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Topics:pentecost+8

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Jesus, Priceless Treasure

Author: Catherine Winkworth, 1827-1878; Johann Franck, 1618-1677 Meter: 6.6.5.6.6.5.7.8.6 Appears in 132 hymnals Topics: Trust, Guidance; Epiphany 2; Epiphany 8; Pentecost 10 (Year B); Pentecost 11; Assurance; Comfort and Rest; Trust, Guidance Lyrics: 1 Jesus, priceless treasure, Source of purest pleasure, Truest friend to me: Ah, how long I've panted, And my heart has fainted, Thirsting, Lord, for thee! Thine I am, O spotless Lamb; I will suffer nought to hide thee, Nought I ask beside thee. 2 In thine arm I rest me; Foes who would molest me Cannot reach me here. Though the earth be shaking, Ev'ry heart be quaking, Jesus calms my fear. Sin and hell in conflict fell With their bitter storms assail me, Jesus will not fail me. 3 Hence, all fears and sadness, For the Lord of gladness, Jesus, enters in. Those who love the Father, Though the storms may gather, Still have peace within. Yea, whate'er I here must bear, Still in thee lies purest pleasure, Jesus, priceless treasure! Used With Tune: GUD SKAL, ALTING MAGE
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Spirit of the living God, fall afresh on me

Author: Daniel Iverson Appears in 102 hymnals Topics: Pentecost 8 The Fruit of the Spirit Used With Tune: SPIRIT OF THE LIVING GOD
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Forth in Thy Name, O Lord, I Go

Author: Charles Wesley, 1707-1788 Meter: 8.8.8.8 Appears in 345 hymnals Topics: Pentecost 8 First Line: Forth in thy name, O Lord, I go Lyrics: 1 Forth in thy name, O Lord, I go, My daily labor to pursue; Thee, only thee, resolved to know In all I think or speak or do. 2 The task thy wisdom has assigned, Oh, let me cheerfully fulfill; In all my works thy presence find, And prove thy good and perfect will. 3 Thee may I set at my right hand, Whose eyes my inmost substance see, And labor on at thy command, And offer all my works to thee. 4 Give me to bear thine easy yoke, And ev'ry moment watch and pray, And still to things eternal look, And hasten to thy glorious day; 5 For thee delightfully employ Whate'er thy bounteous grace has giv'n, And run my course with even joy, And closely walk with thee to heav'n. Used With Tune: SONG 34

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VENI CREATOR SPIRITUS

Appears in 146 hymnals Composer and/or Arranger: Healey Willan Topics: Service Music Doxologies; Pentecost Year A; Pentecost Year B; Pentecost Year C; Trinity Sunday Year C; Proper 8 Year C; Proper 25 Year C Tune Key: B Flat Major Incipit: 56545 65122 11561 Used With Text: Come, Holy Ghost
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KINGSFOLD

Meter: 8.6.8.6 D Appears in 276 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: Church in the World Renewal: Transformation; Challenge; Courage; Holy Spirit; Holy Spirit Images; Holy Spirit Movement; Holy Spirit Power; Jesus Christ Blood; Jesus Christ Images of; Renewal; Risk; Transformation; Water; Pentecost Year A; Proper 22 Year A; Proper 8 Year C Tune Sources: English and Irish traditional melody Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: I Feel the Winds of God
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TRENTHAM

Meter: 6.6.8.6 Appears in 219 hymnals Composer and/or Arranger: Robert Jackson Topics: Holy Spirit Praise and Invocation; Christian Experience; Christian Perfecction; Commitment; Confession; Consecration; Eternal Life; Faith Journey; Funerals and Memorial Services; Healing; Holy Spirit; Holy Spirit Images; Holy Spirit Indwelling; Holy Spirit Presence; Holy Spirit Renewal; Holy Spirit Work; Inner Life; Inspiration; Love; Love for Others; Purity; Regeneration; Surrender; Lent 2 Year A; Lent 5 Year A; Easter 2 Year A; Pentecost Year A; Proper 8 Year A; Proper 10 Year A; Pentecost Year B; Baptism of Jesus Year C; Easter 2 Year C; Pentecost Year C; Proper 26 Year C Tune Key: F Major Incipit: 33341 35432 32346 Used With Text: Breathe on Me, Breath of God (Souffle du Dieu vivant)

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Forth in Thy Name, O Lord, I Go

