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Sweet By And By

Author: S. Fillmore Bennett Appears in 708 hymnals Topics: The Home Eternal First Line: There's a land that is fairer than day Refrain First Line: In the sweet by and by Lyrics: 1. There's a land that is fairer than day, And by faith we can see it afar; For our Father waits over the way, To prepare us a dwelling place there. Chorus: In the sweet by and by, We shall meet on that beautiful shore, In the sweet by and by, We shall meet on that beautiful shore. 2. We shall sing on that beautiful shore, The melodious songs of the blest; And our spirits shall sorrow no more, Not a sigh for the blessing of rest. [Chorus] 3. To our bountiful Father above We will offer a tribute of praise, For the glorious gift of His love, And the blessings that hallow our days. [Chorus] Used With Tune: [There's a land that is fairer than day]
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Hark! Hark! My Soul

Author: F. W. Faber Appears in 630 hymnals Topics: The Home Eternal Nearing Home First Line: Hark! hark, my soul! Angelic songs are swelling Lyrics: 1. Hark! hark, my soul! Angelic songs are swelling O'er earth's green fields, and ocean's wave beat shore; How sweet the truth those blessed strains are telling Of that new life when sin shall be no more. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 2. Onward we go, for still we hear them singing, "Come, weary souls, for Jesus bids you come;" And through the dark, its echoes sweetly ringing, The music of the gospel leads us home. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 3. Far, far away, like bells at evening pealing, The voice of Jesus sounds o'er land and sea, And laden souls by thousands meekly stealing, King Shepherd, turn their weary steps to Thee. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 4. Rest comes at length: though life be long and dreary, The day must dawn, and dark some night be past; Faith's journeys end in welcome to the weary, And heav'n, the heart's true home, will come at last. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 5. Angels, sing on! your faithful watches keeping: Sing us sweet fragments of the songs above; Till morning's joy shall end the night of weeping, And life's long shadows break in cloudless love. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. Used With Tune: PILGRIMS
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"Forever with the Lord!"

Author: J. Montgomery Meter: 6.6.8.6 Appears in 635 hymnals Topics: The Last Things The Heavenly Home; The Last Things The Heavenly Home; Eternal Life; Heaven Lyrics: 1 "Forever with the Lord!" Amen! so let it be! Life from the dead is in that word, 'Tis immortality! 2 Here, in the body pent, Absent from Him I roam, Yet nightly pitch my moving tent A day's march nearer home. 3 My Father's house on high, Home of my soul, how near, At times, to faith's foreseeing eye, Thy golden gates appear! 4 Ah!, then my spirit faints To reach the land I love, The bright inheritance of saints, Jerusalem above! 5 "Forever with the Lord!" O Father, if 'tis Thy will, The promise of that faithful word E'en here to me fulfill. 6 Be Thou at my right hand, Then can I never fail; Uphold Thou me, and I shall stand; Fight, and I must prevail. 7 So when my dying breath Shall rend the veil in twain, By death I shall escape from death, To life eternal gain. 8 Knowing as I am known, How shall I love that word And oft repeat, before the throne, "Forever with the Lord!" Used With Tune: ["Forever with the Lord!" Amen!]

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DENNIS

Meter: 6.6.8.6 Appears in 1,463 hymnals Composer and/or Arranger: Johann G. Nägeli; Lowell Mason Topics: Church in the World Discipleship: Love in Action; Brotherhood/Sisterhood; Church Community in Christ; Communion of Saints; Community; Compassion; Eternal Life; Farewell Service; Friendship; Funerals and Memorial Services; Heaven(s)/Paradise; Home and Family; Love; Love Feast; Love for Others; Prayer; Reconciliation; Service Music Sending Forth/Commissioning; Sin; Sympathy of Christians; Unity; Epiphany 3 Year A; Trinity Sunday Year A; Proper 15 Year A; Easter 5 Year B; Proper 27 Year B; Easter 5 Year C; Proper 9 Year C Tune Key: F Major Incipit: 33132 72111 61151 Used With Text: Blest Be the Tie That Binds
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IVORY PALACES

