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Search Results

Topics:the+church+of+god

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Texts

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Text authorities

By Christ redeemed, in Christ restored

Author: George Rawson, 1807-1889 Meter: 8.8.8.4 Appears in 187 hymnals Topics: The Church of God The Lord's Supper Used With Tune: IN MEMORIAM
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Rock of Ages, cleft for me

Author: Augustus Montague Toplady, 1740-1778 Meter: 7.7.7.7.7.7 Appears in 2,910 hymnals Topics: The Church of God | The Sacraments - Baptism; The Church of God | The Sacraments - The Lord's Supper Used With Tune: TOPLADY
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I love thy kingdom, Lord

Author: Timothy Dwight Appears in 1,328 hymnals Topics: The Church of God Organic Institutions Used With Tune: STATE STREET

Tunes

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TALLIS'S ORDINAL

Meter: 8.6.8.6 Appears in 221 hymnals Composer and/or Arranger: Thomas Tallis Topics: The Church of God The Sacraments - The Lord's Supper Tune Key: E Flat Major Incipit: 13455 66551 76651 Used With Text: I'll of salvation take the cup
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EBENEZER

Meter: 8.7.8.7 D Appears in 276 hymnals Composer and/or Arranger: Thomas J Williams, 1869-1944; Christopher Norton Topics: The Godhead God the Father; The Godhead Jesus - God the Son; The Godhead The Holy Spirit; The Godhead The Trinity; The Church of Jesus Christ The Scriptures Tune Key: e minor or modal Incipit: 11232 12234 3215 Used With Text: God has spoken
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BEACH SPRING

Meter: 8.7.8.7 D Appears in 212 hymnals Composer and/or Arranger: B. F. White; Ronald A. Nelson Topics: The Nature of the Church Called to God's Mission Tune Key: F Major Incipit: 11213 32161 16561 Used With Text: Lord, Whose Love Through Humble Service

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Word of God Incarnate

Author: William Walsham How, 1823-1897 Hymnal: The Hymnary for use in Baptist churches #182 (1936) Meter: 7.6.7.6 D Topics: The Church of God The Communion of Saints; The Church of God The Holy Scriptures; The Church of God The Reception of Members Languages: English Tune Title: LANCASHIRE

I joyed when to the house of God

Hymnal: The Hymnary for use in Baptist churches #682 (1936) Meter: 8.6.8.6 Topics: The Church of God The Communion of Saints; The Church of God The House of Worship; The Church of God The Reception of Members Scripture: Psalm 122 Languages: English Tune Title: ST. PAUL

O Word of God Incarnate

Author: William Walsham How, 1823-1897 Hymnal: The Hymnary of the United Church of Canada #182 (1930) Meter: 7.6.7.6 D Topics: The Church of God The Communion of Saints; The Church of God The Holy Scriptures Languages: English Tune Title: LANCASHIRE

People

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Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, c. 1515-1585 Topics: The Church of God The Holy Scriptures Composer of "TALLIS'S ORDINAL" in The Hymnary of the United Church of Canada Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

Henry J. Gauntlett

1805 - 1876 Person Name: Henry John Gauntlett, 1805-1876 Topics: The Church of God The House of Worship Composer of "TRIUMPH" in The Hymnary for use in Baptist churches Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Topics: The Church of God The Sacraments - The Lord's Supper Harmonizer of "PASSION CHORALE" in The Hymnary of the United Church of Canada Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)