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Savior, Like a Shepherd Lead Us

Author: Dorothy A. Thrupp; Henry F. Lyte Meter: 8.7.8.7.4.7 Appears in 1,177 hymnals Topics: Children's Hymns about Children; Christ Shepherd Lyrics: 1 Savior, like a shepherd lead us, Much we need Thy tender care; In Thy pleasant pastures feed us, For our use Thy folds prepare: Blessèd Jesus, blessèd Jesus, Thou hast bought us, Thine we are; Blessèd Jesus, blessèd Jesus, Thou hast bought us, Thine we are. 2 We are Thine, do Thou befriend us, Be the guardian of our way; Keep Thy flock, from sin defend us, Seek us when we go astray: Blessèd Jesus, blessèd Jesus, Hear, O hear us when we pray; Blessèd Jesus, blessèd Jesus, Hear, O hear us when we pray. 3 Thou hast promised to receive us, Poor and sinful though we be; Thou hast mercy to relieve us, Grace to cleanse, and pow'r to free: Blessèd Jesus, blessèd Jesus, Early let us turn to Thee; Blessèd Jesus, blessèd Jesus, Early let us turn to Thee. 4 Early let us seek Thy favor, Early let us do Thy will; Blessed Lord and only Savior, With Thy love our bosoms fill: Blessèd Jesus, blessèd Jesus, Thou hast loved us, love us still; Blessèd Jesus, blessèd Jesus, Thou hast loved us, love us still. Hymns for the Living Church Text Sources: Hymns for the Young, 4th ed., London, 1836.
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Immortal, Invisible, God Only Wise

Author: Walter C. Smith Meter: 11.11.11.11 Appears in 218 hymnals Topics: God Majesty and Power Lyrics: 1 Immortal, invisible, God only wise, in light inaccessible hid from our eyes, most blessed, most glorious, the Ancient of Days, almighty, victorious, thy great name we praise. 2 Unresting, unhasting, and silent as light, nor wanting, nor wasting, thou rulest in might; thy justice like mountains high soaring above thy clouds, which are fountains of goodness and love. 3 To all life thou givest, to both great and small; in all life thou livest, the true life of all; we blossom and flourish as leaves on the tree, and wither and perish but naught changeth thee. 4 Great Father of glory, pure Father of light, thine angels adore thee, all veiling their sight; all praise we would render, O help us to see 'tis only the splendor of light hideth thee. Worship and Rejoice, 2003
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Praise, My Soul, the King of Heaven

Author: Henry Francis Lyte Meter: 8.7.8.7.8.7 Appears in 548 hymnals Topics: Scripture Songs; Worship; God the Father His Care and Guidance; Psalm Adaptations; Worship; liturgical Opening Hymns Lyrics: 1 Praise, my soul, the King of heaven; to his feet your tribute bring. Ransomed, healed, restored, forgiven, evermore his praises sing. Alleluia, alleluia! Praise the everlasting King! 2 Praise him for his grace and favor to his people in distress. Praise him, still the same as ever, slow to chide, and swift to bless. Alleluia, alleluia! Glorious in his faithfulness! 3 Fatherlike he tends and spares us; well our feeble frame he knows. In his hand he gently bears us, rescues us from all our foes. Alleluia, alleluia! Widely yet his mercy flows! 4 Angels, help us to adore him; you behold him face to face. Sun and moon, bow down before him, dwellers all in time and space. Alleluia, alleluia! Praise with us the God of grace! Psalter Hymnal, (Gray)

Tunes

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SIYAHAMBA

Meter: Irregular Appears in 57 hymnals Composer and/or Arranger: Anders Nyberg Topics: Proper 19 Year A; Proper 19 Year C Tune Sources: South African trad. song 20th century Tune Key: G Major Incipit: 55332 31654 32221 Used With Text: We Are Marching (Siyahamba)
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AMAZING GRACE (NEW BRITAIN)