Meter: 9.6.9.6 with refrain Appears in 83 hymnals Composer and/or Arranger: Harry Barraclough Topics: Anointed; Clothing; Eternal Life; Follow; Healing; Hearts; Home and Family; Jesus Christ Cross; Joy; Love (Human); Myrrh; Weeping; Woe; Anointed; Clothing; Eternal Life; Follow; Healing; Hearts; Home and Family; Jesus Christ Cross; Joy; Love (Human); Myrrh; Weeping; Woe Tune Key: E Flat Major Incipit: 53323 45711 65432 Used With Text: Ivory Palaces
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[Sing the wondrous love of Jesus]

Appears in 232 hymnals Composer and/or Arranger: Mrs. J. G. Wilson Topics: Eternal Home; Eternal Home Tune Key: D Flat Major Incipit: 55513 45653 44432 Used With Text: When We All Get to Heaven

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O God, our help in ages past

Author: Dr. Isaac Watts, 1674-1748 Hymnal: Methodist Hymn and Tune Book #47 (1917) Topics: Eternal Home; Home Our eternal; Eternal Home; Home Our eternal Lyrics: 1. O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home: 2. Under the shadow of Thy throne, Thy saints have dwelt secure; Sufficient in Thine arm alone, And our defence is sure. 3. Before the hills in order stood, Or earth received her frame, From everlasting Thou art God, To endless years the same. 4. A thousand ages in Thy sight Are like an evening gone, Short as the watch that ends the night Before the rising sun. 5. The busy tribes of flesh and blood, With all their cares and fears, Are carried downward by the flood, And lost in following years. 6. Time, like an ever-rolling stream, Bears all its sons away; They fly forgotten, as a dream Dies at the opening day. 7. O God, our help in ages past, Our hope for years to come, Be Thou our guide while life shall last, And our eternal home. Languages: English Tune Title: ST. ANN
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The Unclouded Day

Author: J. K. A. Hymnal: The Majestic Hymnal, number two #337 (1959) Topics: Eternal Home; Eternal Home First Line: O they tell me of a home far beyond the skies Refrain First Line: O the land of cloudless day Languages: English Tune Title: [O they tell me of a home far beyond the skies]
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O Think of the Home Over There

Author: D. W. C. Huntington Hymnal: The Majestic Hymnal, number two #242 (1959) Topics: Eternal Home; Eternal Home Refrain First Line: Over there, over there Languages: English Tune Title: [O think of the home over there]

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Reginald Heber

1783 - 1826 Topics: The Home Eternal Nearing Home; The Home Eternal Return of Christ Author of "Redemption Nigh" in Christ in Song Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

Robert Schumann

1810 - 1856 Person Name: R. Schumann, 1810—56 Topics: The Last Things The Heavenly Home; The Last Things The Heavenly Home; Eternal Life; Heaven Arr. fr. of "["Forever with the Lord!" Amen!]" in The Lutheran Hymnary Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry

Sanford Fillmore Bennett

1836 - 1898 Person Name: Sanford F. Bennett Topics: Heaven Eternal Home Author of "Sweet By and By" in Praise for the Lord (Expanded Edition) Sanford Fillmore Bennett was born in Eden, New York, 21 June 1836. He and his parents moved to Plainfield, Illinois when he was two years old. He worked on the farm and attended district school during the winter. He was a voracious reader. At sixteen he entered Waukegon Academy. Two years later he began teaching at Wauconda. In 1858 he entered the University of Michigan, Afterward he had charge of the schools in Richmond, Illinois. Two years later he resigned and became Associate Editor of the Independent at Elkhorn, Wisconsin. In 1864 he enlisted in the Wisconsin Volunteers and served as Second Lieutenant. After the war he returned to Elkhorn and opened a drug store and began the study of medicine. He graduated from Rush Medical College in 1874. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)
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