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Now from the altar of our hearts

Author: J. Mason Meter: 8.6.8.6 Appears in 245 hymnals Topics: Daily Prayer Evening Lyrics: 1 Now from the altar of our hearts Let flames of love arise; Assist us, Lord, to offer up Our evening sacrifice. 2 Minutes and mercies multiplied Have made up all this day; Minutes came quick, but mercies were More swift, more free than they. 3 New times, new favors, and new joys Do a new song require; Till we shall praise Thee as we would, Accept our hearts' desires. Amen. Used With Tune: BELMONT
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The radiant morn hath passed away

Author: Rev. G. Thring Meter: 8.8.8.4 Appears in 153 hymnals Topics: Daily Prayer Evening Lyrics: 1 The radiant morn hath passed away, And spent too soon her golden store; The shadows of departing day Creep on once more. 2 Our life is but a fading dawn, Its glorious noon, how quickly past; Lead us, O Christ, our life-work done, Safe home at last. 3 Oh, by Thy soul-inspiring grace Uplift our hearts to realms on high; Help us to look to that bright place Beyond the sky, 4 Where light, and life, and joy, and peace, In undivided empire reign, And thronging angels never cease Their deathless strain; 5 Where saints are clothed in spotless white, And evening shadows never fall, Where Thou, eternal Light of Light, Art Lord of all. Amen. Used With Tune: [The radiant morn hath passed away]
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O be joyful in the Lord all ye lands

Appears in 347 hymnals Topics: The Daily Office Daily Morning Prayer I Lyrics: 1. O be joyful in the Lord all ye lands; serve the Lord with gladness and come before his presence with a song. [Ant.] 2. Be ye sure that the Lord he is God; it is he that hath made us and not we ourselves; we are his people and the sheep of his pasture. [Ant.] 3. O go your way into his gates with thanksgiving and into his courts with praise; be thankful unto him and speak good of his Name. [Ant.] 4. For the Lord is gracious; his mercy is everlasting; and his truth endureth from generation to generation. [Ant.] 5. Glory to the Father, and to the Son, and to the Holy Spirit: As it was in the beginning, is now, and will be for ever. Amen. [Ant.] Used With Tune: [O be joyful in the Lord all ye lands]

Tunes

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NICAEA

Meter: 11.12.12.10 Appears in 1,061 hymnals Composer and/or Arranger: John B. Dykes; David McK. Williams, 1887-1978 Topics: Daily Prayer Morning Tune Key: D Major Incipit: 11335 56666 53555 Used With Text: Holy, Holy, Holy! Lord God Almighty
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FINLANDIA

Meter: 11.10.11.10.11.10 Appears in 292 hymnals Composer and/or Arranger: Jean Sibelius Topics: The Church on Mission Daily Life; Daily Life; Forgiveness; Kingdom; Prayer Tune Sources: arr. The Hymnal 1933, alt. Tune Key: F Major Incipit: 32343 23122 33234 Used With Text: I Then Shall Live
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GIVE ME JESUS

Appears in 45 hymnals Composer and/or Arranger: Diane Dykgraaf Topics: Daily Prayer Morning Tune Sources: African American spiritual Tune Key: C Major Incipit: 65535 61332 1355 Used With Text: Give Me Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lord's Prayer

Hymnal: Gather Comprehensive #16 (1994) Topics: Daily Prayer Evensong First Line: Our Father in heaven, hallowed be your name Lyrics: Gathering our praise and prayers into one, let us offer the prayer Christ himself taught us: Our Father in heaven, hallowed be your name, your kingdom come, your will be done on earth as in heaven. Give us today our daily bread; give us to day our daily bread. Forgive us our sins as we forgive those who sin against us. Save us from the time of trial and deliver us from evil. For the kingdom, the power, and the glory are your, now and forever. Languages: English Tune Title: [Our Father in heaven, hallowed by your name]

Psalm 34 (A Responsorial Setting)

Hymnal: Psalms for All Seasons #34A (2012) Topics: Daily Prayer Morning Prayer; Daily Prayer Night Prayer; Lord's Prayer 4th petition (give us today our daily bread) First Line: Taste and see, taste and see the goodness of the Lord Scripture: Psalm 34 Tune Title: [Taste and see, taste and see, the goodness of the Lord]

Psalm 34 (A Responsorial Setting)

Hymnal: Psalms for All Seasons #34A(alt) (2012) Topics: Daily Prayer Morning Prayer; Daily Prayer Night Prayer; Lord's Prayer 4th petition (give us today our daily bread) First Line: I will bless the Lord, the Lord at all times Scripture: Psalm 34 Tune Title: [I will bless the Lord, the Lord at all times]

People

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Authors, composers, editors, etc.

William Kethe

? - 1594 Topics: Daily Prayer Morning Prayer Author (English) of "All People That on Earth Do Dwell" in Psalms for All Seasons William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William Gardiner

1770 - 1853 Person Name: W. Gardiner Topics: Daily Prayer Evening Composer of "BELMONT" in The Church Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes, 1823-1876 Topics: Daily Prayer Evening Prayer; Daily Prayer Night Prayer Composer of "DOMINUS REGIT ME" in Psalms for All Seasons As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman