My Starred Hymns
My FlexScores
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Holy, holy, holy Lord! Be thy glorious name adored
Author: Rev. Benjamin Williams Appears in 127 hymnals Used With Tune: ST. GERVAIS
Holy, holy, holy Lord! Be thy glorious name adored
Come, my soul, thy suit prepare
Author: J. Newton (1725-1807) Appears in 714 hymnals Used With Tune: CULBACH
Come, my soul, thy suit prepare
Oft in Danger, Oft in Woe
Author: Henry K. White; Francis Sara Colquhoun (1809-1877) Meter: 7.7.7.7 Appears in 348 hymnals Lyrics: 1 Oft in danger, oft in woe,
Onward, Christians, onward go,
Fight the fight, maintain the strife,
Strengthened with the Bread of Life.
2 Shrink not, Christians, will ye yield?
Will ye quit the painful field?
Will ye flee in danger's hour?
Know ye not your Captain's pow'r?
3 Let your fainting hearts be glad;
March in heav'nly armor clad;
Fight, nor think the battle long;
Vict'ry soon shall tune your song.
4 Lord of hosts, direct our way,
That we conquer in the fray;
Let not sin our course impede,
Be our strength, supply our need.
Amen. Topics: Book One: Hymns, Songs, Chorales; Christian Evidences Faithfulness, Steadfastness Scripture: 1 Peter 5:8-9 Used With Tune: CULBACH NEW
Oft in Danger, Oft in Woe
Come, my soul, thy suit prepare
Author: J. Newton (1725-1807) Hymnal: A Missionary Hymn Book #8 (1922) Languages: English Tune Title: CULBACH
Come, my soul, thy suit prepare
For thy mercy and thy grace
Author: Henry Downton, 1818-1885 Hymnal: CPWI Hymnal #93 (2010) Meter: 7.7.7.7 Lyrics: 1 For thy mercy and thy grace,
faithful through another year,
hear our song of thankfulness;
Jesus, our Redeemer, hear.
2 In our weakness and distress,
rock of strength, be thou our stay;
in the pathless wilderness
be our true and living Way.
3 Who of us death's awful road
in the coming year shall tread?
With thy rod and staff, O God,
comfort thou his dying bed.
4 Make us faithful, keep us pure,
keep us evermore thine own,
help, O help us to endure,
fit us for thy promised crown.
5 So within thy palace gate
we shall praise, on golden strings,
thee the only Potentate,
Lord of lords, and King of kings. Topics: Hymns for the Church Year New Year Scripture: Psalm 90:1 Languages: English Tune Title: CULBACH (ACH WANN)
For thy mercy and thy grace
Praise to God, immortal praise
Author: Anna Laetitia Aiken Barbauld, 1743-1825 Hymnal: CPWI Hymnal #718 (2010) Meter: 7.7.7.7 Lyrics: 1 Praise to God, immortal praise,
for the love that crowns our days!
Bounteous source of every joy,
let thy praise our tongues employ:
2 for the blessings of the fields,
for the stores the gardens yield,
flocks that whiten all the plain,
yellow sheaves of ripened grain;
3 all that spring with bounteous hand
scatters o'er the smiling land;
all that liberal autumn pours
from her rich o'erflowing stores.
4 These to thee, my God, we owe,
source whence all our blessings flow;
and for these our souls shall raise
grateful vows and solemn praise. Topics: Sacraments and Other Occasions Harvest Languages: English Tune Title: CULBACH (ACH WANN)
Praise to God, immortal praise
Charles Wesley
1707 - 1788 Author of "Sons of men, behold from far" in The Westminster Abbey Hymn-Book Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Christina Georgina Rossetti
1830 - 1894 Person Name: Christina Rossetti Author of "Love Came Down at Christmass" in Hymns to the Living God Rossetti, Christina Georgina, daughter of Gabriel, and sister of Dante Gabriel and William Michael Rossetti, was born in London, Dec. 5, 1830, and received her education at home. Her published works include:—
(1) Goblin Market, and Other Poems, 1862; (2) The Prince's Progress, and Other Poems, 1866 ; (3) Poems, mainly a reprint of Nos. 1 and 2, 1875; (4) A Pageant, and Other Poems, 1881, &c.
