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Praise to God, Immortal Praise

Author: Anna L. Barbauld Appears in 608 hymnals Topics: Praise to God Lyrics: 1 Praise to God, immortal praise, For the love that crowns our days! Bounteous Source of every joy, Let thy praise our tongues employ. 2 All that spring with bounteous hand Scatters o’er the smiling land; All that liberal autumn pours From her rich o'erflowing stores— 3 These to thee, our God, we owe. Source whence all our blessings flow: And for these our souls shall raise Grateful vows and solemn praise. Used With Tune: [Praise to God, immortal praise]
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Praise to the Lord, the Almighty

Author: Joachim Neander; Catherine Winkworth; Rupert E. Davies Meter: 14.14.4.7.8 Appears in 396 hymnals Topics: God Beyond All Name and Form Praise to God First Line: Praise to the Lord, the Almighty, who rules all creation Lyrics: 1 Praise to the Lord, the Almighty, who rules all creation. O my soul, worship the wellspring of health and salvation. All ye who hear, now to God's temple draw near. Join me in in glad adoration. 2 Praise to the Lord, who o'er all things so wondrously reigneth, who, as on wings of an eagle uplifted, sustaineth. Hast thou not seen? All that is needful hath been granted in what God ordaineth? 3 Praise to the Lord, who doth prosper thy work, and defend thee. Surely God's goodness and mercy here daily attend thee. Ponder anew what the Almighty can do, who with great love doth befriend thee. 4 Praise to the Lord, who doth nourish thy life and restore thee, fitting thee well for the tasks that are ever before thee. Then to thy need God as a mother doth speed, spreading the wings of grace o'er thee. 5 Praise to the Lord! O let all of God's peoples and races, all that hath life and breath, give thanks for manifold graces. Let the Amen sound from God's people again. Gladly for ever sing praises. Used With Tune: LOBE DEN HERREN
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O Worship the King

Author: Robert Grant, 1779-1838 Meter: 10.10.11.11 Appears in 1,173 hymnals Topics: Praise to God First Line: O worship the King, all glorious above Lyrics: 1 O worship the King, all glorious above, O gratefully sing his power and his love; our Shield and Defender, the Ancient of Days, pavilioned in splendor and girded with praise. 2 O tell of his might, O sing of his grace, whose robe is the light, whose canopy space. His chariots of wrath the deep thunderclouds form, and dark is his path on the wings of the storm. 3 Thy bountiful care what tongue can recite? It breathes in the air, it shines in the light; it streams from the hills, it descends to the plain, and sweetly distills in the dew and the rain. 4 Frail children of dust, and feeble as frail, in thee do we trust, nor find thee to fail; thy mercies how tender, how firm to the end, Our Maker, Defender, Redeemer, and Friend. Scripture: Psalm 104 Used With Tune: LYONS

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ELLACOMBE

Meter: 7.6.7.6 D Appears in 639 hymnals Topics: Praise To God, Jesus Christ Tune Sources: Gesangbuch der Herzogl, Württemberg, 1784 Tune Key: B Flat Major Incipit: 51765 13455 67122 Used With Text: Hosanna, Loud Hosanna
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OLD 100TH

Meter: 8.8.8.8 Appears in 2,056 hymnals Composer and/or Arranger: John Dowland, 1563-1626 Topics: Praise to God Tune Sources: Pseaumes octante trois de David, 1551, alt. (melody) Tune Key: G Major Incipit: 11765 12333 32143 Used With Text: All people that on earth do dwell
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MARION

Appears in 268 hymnals Composer and/or Arranger: Arthur H. Messiter Topics: God Beyond All Name and Form Praise to God Tune Key: F Major Incipit: 15321 23331 23455 Used With Text: Rejoice, You Pure in Heart

Instances

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Published text-tune combinations (hymns) from specific hymnals
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"A New Song"

Hymnal: Christ in Song #235 (1908) Topics: God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God First Line: O sing unto the Lord a new song Lyrics: O sing unto the Lord a new song; for he hath done marv'lous things; his right hand, and his holy arm hath gotten him the victory. The Lord hath made known his salvation: his righteousness hath he openly showed in the sight of the heathen. He hath remembered his mercy and his truth toward the house of Israel. All the ends of the earth have seen the salvation of our God. Make a joyful noise unto the Lord, all the earth, make a loud noise and rejoice and sing praise. Sing unto the Lord with the harp; with the harp and the voice of a psalm. With trumpets and sound of cornet make a joyful noise before the Lord, the King. Let the sea roar, and the fulness thereof; the world and they that dwell therein. Let the floods clap their hands; let the hills be joyful together before the Lord; for he cometh to judge the earth: with righteousness shall he judge the world, and the people with equity. Scripture: Psalm 98 Languages: English Tune Title: [O sing unto the Lord a new song]
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To God Be the Glory

