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Holy God, We Praise Thy Name
Author: St. Nicetas, ca. 335-414; Ignaz Franz, 1719-1790; Clarence Walworth, 1820-1900 Meter: 7.8.7.8.7.7 with repeat Appears in 209 hymnals Topics: Sunday Celebrations in the Absence of a Priest Act of Thanksgiving First Line: Holy God, we praise thy name! Lyrics: 1 Holy God, we praise thy name;
Lord of all, we bow before thee!
All on earth thy sceptre claim,
All in heav'n above adore thee;
Infinite, thy vast domain,
Everlasting is thy reign.
Infinite, thy vast domain,
Everlasting is thy reign.
2 Hark! the loud celestial hymn
Angel choirs above are raising;
Cherubim and Seraphim,
In unceasing chorus praising;
Fill the heav'ns with sweet accord:
"Holy, holy, holy Lord!"
Fill the heav'ns with sweet accord:
"Holy, holy, holy Lord!"
3 Lo! The apostolic train
Join, the sacred Name to hallow;
Prophets swell the loud refrain,
And the white robed martyrs follow;
And from morn to set of sun,
Through the Church the song goes on.
And from morn to set of sun,
Through the Church the song goes on.
4 Holy Father, Holy Son,
Holy Spirit, Three we name thee;
While in essence only One,
Undivided God we claim thee;
And adoring, bend the knee,
While we own the mystery.
And adoring, bend the knee,
While we own the mystery. Scripture: Isaiah 6:1-3 Used With Tune: GROSSER GOTT Text Sources: Te Deum laudamus
Holy God, We Praise Thy Name
From All That Dwell Below The Skies (Praise God from Whom All Blessings Flow)
Author: Isaac Watts, 1674-1748; Anon.; Thomas Ken, 1637-1711 Meter: 8.8.8.8 Appears in 1,294 hymnals Topics: Sunday Celebrations in the Absence of a Priest Entrance Song First Line: From all that dwell below the skies Lyrics: 1 From all that dwell below the skies,
Let the Creator's praise arise;
Let the Redeemer's name be sung,
Through ev'ry land by ev'ry tongue.
2 Eternal are your mercies, Lord;
Eternal truth attends your word:
Your praise shall sound from shore to shore,
Till suns shall rise and set no more.
3 Your lofty themes, all mortals, bring;
In songs of praise divinely sing;
The great salvation loud proclaim,
And shout for joy the Savior's name.
4 In ev'ry land begin the song;
To ev'ry land the strains belong;
In cheerful sounds all voices raise,
And fill the world with loudest praise.
Doxology:
Praise God, from whom all blessings flow;
Praise him, all creatures here below;
Praise him above, you heav'nly host:
Praise Father, Son and Holy Ghost. Scripture: Psalm 66:1-2 Used With Tune: OLD HUNDREDTH
From All That Dwell Below The Skies (Praise God from Whom All Blessings Flow)
Sing Praise to God Who Reigns Above
Author: Johann J. Schütz, 1640-1690; Frances E. Cox, 1812-1897 Meter: 8.7.8.7.8.8.7 Appears in 199 hymnals Topics: Sunday Celebrations in the Absence of a Priest Entrance Song Lyrics: 1 Sing praise to God who reigns above,
The God of all creation,
The God of power, the God of love,
The God of our salvation;
With healing balm my soul he fills,
And ev'ry faithless murmur stills:
To God all praise and glory.
2 What God's almighty power has made,
His gracious mercy keeping;
By morning glow or evening shade
His watchful eye ne'er sleeping;
Within the kingdom of his might,
Lo! all is just and all is right:
To God all praise and glory.
3 Then all my gladsome way along,
I sing aloud your praises,
That all may hear the grateful song
My voice unwearied raises;
Be joyful in the Lord, my heart,
Both soul and body sing your part:
To God all praise and glory.
4 Let all who name Christ's holy name,
Give God all praise and glory;
All you who own his power, proclaim
Aloud the wondrous story!
Cast each false idol from its throne,
The Lord is God, and he alone:
To God all praise and glory. Scripture: Deuteronomy 32:3 Used With Tune: MIT FREUDEN ZART
Sing Praise to God Who Reigns Above
OLD HUNDREDTH
Meter: 8.8.8.8 Appears in 2,056 hymnals Composer and/or Arranger: Louis Bourgeois, ca. 1510-1561 Topics: Sunday Celebrations in the Absence of a Priest Entrance Song Tune Sources: Genevan Psalter, 1551 Tune Key: G Major or modal Incipit: 11765 12333 32143 Used With Text: All People That on Earth Do Dwell
OLD HUNDREDTH
GROSSER GOTT
Meter: 7.8.7.8.7.7 with repeat Appears in 241 hymnals Topics: Sunday Celebrations in the Absence of a Priest Act of Thanksgiving Tune Sources: Allgemeines Katholisches Gesangbuch, Vienna, ca. 1774 Tune Key: F Major or modal Incipit: 11171 23213 33235 Used With Text: Holy God, We Praise Thy Name
GROSSER GOTT
Psalm 100: We Are His People
Hymnal: Journeysongs (3rd ed.) #83 (2012) Topics: Sunday Celebrations in the Absence of a Priest Act of Thanksgiving; Sunday Celebrations in the Absence of a Priest Communion Song; Sunday Celebrations in the Absence of a Priest Responsorial Psalm First Line: Sing joyfully to the LORD, all you lands Refrain First Line: We are his people Scripture: Psalm 100:2-3 Languages: English Tune Title: [Sing joyfully to the LORD, all you lands]
Psalm 100: We Are His People
Psalm 100: We Are God's People
Author: Timothy R. Smith, b. 1960 Hymnal: Journeysongs (3rd ed.) #84 (2012) Topics: Sunday Celebrations in the Absence of a Priest Act of Thanksgiving; Sunday Celebrations in the Absence of a Priest Communion Song; Sunday Celebrations in the Absence of a Priest Responsorial Psalm First Line: Let all the earth shout for joy Refrain First Line: We are God's people Scripture: James 1:12 Languages: English Tune Title: [Let all the earth shout for joy]