Author: Charles Wesley, 1707-1788 Hymnal: Lutheran Book of Worship #505 (1978) Meter: 8.8.8.8 Topics: Pentecost 8 First Line: Forth in thy name, O Lord, I go Lyrics: 1 Forth in thy name, O Lord, I go, My daily labor to pursue; Thee, only thee, resolved to know In all I think or speak or do. 2 The task thy wisdom has assigned, Oh, let me cheerfully fulfill; In all my works thy presence find, And prove thy good and perfect will. 3 Thee may I set at my right hand, Whose eyes my inmost substance see, And labor on at thy command, And offer all my works to thee. 4 Give me to bear thine easy yoke, And ev'ry moment watch and pray, And still to things eternal look, And hasten to thy glorious day; 5 For thee delightfully employ Whate'er thy bounteous grace has giv'n, And run my course with even joy, And closely walk with thee to heav'n. Languages: English Tune Title: SONG 34
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He lives in us, the Christ of God

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #457a (1987) Topics: Pentecost 8 The Fruit of the Spirit Lyrics: 1 He lives in us, the Christ of God, his Spirit joins with ours; he brings to us the Father's grace with powers beyond our powers. And if enticing sin grows strong, when human nature fails, God's Spirit in our inner self fights with us, and prevails. 3 Our pangs of guilt and fears of death are Satan's stratagems — by Jesus Christ who died for us God pardons; who condemns? And when we cannot feel our faith, nor bring ourselves to pray, the Spirit pleads with God for us in words we could not say. 3 God gave his Son to save us all — no other love like this! then shall he ever turn away from those he marks as his? And God has raised him from the grave, in this we stand assured; so none can tear us from his love in Jesus Christ our Lord. Scripture: Romans 8 Languages: English Tune Title: SOUTHWELL (IRONS)
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He lives in us, the Christ of God

Author: Michael Perry (born 1942) Hymnal: Hymns for Today's Church (2nd ed.) #457b (1987) Topics: Pentecost 8 The Fruit of the Spirit Lyrics: 1 He lives in us, the Christ of God, his Spirit joins with ours; he brings to us the Father's grace with powers beyond our powers. And if enticing sin grows strong, when human nature fails, God's Spirit in our inner self fights with us, and prevails. 3 Our pangs of guilt and fears of death are Satan's stratagems — by Jesus Christ who died for us God pardons; who condemns? And when we cannot feel our faith, nor bring ourselves to pray, the Spirit pleas with God for us in words we could not say. 3 God gave his Son to save us all — no other love like this! then shall he ever turn away from those he marks as his? And God has raised him from the grave, in this we stand assured; son none can tear us from his love in Jesus Christ our Lord. Scripture: Romans 8 Languages: English Tune Title: KINGSFOLD

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Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Topics: Pentecost 8 Author of "Forth in Thy Name, O Lord, I Go" in Lutheran Book of Worship Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Godfrey Thring

1823 - 1903 Person Name: Godfrey Thring, 1823-1903 Topics: Pentecost 8 (Year C) Author of "O God of Mercy, God of Light" in Lutheran Book of Worship Godfrey Thring (b. Alford, Somersetshire, England, 1823; d. Shamley Green, Guilford, Surrey, England, 1903) was born in the parsonage of Alford, where his father was rector. Educated at Balliol College, Oxford, England, he was ordained a priest in the Church of England in 1847. After serving in several other parishes, Thring re­turned to Alford and Hornblotten in 1858 to succeed his father as rector, a position he retained until his own retirement in 1893. He was also associated with Wells Cathedral (1867-1893). After 1861 Thring wrote many hymns and published several hymnals, including Hymns Congregational (1866), Hymns and Sacred Lyrics (1874), and the respect­ed A Church of England Hymn Book Adapted to the Daily Services of the Church Throughout the Year (1880), which was enlarged as The Church of England Hymn Book (1882). Bert Polman ================ Thring, Godfrey, B.A., son of the Rev. J. G. D. Thring, of Alford, Somerset, was born at Alford, March 25, 1823, and educated at Shrewsbury School, and at Balliol College, Oxford, B.A. in 1845. On taking Holy Orders he was curate of Stratfield-Turgis, 1846-50; of Strathfieldsaye, 1850-53; and of other parishes to 1858, when he became rector of Alford-with-Hornblotton, Somerset. R.D. 1867-76. In 1876 he was preferred as prebend of East Harptree in Wells cathedral. Prebendary Thring's poetical works are:— Hymns Congregational and Others, 1866; Hymns and Verses, 1866; and Hymns and Sacred Lyrics, 1874. In 1880 he published A Church of England Hymnbook Adapted to the Daily Services of the Church throughout the Year; and in 1882, a revised and much improved edition of the same as The Church of England Hymn Book, &c. A great many of Prebendary Thring's hymns are annotated under their respective first lines; the rest in common use include:— 1. Beneath the Church's hallowed shade. Consecration of a Burial Ground. Written in 1870. This is one of four hymns set to music by Dr. Dykes, and first published by Novello & Co., 1873. It was also included (but without music) in the author's Hymns & Sacred Lyrics, 1874, p. 170, and in his Collection, 1882. 2. Blessed Saviour, Thou hast taught us. Quinquagesima. Written in 1866, and first published in the author's Hymns Congregational and Others, 1866. It was republished in his Hymns & Sacred Lyrics, 1874; and his Collection, 1882. It is based upon the Epistle for Quinquagesima. 3. Blot out our sins of old. Lent. Written in 1862, and first published in Hymns Congregational and Others

