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Topics:national+and+world+peace

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My Life Flows On in Endless Song

Author: Robert Lowry, 1826-1899 Appears in 145 hymnals Topics: National and World Peace Refrain First Line: No storm can shake my inmost calm Scripture: Isaiah 52:7 Used With Tune: HOW CAN I KEEP FROM SINGING

Son of God, eternal Savior

Author: Somerset Corry Lowry, 1829-1899 Appears in 63 hymnals Topics: National and World Peace Scripture: John 17:20-22 Used With Tune: WERDE MUNTER

Thy Kingdom Come, O Lord

Author: Frederick L. Hosmer, 1840-1929 Appears in 71 hymnals Topics: National and World Peace Scripture: Matthew 6:11 Used With Tune: ST. CECILIA

Tunes

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LANCASHIRE

Appears in 625 hymnals Composer and/or Arranger: Henry Smart, 1813-1879 Topics: National and World Peace Tune Key: D Major Incipit: 55346 53114 56255 Used With Text: Send Forth Thy Light, O Zion
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FINLANDIA

Meter: 11.10.11.10.11.10 Appears in 290 hymnals Composer and/or Arranger: Jean Sebelius Topics: Sanctifiying and Perfecting Grace Social Holiness; Particular Times of Worship Special Days; Nation; Peace, World; Prayer Tune Sources: The Hymnal, 1933, arr. Tune Key: E Flat Major Incipit: 32343 23122 33234 Used With Text: This Is My Song
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ELLERS

Appears in 624 hymnals Composer and/or Arranger: Edward J. Hopkins Topics: National and World Peace Tune Key: g minor Incipit: 55651 17123 11213 Used With Text: Savior, again to thy dear name we raise

Instances

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Published text-tune combinations (hymns) from specific hymnals

O God of love, O King of peace

Author: Henry Williams Baker, 1821-1877 Hymnal: The Hymnal #496 (1956) Topics: National and World Peace Scripture: Jeremiah 31:34 Tune Title: HESPERUS

O God of Every Nation

Author: William Watkins Reid, Jr., 1923 - Hymnal: Hymns of the Saints #175 (1982) Topics: National and World Peace Scripture: Colossians 3:11-14 Languages: English Tune Title: ST. THEODULPH

God of nations! At thy feet

Author: Thomas Bracken Hymnal: The Hymnal #493 (1956) Topics: National and World Peace Tune Title: GOD DEFEND NEW ZEALAND

People

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Authors, composers, editors, etc.

Nahum Tate

1652 - 1715 Person Name: Nahum Tate, 1652-1715 Topics: National and World Peace Author of "While Humble Shepherds" in Hymns of the Saints Nahum Tate was born in Dublin and graduated from Trinity College, Dublin, B.A. 1672. He lacked great talent but wrote much for the stage, adapting other men's work, really successful only in a version of King Lear. Although he collaborated with Dryden on several occasions, he was never fully in step with the intellectual life of his times, and spent most of his life in a futile pursuit of popular favor. Nonetheless, he was appointed poet laureate in 1692 and royal historiographer in 1702. He is now known only for the New Version of the Psalms of David, 1696, which he produced in collaboration with Nicholas Brady. Poverty stricken throughout much of his life, he died in the Mint at Southwark, where he had taken refuge from his creditors, on August 12, 1715. --The Hymnal 1940 Companion See also in: Hymn Writers of the Church

George Frideric Handel

1685 - 1759 Person Name: George F. Handel, 1685-1759 Topics: National and World Peace Composer of "CHRISTMAS" in Hymns of the Saints George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Johann Sebastian Bach

1685 - 1750 Person Name: J. S. Bach Topics: National and World Peace Harmonizer of "WERDE MUNTER" in The Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)