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Topics:prose+psalms

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Texts

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Text authorities
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VENITE

Appears in 468 hymnals Topics: Prose Psalms First Line: O come, let us sing unto the Lord Scripture: Psalm 95 Used With Tune: [VENITE] ROBINSON

O sing unto the Lord a new song

Appears in 286 hymnals Topics: Prose Psalms Scripture: Psalm 96 Used With Tune: [O sing unto the Lord a new song]

DEUS MISEREATUR

Appears in 344 hymnals Topics: Prose Psalms First Line: God be merciful unto us, and bless us Scripture: Psalm 67 Used With Tune: [Deus Misereatur]

Tunes

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Tune authorities

[The Lord is my shepherd]

Appears in 87 hymnals Composer and/or Arranger: R. Farrant, - 1580 Topics: Prose Psalms Tune Key: G Major Incipit: 11235 43221 Used With Text: The Lord is my shepherd
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[VENITE] ROBINSON

Appears in 71 hymnals Composer and/or Arranger: J. Robinson, 1682 - 1762 Topics: Prose Psalms Tune Key: E Flat Major Incipit: 51653 45545 54365 Used With Text: VENITE
Audio

[Give the king thy judgements, O God]

Appears in 128 hymnals Composer and/or Arranger: W. Boyce, 1710 - 1779 Topics: Prose Psalms Tune Key: D Major Incipit: 15433 25545 56716 Used With Text: Give the king thy judgements, O God

Instances

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Published text-tune combinations (hymns) from specific hymnals

Praise ye the Lord

Hymnal: The Hymnary #732a (1936) Topics: Prose Psalms Scripture: Psalm 111 Languages: English Tune Title: [Praise ye the Lord] (Woodward)

Praise ye the Lord

Hymnal: The Hymnary #732b (1936) Topics: Prose Psalms Scripture: Psalm 111 Languages: English Tune Title: [Praise ye the Lord] (Goss)

Praise ye the Lord

Hymnal: The Hymnary #732c (1936) Topics: Prose Psalms Scripture: Psalm 111 Languages: English Tune Title: [Praise ye the Lord]

People

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Authors, composers, editors, etc.

William Croft

1678 - 1727 Person Name: W. Croft , 1678 - 1727 Topics: Prose Psalms Composer of "[Out of the depths have I cried] (Croft)" in The Hymnary William Croft, Mus. Doc. was born in the year 1677 and received his musical education in the Chapel Royal, under Dr. Blow. In 1700 he was admitted a Gentleman Extraordinary of the Chapel Boyd; and in 1707, upon the decease of Jeremiah Clarke, he was appointed joint organist with his mentor, Dr. Blow. In 1709 he was elected organist of Westminster Abbey. This amiable man and excellent musician died in 1727, in the fiftieth year of his age. A very large number of Dr. Croft's compositions remain still in manuscript. Cathedral chants of the XVI, XVII & XVIII centuries, ed. by Edward F. Rimbault, London: D. Almaine & Co., 1844

John Goss

1800 - 1880 Person Name: J. Goss, 1800 - 1880 Topics: Prose Psalms Composer of "[VENITE] GOSS" in The Hymnary of the United Church of Canada John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

F. A. Gore Ouseley

1825 - 1889 Person Name: F. A. G. Ouseley, 1825-1899 Topics: Prose Psalms Composer of "[O be joyful in the Lord, all ye lands]" in The Hymnary Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/
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