Author: Fanny J. Crosby Hymnal: Christ in Song #191 (1908) Topics: God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God; God Praise to God First Line: To God be the glory, great things He hath done Refrain First Line: Praise the Lord, praise the Lord Lyrics: 1 To God be the glory, great things He hath done, So loved He the world that He gave us His Son, Who yielded His life an atonement for sin, And opened the Life-gate that all may go in. Chorus: Praise the Lord, praise the Lord, Let the earth hear His voice; Praise the Lord, praise the Lord, Let the people rejoice; O come to the Father, thro' Jesus the Son And give Him the glory great things He hath done. 2 O perfect redemption, the purchase of blood, To ev'ry believer the promise of God; The vilest offender who truly believes, That moment from Jesus a pardon receives. [Chorus] 3 Great things He hath taught us, great things He hath done, And great our rejoicing thro' Jesus the Son; But purer, and higher, and greater will be Our wonder, our transport, when Jesus we see. [Chorus] Languages: English Tune Title: [To God be the glory, great things He hath done]
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Sing Praise to God Who Reigns Above

Author: Johann J. Schütz; Frances E. Cox Hymnal: Chalice Hymnal #6 (1995) Meter: 8.7.87.8.8.7 Topics: God Beyond All Name and Form Praise to God Lyrics: 1 Sing praise to God who reigns above, the God of all creation, the God of power, the God of love, the God of our salvation. With healing balm my soul is filled and every faithless murmur stilled: to God all praise and glory! 2 Our God is never far away, but through all grief distressing, an ever present help and stay, our peace and joy and blessing. As with a mother's tender hand God gently leads the chosen band; to God all praise and glory! 3 Then all my gladsome way along I sing aloud your praises that all may hear the grateful song my voice unwearied raises. Be joyful in the Lord, my heart, both soul and body take your part; to God all praise and glory! 4 Let all who name Christ's holy name give God all praise and glory; let all who own God's power proclaim around the wondrous story! Cast each false idol from its throne, for Christ is Lord, and Christ alone; to God all praise and glory! Languages: English Tune Title: MIT FREUDEN ZART

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Eleanor Farjeon

1881 - 1965 Person Name: Eleanor Farjeon, 1881-1965 Topics: Praise to God Author of "Morning Has Broken" in Hymns of Promise Eleanor Farjeon, (born Feb. 13, 1881, London--died June 5, 1965, Hampstead, London), English writer for children whose magical but unsentimental tales, which often mock the behaviour of adults, earned her a revered place in many British nurseries. The daughter of a British novelist and granddaughter of a U.S. actor, Eleanor Farjeon grew up in the bohemian literary and dramatic circles of London. Attending opera and theatre at 4 and writing on her father’s typewriter at 7, Farjeon came to public attention at 16 as the librettist of an opera, with music by her brother Harry, which was produced by the Royal Academy of Music. Her success with Nursery Rhymes of London Town (1916), simple tunes originally for adults but adapted and sung in junior schools throughout England, spurred her writing. In addition to such favourites as Martin Pippin in the Apple Orchard (1921) and The Little Bookroom (1955), which won the Carnegie Medal and the first Hans Christian Anderson Award, Farjeon’s prolific writings include children’s educational books, among them Kings and Queens (1932; with Herbert Farjeon); adult books; and memoirs, notably A Nursery in the Nineties (1935; rev. ed. 1960). --www.britannica.com/EBchecked/topic/201881/Eleanor-Farjeon