Psalm 100: We Are God's People
Psalm 100: We Are God's People
Author: Timothy R. Smith, b. 1960 Hymnal: Glory and Praise (3rd. ed.) #180 (2015) Topics: Sunday Celebrations in the Absence of a Priest Responsorial Psalm; Sunday Celebrations in the Absence of a Priest Communion Song; Sunday Celebrations in the Absence of a Priest Act of Thanksgiving First Line: Let all the earth shout for joy Refrain First Line: We are God's people Scripture: Psalm 100 Languages: English Tune Title: [Let all the earth shout for joy]
Psalm 100: We Are God's People
William Henry Draper
1855 - 1933 Person Name: William H. Draper, 1855-1933 Topics: Sunday Celebrations in the Absence of a Priest Entrance Song Translator of "All Creatures of Our God and King" in Journeysongs (2nd ed.) Draper, William Henry, M.A., son of Henry and Lucy Mary Draper, was born at Kenilworth, Dec. 19, 1855, and educated at Keble College, Oxford; B.A. in honours, M.A. 1880. Ordained in 1880, he was Curate of St. Mary's, Shrewsbury; Vicar of Alfreton; of the Abbey Church, Shrewsbury; and since 1899 Rector of Adel, Leeds. Mr. Draper's hymns in common use include the following:—
1. Come forth, ye sick and poor. [Harvest.] Written in 1001 and printed in the Guardian, Sept. 18, 1901. In 1905 it was given, somewhat altered, in The Council School Hymn Book, No. 132. It was also published by Novello & Co., with Music by J. H. Maunder.
2. From homes of quiet peace. [In Time of War.] Published by Novello & Co. in their series of Hymns in Time of War, 1900, and repeated in The Public School Hymn Book 1903, The Council School Hymn Book, 1905, and others.
3. How blest the land where God is known. (National Hymn.] Written for Novello's Eight Hymns, with Tunes , for use in services held in connection with the Coronation of King Edward VII., in 1902. It was included in The Council School Hymn Book, 1905, No. 91.
4. How fair was the land of God's people of old. [National Hymn.] Written for use in Day Schools, and rir»t published in The Council School Hymn Book, 1905, No. 121.
5. In our day of thanksgiving one psalm let us offer. [Dedication of a Church.] Written for use at the service at the reopening of the Abbey Church, Shrewsbury, after restoration, in 1894. It was also used at the Shrewsbury Church Congress, 1896; and elsewhere on other occasions. In 1904 it was included in the new edition of Hymns Ancient & Modern.
6. Lord, through this Holy Week of our Salvation. [Holy Week.] First published in Hymns for Holy Week, 1898, and included in Hymns Ancient & Modern 1904, No. 109.
7. Man shall not live by bread alone. [Divine Providence.] First published in The Church Monthly, and again in The Council School Hymn Book, 1905, No. 103.
8. Rejoice, ye angels in the sky. [Whitsuntide.] Written for the Leeds Whitsuntide Hymns, 1902 (to Gounod's tune for "O come, O come, Emmanuel"), and included in The Council School Hymn Book, 1905.
9. We love God's acre round the Church. [Burial.] Printed in the Guardian, Aug. 1, 1900, with the title, "Hymn for those who die far from home and country"; later by Novello, with music by Dr. V. Roberts; and again, with slight alterations, in Brookes's Additional Hymns, 1903.
10. What can I do for England. [National Hymn.] Written in 1905 for The Council School Hymn Book, and included therein in the same year.
11. Ye sons of God, arise. [Processional. Choral Festivals.) Written for a Choral Festival in Gloucester Cathedral, June 8th, 1893; reprinted for the Leeds Whitsuntide Hymns, 1901; and again for the Choir Festival in Chester Cathedral, 1905.
In addition to these hymns which have come into common use. Mr. Draper has written many others of merit which are worthy of attention. They include:—
1. Hymns for Holy Week, being translations from Hymns of the Greek Church, with Six Originals, &c. . . . London: H. Frowde, 1898 (see No. 6 above). This contains 13 original and translated hymns.
2. The Victoria Book of Hymns, 1897.
3. A Memorial Service for them that are Fallen Asleep in Christ. London: H. Frowde, 1898, 4 hymns (including No. 9 above).
4. The Way of the Cross (Oxford: A. R. Mowbray & Co.), n.d., with music by Dr. Sweeting.
Mr. Draper's hymns are so scattered in the Guardian, Church Monthly, and sundry magazines that it is a matter of some difficulty to trace them out. They exceed sixty in all, and are worthy, taken as a whole, to be published as a volume of sacred verse.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
William Henry Draper
Thomas Olivers
1725 - 1799 Person Name: Thomas Olivers, 1725-1799 Topics: Sunday Celebrations in the Absence of a Priest Entrance Song Author of "The God of Abraham Praise" in Journeysongs (2nd ed.) Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
==================
Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868.
--John Julian, Dictionary of Hymnology (1907)
Thomas Olivers
Isaac Watts
1674 - 1748 Person Name: Isaac Watts, 1674-1748 Topics: Sunday Celebrations in the Absence of a Priest Entrance Song Author (vs. 1-2) of "From All That Dwell Below The Skies (Praise God from Whom All Blessings Flow)" in Journeysongs (2nd ed.) Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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Hymn Writers of the Church
Isaac Watts