Meter: 8.6.8.6 Appears in 624 hymnals Composer and/or Arranger: Edwin O. Excell Topics: Proper 19 Year C Tune Key: F Major Incipit: 51313 21655 13132 Used With Text: Amazing Grace, How Sweet the Sound
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SLANE

Meter: 10.10.10.10 Appears in 275 hymnals Topics: Proper 19 Year B Tune Sources: Irish traditional melody Tune Key: E Flat Major Incipit: 11216 56112 32222 Used With Text: Be Thou My Vision

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Guide Me, O Thou Great Jehovah (Guide-moi, Berger fidèle)

Author: Peter Williams; William Williams; Flosette du Pasquier Hymnal: Voices United #651 (1996) Meter: 8.7.8.7.8.7 with repeat Topics: Proper 19 Year A; Proper 19 Year A Lyrics: 1 Guide me, O thou great Jehovah, pilgrim through this barren land; I am weak, but thou art mighty; hold me with thy powerful hand; Bread of heaven, Bread of heaven, feed me till I want no more, feed me till I want no more. 2 Open now the crystal fountain whence the healing stream doth flow; let the fire and cloudy pillar lead me all my journey through. Strong Deliverer, strong Deliverer, be thou still my strength and shield, be thou still my strength and shield. 3 When I tread the verge of Jordan, bid my anxious fears subside; death of death, and hell's destruction, land me safe on Canaan's side: songs of praises, songs of praises I will ever give to thee, I will ever give to thee. Languages: English; French Tune Title: CWM RHONDDA
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Sing Praise to God, Who Reigns Above

Author: Johann Jacob Schütz; Frances Elizabeth Cox Hymnal: Voices United #216 (1996) Meter: 8.7.8.7 D Topics: Proper 19 Year A; Proper 19 Year C Lyrics: 1 Sing praise to God who reigns above, the God of all creation, the God of power, the God of love, the God of our salvation; with healing balm my soul is filled, and every faithless murmur stilled: to God all praise and glory! 2 What God's almighty power hath made, God's gracious mercy keepeth: by morning glow or evening shade God's watchful eye ne'er sleepeth; within the shelter of God's might, lo! all is just and all is right: to God all praise and glory! 3 Our God is never far away, but through all grief distressing, an ever-present help and stay, our peace, and joy, and blessing; as with a mother's tender hand, God gently leads the chosen band: to God all praise and glory! 4 Thus all my gladsome way along, I sing aloud thy praises that all may hear the grateful song my voice unwearied raises. Be joyful in your God, my heart! Both soul and body take your part: to God all praise and glory! Languages: English Tune Title: MIT FREUDEN ZART
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When I Survey the Wondrous Cross

Author: Isaac Watts; Pauline Martin Hymnal: Voices United #149 (1996) Meter: 8.8.8.8 Topics: Proper 19 Year B; Proper 19 Year C First Line: When I survey the wondrous cross (Quand je me tourne vers la croix) Lyrics: 1 When I survey the wondrous cross on which the Prince of glory died, my richest gain I count but loss, and pour contempt on all my pride. 2 Forbid it, Lord, that I should boast, save in the death of Christ, my God: all the vain things that charm me most, I sacrifice them to his blood. 3 See, from his head, his hands, his feet, sorrow and love flow mingled down! Did e’er such love and sorrow meet, or thorns compose so rich a crown? 4 Were the whole realm of nature mine, that were a present far too small: love so amazing, so divine, demands my soul, my life, my all. 1 Quand je me tourne vers le croix où Christ expire su le bois mon coeur blessé rempli du deuil, prend en dégoût mon fol orgueil. 2 Qui donc pourrait calmer ce coeur hormis la crois de mon Sauveur? Tous mes plaisirs, mes vains désirs, je veux, ô Christ, te les offrir. 3 Oh vois, des mains, de son côté, du front d'épines couronné, douleur, angoisse, amour mêlés, descendre pour nous racheter. 4 Si je t'offrais le monde entier ce don serait pris es pitié. Amour si grand, si pur, si doux veut âme, corps, mon coeur, mon tout! Languages: English Tune Title: COMMUNION (ROCKINGHAM)

People

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Authors, composers, editors, etc.

