You help make Hymnary.org possible. More than 10 million people from 200+ countries found hymns, liturgical resources and encouragement on Hymnary.org in 2025, including you. Every visit affirms the global impact of this ministry.

If Hymnary has been meaningful to you this year, would you take a moment today to help sustain it? A gift of any size—paired with a note of encouragement if you wish—directly supports the server costs, research work and curation that keep this resource freely available to the world.

Give securely online today, or mail a check to:
Hymnary.org
Calvin University
3201 Burton Street SE
Grand Rapids, MI 49546

Thank you for your partnership, and may the hope of Advent fill your heart.

Click here to donate to Hymnary.org I have already donated. Please don't show this to me again

Search Results

Switch back to the old search page.
Tune Identifier:"^alleluia_murray$"✖

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities
Tunes
FlexScore

[Alleluia, alleluia, alleluia]

Appears in 24 hymnals Composer and/or Arranger: A. Gregory Murray Tune Key: G Major Incipit: 56121 Used With Text: Alleluia, alleluia, alleluia!
[Alleluia, alleluia, alleluia]

Texts

text icon
Text authorities
Texts
TextFlexScoreFlexPresent

Alleuia

Appears in 485 hymnals First Line: Alleluia, alleluia, alleluia Lyrics: Alleluia, alleluia, alleluia. Topics: Service Music Used With Tune: [Alleluia, alleluia, alleluia]
Alleuia

Psalm 93: The Lord Is King for Evermore

Appears in 15 hymnals First Line: The Lord is King, with majesty enthroned Refrain First Line: Alleluia, alleluia, alleluia Topics: Christ the King Year B; Christ the King; Creation; Holiness; Justice; Majesty and Power; Morning; Praise; Providence Scripture: Psalm 93 Used With Tune: [Alleluia, alleluia, alleluia] Text Sources: Psalm: The Grail
Psalm 93: The Lord Is King for Evermore

Psalm 100: Arise, Come to Your God

Author: The Grail Appears in 11 hymnals First Line: Cry out with joy to the Lord, all the earth Refrain First Line: Alleluia, alleluia, alleluia Topics: Easter IV; Ordinary Time Seasonal Psalms; Ordinary Time Eleventh Sunday Scripture: Psalm 100 Used With Tune: [Cry out with joy to the Lord, all the earth]
Psalm 100: Arise, Come to Your God

View 5 more texts

text icon
View 5 more texts

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Instances
Text

Alleluia, alleluia, alleluia!

Hymnal: Catholic Book of Worship III #249 (1994) Lyrics: Alleluia, alleluia, alleluia! Topics: Alleluia; Eucharistic Celebration (Mass) Gospel Acclamations Languages: English Tune Title: [Alleluia, alleluia, alleluia]
Alleluia, alleluia, alleluia!
Text

Alleluia

Hymnal: Worship (3rd ed.) #279 (1986) First Line: Alleluia, alleluia, alleluia Lyrics: Alleluia, alleluia, alleluia. Topics: Service Music Alleluia Languages: English Tune Title: [Alleluia, alleluia, alleluia]
Alleluia

Psalm 93

Hymnal: Worship (4th ed.) #70b (2011) First Line: The LORD is king, with majesty enrobed Refrain First Line: Alleluia, alleluia, alleluia Topics: Psalms Scripture: Psalm 93 Tune Title: [Alleluia, alleluia, alleluia]
Psalm 93

View 21 more instances

instance icon
View 21 more instances

People

person icon
Authors, composers, editors, etc.
People

Gregory Murray

1905 - 1992 Person Name: A. Gregory Murray, OSB Composer of "[Alleluia, alleluia, alleluia]" in Worship (3rd ed.)
Gregory Murray

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, Sj Composer (Gelineau Tone) of "[Alleluia, alleluia, alleluia]" in Worship (4th ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com
Joseph Gelineau

Richard Proulx

1937 - 2010 Arranger (psalm tone) of "[Alleluia, alleluia, alleluia]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman
Richard Proulx

View 4 more people

person icon
View 4 more people
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.