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Lord, dismiss us with thy blessing

Author: John Fawcett Meter: 8.7.8.7.8.7 Appears in 1,310 hymnals Topics: Epiphany II Morning Prayer Closing Used With Tune: DISMISSAL
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Just as I am, without one plea

Author: Charlotte Elliott, 1789-1871 Meter: 8.8.8.6 Appears in 2,237 hymnals Topics: Epiphany II Year B Lyrics: 1 Just as I am, without one plea but that thy blood was shed for me, and that thou bidst me come to thee, O Lamb of God, I come. 2 Just as I am, though tossed about with many a conflict, many a doubt, fightings and fears within, without, O Lamb of God, I come. 3 Just as I am, poor, wretched, blind; sight, riches, healing of the mind, yea, all I need, in thee to find, O Lamb of God, I come. 4 Just as I am, thou wilt receive, wilt welcome, pardon, cleanse, relieve: because thy promise I believe, O Lamb of God, I come. 5 Just as I am, thy love unknown has broken every barrier down; now to be thine, yea, thine alone, O Lamb of God, I come. 6 Just as I am, of that free love the breadth, length, depth, and height to prove, here for a season, then above, O Lamb of God, I come. Scripture: 2 Corinthians 7:5 Used With Tune: MISERICORDIA

God, my King, thy might confessing

Author: Richard Mant Appears in 133 hymnals Topics: Epiphany II Evening Prayer General Scripture: Psalm 145 Used With Tune: STUTTGART

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WINCHESTER NEW

Meter: 8.8.8.8 Appears in 421 hymnals Topics: Epiphany II The Holy Communion Closing Tune Sources: Musikalisches Handbuch, Hamburg, 1690, adapt. Tune Key: B Flat Major Incipit: 51566 54334 32554 Used With Text: Before the Lord Jehovah's throne
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DOWN AMPNEY

Meter: 6.6.11 D Appears in 94 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Epiphany II Year C Tune Key: D Major Incipit: 12356 55657 16556 Used With Text: Come down, O Love divine
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UNDE ET MEMORES

Meter: 10.10.10.10.10.10 Appears in 78 hymnals Composer and/or Arranger: William H. Monk Topics: Epiphany II The Holy Communion Communion Tune Key: D Major Incipit: 33112 33345 32344 Used With Text: And now, O Father, mindful of the love

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Songs of thankfulness and praise

Author: Christopher Wordsworth, 1807-1885 Hymnal: Common Praise #90a (2000) Meter: 7.7.7.7 D Topics: Epiphany II Year A; Epiphany II Year B; Epiphany II Year C Lyrics: 1 Songs of thankfulness and praise, Jesu, Lord, to thee we raise, manifested by the star to the sages from afar; branch of royal David's stem in thy birth at Bethlehem: anthems be to thee addrest, God in man made manifest. 2 Manifest at Jordan's stream, Prophet, Priest, and King supreme; and at Cana, wedding-guest in thy Godhead manifest; manifest in power divine, changing water into wine: anthems be to thee addrest, God in man made manifest. 3 Manifest in making whole palsied limbs and fainting soul; manifest in valiant fight, quelling all the devil's might; manifest in gracious will, ever bringing good from ill: anthems be to thee addrest, God in man made manifest. 4 Sun and moon shall darkened be, stars shall fall, the heavens shall flee; Christ will then like lightning shine, all will see his glorious sign; all will then the trumpet hear, thou by all wilt be confest, God in man made manifest. 5 Grant us grace to see thee, Lord, mirrored in thy holy word; may we imitate thee now, and be pure, as pure art thou; that we like to thee may be at thy great Epiphany; and may praise thee, ever blest, God in man made manifest. Scripture: 1 John 3:2-3 Languages: English Tune Title: ST EDMUND
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Songs of thankfulness and praise

Author: Christopher Wordsworth, 1807-1885 Hymnal: Common Praise #90b (2000) Meter: 7.7.7.7 D Topics: Epiphany II Year A; Epiphany II Year B; Epiphany II Year C Lyrics: 1 Songs of thankfulness and praise, Jesu, Lord, to thee we raise, manifested by the star to the sages from afar; branch of royal David's stem in thy birth at Bethlehem: anthems be to thee addrest, God in man made manifest. 2 Manifest at Jordan's stream, Prophet, Priest, and King supreme; and at Cana, wedding-guest in thy Godhead manifest; manifest in power divine, changing water into wine: anthems be to thee addrest, God in man made manifest. 3 Manifest in making whole palsied limbs and fainting soul; manifest in valiant fight, quelling all the devil's might; manifest in gracious will, ever bringing good from ill: anthems be to thee addrest, God in man made manifest. 4 Sun and moon shall darkened be, stars shall fall, the heavens shall flee; Christ will then like lightning shine, all will see his glorious sign; all will then the trumpet hear, thou by all wilt be confest, God in man made manifest. 5 Grant us grace to see thee, Lord, mirrored in thy holy word; may we imitate thee now, and be pure, as pure art thou; that we like to thee may be at thy great Epiphany; and may praise thee, ever blest, God in man made manifest. Scripture: Joel 2:31 Languages: English Tune Title: ST GEORGE'S WINDSOR
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On Jordan's bank the Baptist's cry

Author: John Chandler; Charles Coffin Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #10 (1940) Meter: 8.8.8.8 Topics: Epiphany II The Holy Communion Sequence Tune Title: WINCHESTER NEW

People

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Authors, composers, editors, etc.

George J. Elvey

1816 - 1893 Person Name: G. J. Elvey, 1816-1893 Topics: Epiphany II Year A; Epiphany II Year B; Epiphany II Year C Composer of "ST GEORGE'S WINDSOR" in Common Praise George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

John Chandler

1806 - 1876 Topics: Epiphany II The Holy Communion Sequence Translator of "On Jordan's bank the Baptist's cry" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876. --The Hymnal 1940 Companion =============== Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says, "My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix. This collection is:— (1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841. From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution. --John Julian, Dictionary of Hymnology (1907)

Charles Coffin

1676 - 1749 Topics: Epiphany II The Holy Communion Sequence Author of "On Jordan's bank the Baptist's cry" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Coffin, Charles, born at Buzaney (Ardennes) in 1676, died 1749, was principal of the college at Beauvais, 1712 (succeeding the historian Rollin), and rector of the University of Paris, 1718. He published in 1727 some, of his Latin poems, for which he was already noted, and in 1736 the bulk of his hymns appeared in the Paris Breviary of that year. In the same year he published them as Hymni Sacri Auctore Carolo Coffin, and in 1755 a complete ed. of his Works was issued in 2 vols. To his Hymni Sacri is prefixed an interesting preface. The whole plan of his hymns, and of the Paris Breviary which he so largely influenced, comes out in his words. "In his porro scribendis Hymnis non tam poetico indulgendunv spiritui, quam nitoro et pietate consulendum esse existimavi. Pleraque igitur, argumentis convenientia e purissiinis Scripturae Sacrae fontibus deprompsi quac idoneis Ecclesiae cantui numeris alligarem." His hymns are described by a French critic as having less brilliancy than those of Santüil (q.v.), but more simplicity and unction. They number 100 in the edition of 1736. Translated into English by J. Chandler, I. Williams and others, are noted under their respective Latin first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907)
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