Joseph Addison

1672 - 1719 Topics: Proper 19 Year C Author of "When All Your Mercies, O My God" in Voices United Addison, Joseph, born at Milston, near Amesbury, Wiltshire, May 1, 1672, was the son of the Rev. Lancelot Addison, sometime Dean of Lichfield, and author of Devotional Poems, &c, 1699. Addison was educated at the Charterhouse, and at Magdalen College, Oxford, graduating B.A. 1691 and M.A. 1693. Although intended for the Church, he gave himself to the study of law and politics, and soon attained, through powerful influence, to some important posts. He was successively a Commissioner of Appeals, an Under Secretary of State, Secretary to the Lord Lieutenant of Ireland, and Chief Secretary for Ireland. He married, in 1716, the Dowager Countess of Warwick, and died at Holland House, Kensington, June 17, 1719. Addison is most widely known through his contributions to The Spectator, The Toiler, The Guardian, and The Freeholder. To the first of these he contributed his hymns. His Cato, a tragedy, is well known and highly esteemed. Addison's claims to the authorship of the hymns usually ascribed to him, or to certain of them, have been called in question on two occasions. The first was the publication, by Captain Thompson, of certain of those hymns in his edition of the Works of Andrew Marvell, 1776, as the undoubted compositions of Marvell; and the second, a claim in the Athenaeum, July 10th, 1880, on behalf of the Rev. Richard Richmond. Fully to elucidate the subject it will be necessary, therefore, to give a chronological history of the hymns as they appeared in the Spectator from time to time. i. The History of the Hymns in The Spectator. This, as furnished in successive numbers of the Spectator is :— 1. The first of these hymns appeared in the Spectator of Saturday, July 26, 1712, No. 441, in 4 stanzas of 6 lines. The article in which it appeared was on Divine Providence, signed “C." The hymn itself, "The Lord my pasture shall prepare," was introduced with these words:— "David has very beautifully represented this steady reliance on God Almighty in his twenty-third psalm, which is a kind of pastoral hymn, and filled with those allusions which are usual in that kind of writing As the poetry is very exquisite, I shall present my readers with the following translation of it." (Orig. Broadsheet, Brit. Mus.) 2. The second hymn appeared in the Spectator on Saturday, Aug. 9, 1712, No. 453, in 13 st. of 4 1., and forms the conclusion of an essay on " Gratitude." It is also signed " C," and is thus introduced:— “I have already obliged the public with some pieces of divine poetry which have fallen into my hands, and as they have met with the reception which they deserve, I shall, from time to time, communicate any work of the same nature which has not appeared in print, and may be acceptable to my readers." (Orig. Broadsheet, British Museum) Then follows the hymn:—"When all Thy mercies, 0 my God." 3. The number of the Spectator for Tuesday, Aug. 19, 1712, No. 461, is composed of three parts. The first is an introductory paragraph by Addison, the second, an unsigned letter from Isaac Watts, together with a rendering by him of Ps. 114th; and the third, a letter from Steele. It is with the first two we have to deal. The opening paragraph by Addison is:— “For want of time to substitute something else in the Boom of them, I am at present obliged to publish Compliments above my Desert in the following Letters. It is no small Satisfaction, to have given Occasion to ingenious Men to employ their Thoughts upon sacred Subjects from the Approbation of such Pieces of Poetry as they have seen in my Saturday's papers. I shall never publish Verse on that Day but what is written by the same Hand; yet shall I not accompany those Writings with Eulogiums, but leave them to speak for themselves." (Orig. Broadsheet, British Museum

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes (1823-1876) Topics: Proper 19 Year C Composer of "RIEVAULX" in Ancient and Modern As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Edward Perronet

