821 - 1877 Person Name: Henry Williams Baker, 1835-1910 Topics: Santa Comunión Composer of "QUEBEC" in Culto Cristiano Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"—
Perverse and foolish, oft I strayed,
But yet in love He sought me,
And on His Shoulder gently laid,
And home, rejoicing, brought me."
This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life.
Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877.
--John Julian, Dictionary of Hymnology (1907)
H. W. Baker
Samuel Sebastian Wesley
1810 - 1876 Person Name: Samuel S. Wesley, 1810-1876 Topics: Comunión de los Santos Composer of "AURELIA" in Oramos Cantando = We Pray In Song Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him.
Bert Polman
Samuel Sebastian Wesley
