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Thine Is the Glory

Author: Edmond Budry; Richard Birch Hoyle Meter: 5.5.6.5.6.5.6.5 Appears in 116 hymnals Topics: Praise of Christ First Line: Thine is the glory, Risen, conquering Son Refrain First Line: Thine be the glory, risen conquering Son
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Blessed Be the Name

Author: Charles Wesley Appears in 1,776 hymnals Topics: Christ Praise of First Line: Oh, for a thousand tongues to sing Refrain First Line: Blessed be the Name, blessed be the Name Used With Tune: BLESSED NAME
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Glory to His Name

Author: Elisha A. Hoffman Appears in 841 hymnals Topics: Praise of Christ; Praise of Christ First Line: Down at the cross where my Savior died Refrain First Line: Glory to His Name, Glory to His Name Lyrics: 1 Down at the cross where my Savior died, Down where for cleansing from sin I cried, There to my heart was the blood applied; Glory to His name. Chorus: Glory to His name, Glory to His name; There to my heart was the blood applied; Glory to His name. 2 I am so wondrously saved from sin, Jesus so sweetly abides within, There at the cross where He took me in; Glory to His name. (Chorus) 3 O precious fountain that saves from sin, I am so glad I have entered in; There Jesus saves me and keeps me clean; Glory to His name. (Chorus) 4 Come to this fountain so rich and sweet; Cast thy poor soul at the Savior’s feet; Plunge in today, and be made complete; Glory to His name. (Chorus) Used With Tune: [Down at the cross where my Savior died]

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ACKLEY

Meter: 7.6.7.6.7.6.7.4 with refrain Appears in 140 hymnals Composer and/or Arranger: Alfred H. Ackley Topics: The Grace of Jesus Christ In Praise of Christ Tune Key: B Flat Major Incipit: 55661 16355 66351 Used With Text: He Lives
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HANKEY

Meter: 7.6.7.6 D with refrain Appears in 683 hymnals Composer and/or Arranger: William G. Fischer Topics: The Grace of Jesus Christ In Praise of Christ Tune Key: A Flat Major Incipit: 51551 32111 62165 Used With Text: I Love to Tell the Story
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MY SAVIOR'S LOVE

Meter: 8.7.8.7 with refrain Appears in 187 hymnals Composer and/or Arranger: Charles H. Gabriel Topics: The Grace of Jesus Christ In Praise of Christ Tune Key: A Flat Major Incipit: 55351 23177 71215 Used With Text: I Stand Amazed in the Presence

Instances

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Published text-tune combinations (hymns) from specific hymnals
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When Morning Gilds the Skies

Author: Edward Caswall Hymnal: Favorite Hymns of Praise #1 (1967) Topics: Praise of Christ; Praise of Christ Lyrics: 1 When morning gilds the skies, My heart awaking cries: May Jesus Christ be praised; Alike at work and prayer To Jesus I repair: May Jesus Christ be praised. 2 When sleep her balm denies, My silent spirit sighs: May Jesus Christ be praised; When evil thoughts molest, With this I shield my breast: May Jesus Christ be praised. 3 Does sadness fill my mind, A solace here I find: May Jesus Christ be praised; Or fades my earthly bliss, My comfort still is this: May Jesus Christ be praised. 4 In heav'n's eternal bliss The loveliest strain is this: May Jesus Christ be praised; The pow'rs of darkness fear, When this sweet chant they hear: May Jesus Christ be praised. 5 Be this, while life is mine, My canticle divine, May Jesus Christ be praised; Be this th'eternal song, Thro' all the ages on: May Jesus Christ be praised. Languages: English Tune Title: [When morning gilds the skies]
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Praise Him! Praise Him!

Author: Fanny J. Crosby Hymnal: Favorite Hymns of Praise #19 (1967) Topics: Praise of Christ; Praise of Christ First Line: Praise Him! praise Him! Jesus, our blessed Redeemer Lyrics: 1 Praise Him! praise Him! Jesus, our blessèd Redeemer! Sing, O Earth, His wonderful love proclaim! Hail Him! hail Him! highest archangels in glory; Strength and honor give to His holy name! Like a shepherd, Jesus will guard His children, In His arms He carries them all day long: Refrain: Praise Him! praise Him! tell of His excellent greatness; Praise Him! praise Him! ever in joyful song! 2 Praise Him! praise Him! Jesus, our blessèd Redeemer! For our sins He suffered, and bled, and died; He our Rock, our hope of eternal salvation, Hail Him! hail Him! Jesus the Crucified. Sound His Praises! Jesus who bore our sorrows, Love unbounded, wonderful, deep and strong: (Refrain) 3 Praise Him! praise Him! Jesus, our blessèd Redeemer! Heav'nly portals loud with hosannas ring! Jesus, Savior, reigneth forever and ever; Crown Him! crown Him! Prophet, and Priest, and King! Christ is coming! over the world victorious, Pow'r and glory unto the Lord belong: (Refrain) Languages: English Tune Title: [Praise Him! praise Him! Jesus, our blessed Redeemer]
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Praise Him! Praise Him!

Author: Fanny J. Crosby Hymnal: Hymns of Faith #59 (1980) Topics: Praise of Christ; Praise of Christ Lyrics: 1 Praise Him! Praise Him! Jesus, our blessèd Redeemer! Sing, O Earth, His wonderful love proclaim! Hail Him! hail Him! highest archangels in glory; Strength and honor give to His holy name! Like a shepherd Jesus will guard His children, In His arms He carries them all day long: Chorus: Praise Him! praise Him! tell of His excellent greatness. Praise Him! praise Him! ever in joyful song! 2 Praise Him! Praise Him! Jesus, our blessèd Redeemer! For our sins He suffered, and bled, and died; He our Rock, our hope of eternal salvation, Hail Him! hail Him! Jesus the Crucified. Sound His praises! Jesus who bore our sorrows; Love unbounded, wonderful, deep and strong: (Chorus) 3 Praise Him! Praise Him! Jesus, our blessèd Redeemer! Heav'nly portals loud with hosannas ring! Jesus, Savior, reigneth forever and ever; Crown Him! crown Him! Prophet and Priest and King! Christ is coming! over the world victorious, Pow'r and glory unto the Lord belong: (Chorus) Scripture: Psalm 150:2 Languages: English Tune Title: [Praise Him! Praise Him!]

People

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Authors, composers, editors, etc.

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Topics: Christ Praise of Composer of "REGENT SQUARE" in Christian Praise Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Robert Bridges

1844 - 1930 Person Name: Robert S. Bridges Topics: The Grace of Jesus Christ In Praise of Christ Translator (stanza 3) of "When Morning Gilds the Skies" in The United Methodist Hymnal Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was consid­ered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911). Bert Polman =================== Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Ralph Vaughan Williams

1872 - 1958 Topics: The Grace of Jesus Christ In Praise of Christ Composer of "SINE NOMINE" in The United Methodist Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman
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