In addition, Miss Rossetti has published several prose works, as:— Annus Domini (a book of prayers for every day in the year), 1874; Letter and Spirit of the Decalogue, 1883, and others. She has written very few hymns avowedly for church worship, but several centos have been compiled from her poems, and have passed into several hymn-books. These include:—
1. Dead is thy daughter, trouble not the Master. The raising of Jairus's daughter. From her Goblin Market, &c, 1862, into Lyra Mystica, 1865.
2. God the Father, give us grace. Invocation of the Holy Trinity. From Lyra Mystica into the Savoy Hymnary, for use in the Chapel Koyai, Savoy (see No. 8 below).
3. I bore with thee long weary days and nights. The Love of Christ. From her Goblin Market, &c, 1862, into Lyra Messianica, 1864.
4. I would have gone, God bade me stay. Resignation. From her Poems, Hymns, 1884, &c. 1875, into Horder's Congregational Hymns.
5. Once I thought to sit so high. A Body hast Thou prepared Me, or Passiontide. Contributed to Lyra Eucharistica, 1863.
6. The Advent moon shines cold and clear. Advent. From her Goblin Market, &c, 1862.
7 The flowers that bloom in sun and shade. The Eternity of God. In Mrs. C. Brock's Children's Hymn Book, 1881.
8. What are these that glow from afar? Martyrs. Part of the poem "We meet in joy though we part in sorrow," which appeared in Lyra Mystica, 1865, and then in Miss Rossetti's Prince's Progress, &c, 1866. It is the most widely used of her hymns. No. 2 above is also from the same poem.
Miss Rossetti's verses are profoundly suggestive and lyrical, and deserve a larger place than they occupy in the hymnody of the church. Her sonnets are amongst the finest in the English language. [Rev.W. Garrett Horder]
--John Julian, Dictionary of Hymnology (1907)
==============
Rossetti, Christina G., p. 978, i. The following hymns by Miss Rossetti have recently come into common use:—
1. A burdened heart that bleeds and bears. [Lent.] In her Time Flies: A Reading Diary, ed. 1897, p. 59, for March 26; and her Verses, &c., ed. 1898, p. 113. Included in Church Hymns, 1903.
2. Give me the lowest place, not that I dare. [Humility.] From her Prince's Progress, 1866, p. 216.
3. In the bleak midwinter. [Christmas.] In her Poetical Works, 1904, p. 246, as "Before 1872"; repeated in The English Hymnal, 1906.
4. None other Lamb, none other Name. [Jesus, All, and in All] From her The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 176); and her Verses, &c, 1898, p. 36. It is the second of two poetical meditations on Rev. v. 6. In Church Hymns, 1903.
5. The shepherds had an angel. [Christmas.] In her Poetical Works, 1904, p. 187, this is entitled "A Christmas Carol. For my Godchildren," and dated 6 October, 1856. Repeated in the Sunday School Hymnary, 1905.
6. We know not a voice of that River. [The River of the Eternal City.] In The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 523), as a poetical meditation on Rev, xxii. Also in her Verses, &c., 1898, p. 81.
Additional works by Miss Rossetti to those named on p. 978, i., include Time Flies A Reading Diary, 1885; Called to be Saints, 1881; Seek and Find, 1879; The Face of the Deep, A Devotional Commentary on the Apocalypse, 1892; and Verses ... reprinted fromCalled to be Saints, Time Flies, The Face of the Deep, 1893. It must be noted that (1) the hymn attributed to her, "Dead is thy daughter; trouble not the Master," is not by her, but by Mrs. C. F. Alexander, with whose name it appeared in Lyra Mystica, 1865; and (2) her “I would be gone; God bade me stay," is from her Prince's Progress, 1866, p. 204. Miss Rossetti d. Dec. 29, 1891.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Christina Georgina Rossetti
John Stocker
Person Name: John Stocker, 1777 Author of "Gracious Spirit, Dove Divine" in Hymns for Youth John Stocker, of Honitan, Devonshire. Contributed during 1776 and 1777 nine hymns to "Gospel Magazine"
Evangelical Lutheran Hymnal, 1908
John Stocker
Small Church Music
Editors: Samuel Johnson Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
Home/Music(smallchurchmusic.com)
List SongsAlphabetically
List Songsby Meter
List Songs byTune Name
About
Small Church Music