Andrew Reed

1787 - 1862 Topics: Pentecost/Praise to God, The Holy Spirit Author of "Spirit Divine, Attend Our Prayer" in The A.M.E. Zion Hymnal Reed, Andrew, D.D., son of Andrew Reed, was born in London on Nov. 27, 1787, and educated for the Congregational Ministry at Hackney College, London. He was first the pastor of the New Road Chapel, St. George's-in-the-East, and then of the Wycliffe Chapel, which was built through his exertions in 1830. His degree was conferred by Yule College, America. He died Feb. 25, 1862. As the founder of "The London Orphan Asylum," "The Asylum for Fatherless Children," “The Asylum for Idiots” "The Infant Orphan Asylum," and "The Hospital for Incurables," Dr. Reed is more fully known, and will be longer remembered than by his literary publications. His Hymn Book was the growth of years. The preparation began in 1817, when he published a Supplement to Watts, in which were a few originals. This was enlarged in 1825; and entirely superseded by his collection The Hymn Book, prepared from Dr. Watts's Psalms & Hymns and Other Authors, with some Originals, in 1842 (Preface). His hymns, mostly of a plain and practical character, numbering 21, were contributed to these various editions, and were republished with those of his wife in the Wycliffe Supplement, 1872. The best known are "Ah Jesus, let me hear Thy voice” and ”Spirit Divine, attend our prayer." All Dr. and Mrs. Reed's hymns are anonymous in The Hymn Book, 1842, but are given with their names in the Wyclife Supplement, 1872. His hymns now in common use include, in addition to those annotated under their respective first lines :— 1. Come, let us strike our harps afresh. Praise. 2. Come, my Redeemer, come. Desiring Christ's Presence. 3. Gentle Saviour, look on me. Christ's protection Desired. 4. Gracious Lord, as Thou hast taught us. Public Worship. 5. Hark, hark, the notes of joy. Missions. 6. Holy Ghost, with light divine (1817). Prayer to the Holy Spirit. Sometimes given as "Holy Ghost, Thou light divine;" and again as "Holy Spirit, Light divine." 7. Listen, sinner, mercy hails you. Invitation. Generally given as "Hear, O Sinner, mercy hails you." 8. Rich are the joys of solitude. Retirement. Some-times given as "How deep and tranquil is the joy." 9. There [comes] is an hour when I must part. Death anticipated. 10. Ye saints your music bring. Praise of the Cross. --John Julian, Dictionary of Hymnology (1907)

Clement of Alexandria

170 - 215 Topics: Praise To God, Jesus Christ Author of "Shepherd of Tender Youth" in Psalter Hymnal (Blue) Clemens, Titus Flavins (Clemens Alexandrinus), St. Clement of Alexandria, was born possibly at Athens (although on this point there is no certain information) about A.D. 170. His full name, Titus Flavins Clemens, is given by Eusebius (H. E., vi. 13) and Photius (Cod. Ill), but of his parentage there is no record. Studious, and anxious to satisfy his mind on the highest subjects, he is said to have been a Stoic and Eclectic, and a seeker after truth amongst Greek, Assyrian, Egyptian, and Jewish teachers. He himself enumerates six teachers of eminence under whom he studied the "true tradition of the blessed doctrine of the holy apostles." At Alexandria he came under the teaching of Pantsenus, and embraced Christianity, Pantsenus being at the time the master of the Catechetical School in that city. On the retirement of Pantsenus from the school for missionary work, Clement became its head, cir. 190, and retained the position to 203. His pupils were numerous, and some of them of note, including Origen, and Alexander, afterwards Bishop of Jerusalem. Driven from Alexandria by the persecution under Severus (202-203), he wandered forth, it is not known whither. The last notice wo have of him in history is in a letter of congratulation by his old pupil, Alexander, then Bp. of Cappadocia, to the Church of Antioch, on the appointment of Asclepiades to the bishopric of that city. This letter, dated 211, seems to have been conveyed to Antioch by Clement. Beyond this nothing is known, either concern¬ing his subsequent life or death, although the latter is sometimes dated A.D. 220. The works of Clement are ten in all. Of these, the only work with which we have to do is The Tutor, in three books. The first book describes the Tutor, who is the Word Himself, the children whom He trains (Christian men and women), and his method of instruction. The second book contains general instructions as to daily life in eating, drinking, furniture, sleep, &c.; and the third, after an inquiry into the nature of true beauty, goes onto condemn extravagance in dress, &c, both in men and women. Appended to this work, in the printed editions, are two poems; the first, "A Hymn of the Saviour), and the second, an address "To the Tutor". The first, beginning is attributed to Clement in those manuscripts in which it is found; but it is supposed by some to be of an earlier date: the second is generally regarded as by a later hand . The “Hymn of the Saviour," the earliest known Christian hymn, has been translated into English: The earliest translation is "Shepherd of tender youth.” This is by Dr. H. M. Dexter (q. v.). It was written in 1846, first published in The Congregationalist [of which Dexter was editor], Dec. 21, 1849, and is in extensive use in the United States. In Great Britain it is also given in several collections, including the New Congregational Hymn Book, 1859; Baptist Psalms & Hymns, 1858; the R. T. Society's Collection, &c. There are also translations not in common use, viz.: (1) "Bridle of colts untamed," by Dr. W. L. Alexander, in the Ante-Nicene Christian Library, vol. iv. p. 343; (2) "Bridle of colts untaught," by Dr. H. Bonar, in The Sunday at Home, 1878, p. 11. (3) Another translation is by the Rev. A. W. Chatfield, in his Songs and Hymns of the Earliest Greek Christian Poets, 1876. Mr. Chatfield, following the Anth. Graeca Car. Christ., 1871, p. 37, begins with the eleventh line: "O Thou, the King of Saints, all-conquering Word." His translation extends to 40 lines. --Excerpts from John Julian, Dictionary of Hymnology (1907)
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