1721 - 1792 Topics: Proper 19 Year A Author of "All Hail the Power of Jesus' Name" in Voices United Edward Perronet was the son of the Rev. Vincent Perronet, Vicar of Shoreham, Kent. For some time he was an intimate associate of the Wesleys, at Canterbury and Norwich. He afterwards became pastor of a dissenting congregation. He died in 1792. In 1784, he published a small volume, entitled "Occasional Verses, Moral and Social;" a book now extremely rare. At his death he is said to have left a large sum of money to Shrubsole, who was organist at Spafield's Chapel, London, and who had composed the tune "Miles Lane" for "All hail the power of Jesus' Name!" --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ------ Perronet, Edward. The Perronets of England, grandfather, father, and son, were French emigres. David Perronet came to England about 1680. He was son of the refugee Pasteur Perronet, who had chosen Switzerland as his adopted country, where he ministered to a Protestant congregation at Chateau D'Oex. His son, Vincent Perronet, M.A., was a graduate of Queen's College, Oxford, though his name is not found in either Anthony Woods's Athenae Oxonienses nor his Fasti, nor in Bliss's apparatus of additional notes. He became, in 1728, Vicar of Shoreham, Kent. He is imperishably associated with the Evangelical Revival under the Wesleys and Whitefield. He cordially cooperated with the movement, and many are the notices of him scattered up and down the biographies and Journals of John Wesley and of Selina, Countess of Huntingdon. He lived to the venerable age of ninety-one; and pathetic and beautiful is the account of John Wesley's later visits to the white-haired saint (b. 1693, d. May 9, 1785).* His son Edward was born in 1726. He was first educated at home under a tutor, but whether he proceeded to the University (Oxford) is uncertain. Born, baptized, and brought up in the Church of England, he had originally no other thought than to be one of her clergy. But, though strongly evangelical, he had a keen and searching eye for defects. A characteristic note to The Mitre, in referring to a book called The Dissenting Gentleman's answer to the Rev. Mr. White, thus runs:—"I was born, and am like to die, in the tottering communion of the Church of England; but I despise her nonsense; and thank God that I have once read a book that no fool can answer, and that no honest man will". The publication of The Mitre is really the first prominent event in his life. A copy is preserved in the British Museum, with title in the author's holograph, and manuscript notes; and on the fly-leaf this:— "Capt. Boisragon, from his oblig'd and most respectful humble servt. The Author. London, March 29th, 1757." The title is as follows:— The Mitre; a Sacred Poem (1 Samuel ii. 30). London: printed in the year 1757. This strangely overlooked satire is priceless as a reflex of contemporary ecclesiastical opinion and sentiment. It is pungent, salted with wit, gleams with humour, hits off vividly the well-known celebrities in Church and State, and is well wrought in picked and packed words. But it is a curious production to have come from a "true son" of the Church of England. It roused John Wesley's hottest anger. He demanded its instant suppression; and it was suppressed (Atmore's Methodist Memorial, p. 300, and Tyerman, ii. 240-44, 264, 265); and yet it was at this period the author threw himself into the Wesleys' great work. But evidences abound in the letters and journals of John Wesley that he was intermittently rebellious and vehement to even his revered leader's authority. Earlier, Edward Perronet dared all obloquy as a Methodist. In 1749 Wesley enters in his diary: "From Rochdale went to Bolton, and soon found that the Rochdale lions were lambs in comparison with those of Bolton. Edward Perronet was thrown down and rolled in mud and mire. Stones were hurled and windows broken" (Tyerman's Life and Times of the Rev. John Wesley, M.A., 3 vols., 1870 ; vol. ii. 57). In 1750 John Wesley writes: ”Charles and you [Edward Perronet] behave as I want you to do; but you cannot, or will not, preach where I desire. Others can and will preach where I desire, but they do not behave as I want them to do. I have a fine time between the one and the other. I think Charles and you have in the general a right sense of what it is to serve as