Johann Franck

1618 - 1677 Person Name: Johann Franck, 1618-1677 Topics: Trust, Guidance; Epiphany 2; Epiphany 8; Pentecost 10 (Year B); Pentecost 11; Assurance; Comfort and Rest; Trust, Guidance Author of "Jesus, Priceless Treasure" in Lutheran Book of Worship Johann Franck (b. Guben, Brandenburg, Germany, 1618; d. Guben, 1677) was a law student at the University of Köningsberg and practiced law during the Thirty Years' War. He held several positions in civil service, including councillor and mayor of Guben. A significant poet, second only to Paul Gerhardt in his day, Franck wrote some 110 hymns, many of which were published by his friend Johann Crüger in various editions of the Praxis Pietatis melica. All were included in the first part of Franck’s Teutsche Gedichte bestehend im geistliche Sion (1672). Bert Polman ============= Franck, Johann, son of Johann Franck, advocate and councillor at Guben, Brandenburg, was born at Guben, June 1, 1618. After his father's death, in 1620, his uncle by marriage, the Town Judge, Adam Tielckau, adopted him and sent him for his education to the schools at Guben, Cottbus, Stettin and Thorn. On June 28, 1638, he matriculated as a student of law at the University of Königsberg, the only German university left undisturbed by the Thirty Years' War. Here his religious spirit, his love of nature, and his friendship with such men as Simon Dach and Heinrich Held, preserved him from sharing in the excesses of his fellow students. He returned to Guben at Easter, 1640, at the urgent request of his mother, who wished to have him near her in those times of war during which Guben frequently suffered from the presence of both Swedish and Saxon troops. After his return from Prague, May, 1645, he commenced practice as a lawyer. In 1648 he became a burgess and councillor, in 1661 burgomaster, and in 1671 was appointed the deputy from Guben to the Landtag (Diet) of Lower Lusatia. He died at Guben, June 18, 1677; and on the bicentenary of his death, June 18, 1877, a monumental tablet to his memory was affixed to the outer wall of the Stadtkirche at Guben (Koch, iii. 378-385; Allgemeine Deutsche Biographie, vii. 211-212; the two works by Dr. Hugo Jentsch of Guben, Johann Franck, 1877, and Die Abfassungszeit der geistlichen Lieder Johann Franck's, 1876). Of Franck's secular poems those before 1649 are much the best; his later productions becoming more and more affected and artificial, long-winded and full of classical allusions, and much inferior to those of Dach or Opitz. As a hymn writer he holds a high rank and is distinguished for unfeigned and firm faith, deep earnestness, finished form, and noble, pithy, simplicity of expression. In his hymns we miss the objectivity and congregational character of the older German hymns, and notice a more personal, individual tone; especially the longing for the inward and mystical union of Christ with the soul as in his "Jesus, meine Freude." He stands in close relationship with Gerhardt, sometimes more soaring and occasionally more profound, but neither on the whole so natural nor so suited for popular comprehension or Church use. His hymns appeared mostly in the works of his friends Weichmann, Crüger and Peter. They were collected in his Geistliches Sion, Guben, 1674, to the number of 110; and of these the 57 hymns (the other 53 being psalm versions of no great merit) were reprinted with a biographical preface by Dr. J. L. Pasig as Johann Franck's Geistliche Lieder, Grimma, 1846. Two of those translated into English are from the Latin of J. Campanus (q. v.). Four other hymns are annotated under their own first lines:—"Brunquell aller Güter"; "Dreieinigkeit der Gottheit wahrer Spiegel"; "Jesu, meine Freude"; "Schmücke dich, o liebe Secle." The rest are:— i. Hymns in English common use: -- i. Erweitert eure Pforten . [Advent]. Founded on Psalm xxiv. 7-10. First published in C. Peter's Andachts-Zymbeln, Freiberg, 1655, p. 25, in 7 stanzas of 8 lines; repeated 1674, p. 3, and 1846, p. 3, as above. Included in the 1688 and later editions of Crüger's Praxis pietatis, in Bollhagen's Gesang-Buch, 1736, &c. The only translation in common use is:—- Unfold your gates and