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Topics:esperanza+cristiana

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Texts

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Cuando la trompeta suene

Author: J. M. Black; J. J. Mercado Appears in 17 hymnals Topics: La esperanza cristiana Muerte y vida eterna Refrain First Line: Cuando allá se pase lista Used With Tune: ROLL CALL
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En presencia estar de Cristo

Author: Carrie E. de Breck; Vicente Mendoza Appears in 26 hymnals Topics: Esperanza Cristiana Lyrics: 1 En presencia estar de Cristo, ver su rostro, ¿qué será, cuando al fin en pleno gozo mi alma le contemplará? Estribillo: Cara a cara espero verle más allá del cielo azul, cara a cara en plena gloria he de ver a mi Jesús. 2 Sólo tras oscuro velo, hoy lo puedo aquí mirar, mas ya pronto viene el día, que su gloria ha de mostrar. [Estribillo] 3 Cuánto gozo habrá con Cristo cuando no haya más dolor, cuando cesen los peligros y ya estemos en su amor. [Estribillo] 4 Cara a cara, ¡cuán glorioso ha de ser así vivir! Ver el rostro de quien quiso nuestras almas redimir. [Estribillo] Used With Tune: [En presencia estar de Cristo]
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Dios os guarde

Author: Jeremiah E. Rankin; Anónimo Appears in 11 hymnals Topics: Esperanza Cristiana First Line: Dios os guarde siempre en santo amor Refrain First Line: Al venir Jesús nos veremos Lyrics: 1 Dios os guarde siempre en santo amor; en la senda peligrosa, de esta vida tormentosa, os conserve en paz y sin temor. Estribillo: Al venir Jesús nos veremos a los pies de nuestro Salvador; Reunidos todos seremos un redil con nuestro Buen Pastor. 2 Dios os guarde siempre en santo amor; os conduzca su bandera; y os esfuerce en gran manera, con su Espíritu consolador. [Estribillo] 3 Dios os guarde siempre en santo amor; hasta el día en que lleguemos, a la patria do estaremos para siempre con el Salvador. [Estribillo] 4 Dios os guarde siempre en santo amor; con su gracia os sostenga, hasta que en justicia venga Jesucristo, nuestro redentor. [Estribillo] Used With Tune: [Dios os guarde siempre en santo amor]

Tunes

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ROLL CALL

Appears in 330 hymnals Composer and/or Arranger: J. M. Black Topics: La esperanza cristiana Muerte y vida eterna Tune Key: G Major or modal Incipit: 12333 33211 21165 Used With Text: Cuando la trompeta suene

CALEB

Meter: Irregular Appears in 4 hymnals Composer and/or Arranger: Eseario Sosa Rodríguez; Carlos Ruiz; Emanuel Olivieri Topics: Esperanza Cristiana Tune Key: F Major or modal Incipit: 51333 32432 13135 Used With Text: Si se cae la esperanza
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[Dios os guarde siempre en santo amor]

Appears in 714 hymnals Composer and/or Arranger: William G. Tomer Topics: Esperanza Cristiana Tune Key: B Flat Major Incipit: 33333 35236 66666 Used With Text: Dios os guarde

Instances

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Published text-tune combinations (hymns) from specific hymnals

La esperanza no es ansia (Nuestra esperanza)

Author: Juan Damián Hymnal: Libro de Liturgia y Cántico #456 (1998) Topics: Esperanza Cristiana First Line: La esperanza no es ansia, no es ganas Refrain First Line: La esperanza es pobre y frágil Languages: Spanish Tune Title: [La esperanza no es ansia, no es ganas]

Cuando se va la esperanza (Canto de esperanza)

Author: Ester Cámac Hymnal: Libro de Liturgia y Cántico #465 (1998) Topics: Esperanza Cristiana First Line: Cuando se va la esperanza, Cristo nos habla y nos dice Refrain First Line: Cantemos a nuestro Dios, quien es el Dios de la vida Languages: Spanish Tune Title: [Cuando se va la esperanza, Cristo nos habla y nos dice]

Si se cae la esperanza

Author: Eseario Sosa Rodríguez; Carlos Ruiz Hymnal: El Himnario Presbiteriano #353 (1999) Meter: Irregular Topics: Esperanza Cristiana First Line: Si se cae la esperanza de tu pecho Refrain First Line: Que no caiga la fe Scripture: Hebrews 12:2 Languages: Spanish Tune Title: CALEB

People

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Authors, composers, editors, etc.

Pablo D. Sosa

1933 - 2020 Person Name: Pablo Sosa Topics: Esperanza Cristiana Translator of "Un poco después del presente (Jesucristo, esperanza del mundo)" in Libro de Liturgia y Cántico Pablo Sosa (b. 1933 - d. 2020) grew up and was educated in Argentina, the U.S. (Westminster Choir College), and Germany. For years he pastored a large Methodist congregation in Buenos Aires, Argentina while composing songs, leading choirs, editing hymnals, producing religious broadcasts, and teaching liturgy and hymnology at a seminary. Meanwhile, life in Argentina pushed him to question his assumptions about what’s best for congregational singing. During Argentina’s “dirty war,” two young women from his church were disappeared, possibly for working among the poor. As Catholic and Protestant churches hesitated whether to speak out, remain silent, or support the government, many people lost faith. Economic meltdown after the war plunged many middle-class Argentinians into poverty. Sosa’s growing social awareness widened his vision for “lifting up hope with a song.” He often describes worship as “the fiesta of the faithful,” where all are welcome and all music is seen as “part of the ‘song of the earth,’ which answers the psalmist’s call ‘Sing joyfully to God, all the earth!’ (Psalm 98:4).” Whether in his home church, Iglesia Evangélica Metodista La Tercera (Third Methodist Church) in Buenos Aires, or at churches or conferences around the world, he urges people, “Put your body into worship!” And he reminds them of the biblical connection between justice and worship. CICW Website Bio (http://www.calvin.edu/worship)

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Topics: La esperanza cristiana Muerte y vida eterna Translator of "En presencia estar de Cristo" in Mil Voces para Celebrar Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)

James M. Black

1856 - 1938 Person Name: J. M. Black Topics: La esperanza cristiana Muerte y vida eterna Author of "Cuando la trompeta suene" in Mil Voces para Celebrar James Milton Black USA 1856-1938 Born in South Hill, NY, Black was an American hymn composer, choir leader and Sunday school teacher. He worked, lived,and died in Williamsport, PA. An active member, he worked at the Pine Tree Methodist Episcopal Church there. He married Lucy Love Levan. He started his music career with John Howard of New York and Daniel B. Towner of the Moody Bible Institute in Chicago. He edited a dozen gospel song books and wrote nearly 1500 songs. He also served on the commission for the 1905 Methodist Hymnal. John Perry