sons in the gospel; and if all our helpers had had the same, the work of God would have prospered better both in England and Ireland. I have not one preacher with me, and not six in England, whose wills are broken to serve me" (ibid. ii. 85, and Whitehead's Life of Wesley, ii. 259). In 1755 arrangements to meet the emergency created by its own success had to be made for Methodism. As one result, both Edward and Charles Perronet broke loose from John Wesley's law that none of his preachers or "helpers" were to dispense the Sacraments, but were still with their flocks to attend the parish churches. Edward Perronet asserted his right to administer the Sacraments as a divinely-called preacher ibid. ii. 200). At that time he was resident at Canterbury, "in a part of the archbishop's old palace" (ibid. ii. 230. In season and out of season he "evangelized." Onward, he became one of the Countess of Huntingdon's "ministers" in a chapel in Watling Street, Canterbury. Throughout he was passionate, impulsive, strong-willed; but always lived near his divine Master. The student-reader of Lives of the Wesleys will be "taken captive" by those passages that ever and anon introduce him. He bursts in full of fire and enthusiasm, yet ebullient and volatile. In the close of his life he is found as an Independent or Congregational pastor of a small church in Canterbury. He must have been in easy worldly circumstances, as his will shows. He died Jan. 2, 1792, and was buried in the cloisters of the great cathedral, Jan. 8. His Hymns were published anonymously in successive small volumes. First of all came Select Passages of the Old and New Testament versified; London: Printed by H. Cock, mdcclvi. … A second similar volume is entitled A Small Collection of Hymns, &c, Canterbury: printed in the year dcclxxxii. His most important volume was the following:— Occasional Verses, moral and sacred. Published for the instruction and amusement of the Candidly Serious and Religious. London, printed for the Editor: And Sold by J. Buckland in Paternoster Row; and T. Scollick, in the City Road, Moorfields, mdcclxxxv. pp. 216 (12°). [The British Museum copy has the two earlier volumes bound up with this.] The third hymn in this scarce book is headed, “On the Resurrection," and is, ”All hail the power of Jesus' name". But there are others of almost equal power and of more thorough workmanship. In my judgment, "The Lord is King" (Psalm xcvi. 16) is a great and noble hymn. It commences:— “Hail, holy, holy, holy Loud! Let Pow'rs immortal sing; Adore the co-eternal Word, And shout, the Lord is King." Very fine also is "The Master's Yoke—the Scholar's Lesson," Matthew xi. 29, which thus opens:— O Grant me, Lord, that sweet content That sweetens every state; Which no internal fears can rent, Nor outward foes abate." A sacred poem is named "The Wayfaring Man: a Parody"; and another, "The Goldfish: a Parody." The latter has one splendid line on the Cross, "I long to share the glorious shame." "The Tempest" is striking, and ought to be introduced into our hymnals; and also "The Conflict or Conquest over the Conqueror, Genesis xxxii. 24". Still finer is "Thoughts on Hebrews xii.," opening:— "Awake my soul—arise! And run the heavenly race; Look up to Him who holds the prize, And offers thee His grace." "A Prayer for Mercy on Psalm cxix. 94," is very striking. On Isaiah lxv. 19, is strong and unmistakable. "The Sinner's Resolution," and "Thoughts on Matthew viii. 2," and on Mark x. 51, more than worthy of being reclaimed for use. Perronet is a poet as well as a pre-eminently successful hymnwriter. He always sings as well as prays. It may be added that the brief paraphrase after Ovid given below, seems to echo the well-known lines in Gray's immortal elegy:— "How many a gem unseen of human eyes, Entomb'd in earth, a sparkling embryo lies; How many a rose, neglected as the gem, Scatters its sweets and rots upon its stem: So many a mind, that might a meteor shone, Had or its genius or its friend been known; Whose want of aid from some maternal hand, Still haunts the shade, or quits its native land." [Rev. A. B. Grosart, D.D., LL.D.] * Agnew's Protestant Exiles from France in the Reign of Louis XIV. confounds Vincent the father with Edward his son. -- John Julian, Dictionary of Hymnology (1907)
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