open, a translation of st. 1, 3, 6, by A. T. Russell, as No. 30 in his Hymns & Psalms, 1851; repeated altered as No. 30 in Kennedy, 1863, and thus as No. 102 in Holy Song, 1869. ii. Herr Gott dich loben wir, Regier. Thanksgiving for Peace. Evidently written as a thanksgiving for the conclusion of the Thirty Years' War, by the Peace of Westphalia, Oct. 24, 1648. First published in the Crüger-Runge Gesang-Buch, Berlin, 1653, No. 306, in 9 st. of 8 l., as the first of the "Hymns of Thanksgiving for Peace attained"; and repeated 1674, p. 182, and 1846, p. 77, as above. Included in Crüger's Praxis, 1653, and many later collections, and, as No. 591, in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord God, we worship Thee, a very good version of st. 2, 3, 6, 8, by Miss Winkworth in her Chorale Book for England, 1863, No. 183. Repeated in full in the Society for Promoting Christian Knowledge Church Hymns, 1871; the Hymnary, 1872; the Psalmist, 1878; and in America in the Pennsylvania Lutheran Church Book, 1868. In the American Protestant Episcopal Collection, 1871; the Hymns & Songs of Praise, N. Y. 1874; and the Ohio Lutheran Hymnal, 1880, the translation of stanza 8 is omitted. iii. Herr ich habe missgehandelt. Lent. Of this fine hymn of penitence stanza i. appeared as No. 19 in Cruger's Geistliche Kirchenmelodien , Leipzig, 1649. The full form in 8 stanzas of 6 lines is No. 41 in the Crüger-Runge Gesang-Buch, Berlin, 1653, entitled "For the forgiveness of sins," repeated 1674, p. 39, and 1846, p. 37, as above. Included in Crüger's Praxis, 1653, and others, and in the Unverfälschter Liedersegen, 1851. The only translation in common use is:— Lord, to Thee I make confession, a very good translation, omitting st. 4, 5, 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 44, repeated in the Appendix to the Hymnal for St. John's, Aberdeen, 1865-1870; and in the Pennsylvania Lutheran Ch. Book, 1868; Evangelical Hymnal, N. Y., 1880; Ohio Lutheran Hymnal, 1880. Another translation is: "Lord, how oft I have offended," by N. L. Frothingham, 1870, p. 177. iv. Herr Jesu, Licht der Heiden. Presentation in the Temple. Founded on the account in St. Luke ii., and probably the finest hymn on the subject. Dr. Jentsch, 1876, p. 9, thinks it was written before Dec. 8, 1669, as C. Peter, who died then, left a melody for it. We have not found the full text earlier than 1674, as above, p. 10, in 6 stanzas of 8 lines, entitled "On the Festival of the Purification of Mary" (1846, p. 10). Included in the 1688 and later editions of Crüger's Praxis, and in the Unverfälschter Liedersegen, 1851, No. 197. The translations in common use are:— 1. Light of the Gentile world , a translation, omitting st. 6, by Miss Winkworth in the first service of her Lyra Germanica, 1855, p. 193 (ed. 1876, p. 195), and thence as No. 147 in the Pennsylvania Lutheran Hymn Book, 1865. This version is in S.M. Double. 2. Light of the Gentile Nations, a good translation, omitting st. 6, by Miss Winkworth in her Chorale Book for England, 1863, No. 80. Repeated in Dr. Thomas's Augustine Hymn Book, 1866, and in America in the Pennsylvania Lutheran Church Book, 1868, and the Ohio Lutheran Hymnal, 1880. ii. Hymns not in English common use: v. Du geballtes Weltgebäude. Christ above all earthly things. Stanza i. in Cruger's Kirchenmelodien, 1649, No. 116. The full text (beginning "Du o schönes) is No. 239 in the Crüger-Runge Gesang-Buch, 1653, in 8 stanzas, entitled "Longing after Eternal Life." Repeated, 1674, p. 194, and 1846, p. 60, as above. The translations are: (1) "Let who will in thee rejoice," by Miss Winkworth, 1855, p. 180 (1876, p. 182). (2) "O beautiful abode of earth," by Miss Warner, 1858 (1861, p. 233). (3) "Thou, O fair Creation-building," by N. L. Frothingham, 1870, p. 232. vi. Unsre müden Augenlieder. Evening. Probably written while a student at Königsberg. First published in J. Weichmann's Sorgen-lägerin, Königsberg, 1648, Pt. iii., No. 4, in 7 st.; repeated 1674, p. 213, and 1846, p. 91, as above. The only translation is by H. J. Buckoll, 1842, p. 79, beginning with st. vi., "Ever, Lord, on Thee relying." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)