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Search Results

Tune Identifier:"^christ_is_the_light_of_the_ainslie$"

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Tunes

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Tune authorities

[Christ is the light of the nations]

Appears in 2 hymnals Composer and/or Arranger: Joseph Gelineau; John R. Ainslie; Gregory J. Polan, OSB Tune Sources: Gelineau tone: Mode Sol; Conception Abbey tone: Mode 8a Tune Key: B Flat Major Used With Text: Psalm 47

Texts

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Text authorities

Psalm 47

Appears in 10 hymnals First Line: All peoples, clap your hands Refrain First Line: Christ is the light of the nations Scripture: Psalm 47 Used With Tune: [Christ is the light of the nations] Text Sources: Verses: The Revised Grail Psalms; Antiphon: Simple Gradual

Instances

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Published text-tune combinations (hymns) from specific hymnals

Psalm 47

Hymnal: Worship (4th ed.) #53c (2011) First Line: All peoples, clap your hands Refrain First Line: Christ is the light of the nations Scripture: Psalm 47 Tune Title: [Christ is the light of the nations]

Psalm 47

Hymnal: RitualSong (2nd ed.) #58c (2016) First Line: All peoples, clap your hands Refrain First Line: Christ is the light of the nations Scripture: Psalm 47 Languages: English Tune Title: [Christ is the light of the nations]

People

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Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Composer (Gelineau tone) of "[Christ is the light of the nations]" in Worship (4th ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiƩred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Gregory J. Polan

b. 1950 Person Name: Gregory J. Polan, OSB Composer (Conception Ab. Tone) of "[Christ is the light of the nations]" in Worship (4th ed.)

John R. Ainslie

Composer (Antiphon) of "[Christ is the light of the nations]" in Worship (4th ed.)