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Meter: 8.6.8.6 Appears in 248 hymnals Matching Instances: 245 Composer and/or Arranger: James Ellor Tune Key: A Major Incipit: 51234 51217 17655 Used With Text: All Hail the Power of Jesus' Name

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All Hail the Power of Jesus' Name

Author: Edward Perronet, 1726-1792 Meter: 8.6.8.6 D Appears in 3,416 hymnals Matching Instances: 222 First Line: All hail the pow'r of Jesus' name! Refrain First Line: And crown Him, crown Him Lyrics: 1 All hail the pow'r of Jesus' name! Let angels prostrate fall, Let angels prostrate fall. Bring forth the royal diadem, And crown Him, crown Him, crown Him, crown Him. And crown Him Lord of all. And crown Him Lord of all. 2 Ye chosen seed of Israel's race, Ye ransomed from the fall, Ye ransomed from the fall, Hail Him who saves you by His grace, And crown Him, crown Him, crown Him, crown Him. And crown Him Lord of all. And crown Him Lord of all. 3 Let ev'ry kindred, ev'ry tribe On this terrestrial ball, On this terrestrial ball, To Him all majesty ascribe, And crown Him, crown Him, crown Him, crown Him. And crown Him Lord of all. And crown Him Lord of all. 4 Oh, that with yonder sacred throng We at His feet may fall, We at His feet may fall! We'll join the everlasting song, And crown Him, crown Him, crown Him, crown Him. And crown Him Lord of all. And crown Him Lord of all. Topics: Jesus Christ His Glory and Power; Jesus Christ His Name; Worship and Adoration Scripture: Psalm 40:16 Used With Tune: DIADEM

Engrandecido sea Dios

Author: Enrique Turrall Appears in 8 hymnals Matching Instances: 4 Used With Tune: DIADEM

Cyduned y nefolaidd gor

Appears in 3 hymnals Matching Instances: 2 Used With Tune: DIADEM

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Instances

Published text-tune combinations (hymns) from specific hymnals

Cântaţi Mărire Lui Isus!

Author: Anonim Hymnal: The Cyber Hymnal #15243 Refrain First Line: Şii cântă, cântă, cântă, cântă Lyrics: 1 Cântaţi mărire lui Isus! Cerul ’laudă pe El, Cerul ’laudă pe El! Laudă pe regele mare, Refren: Şii cântă, cântă, cântă, cântă: Tu eşti Dom şi rege! 2 Spuneţi aceasta voi martiri, Cari pentru El v’aţi dat, Cari pentru El v’aţi dat: Lăudăm odrasla lui Işai, [Refren] 3 Israile răscumpărat, Aibi de rege pe El, Aibi de rege pe El! Vesteştel pe Imanuel, [Refren] 4 Oh miriade de oameni, Chemaţi sunteţi: veniţi! Chemaţi sunteţi: veniţi! Sufletele vă mântue. [Refren] Languages: Romanian Tune Title: [Cântaţi mărire lui Isus!]

Zengjétek Jézus Nagy Voltát!

Author: Edward Perronet; Ismeretlen Hymnal: The Cyber Hymnal #14406 Meter: 8.6.8.6 Lyrics: 1 Zengjétek Jézus nagy voltát! Dicséri Őt a menny, Dicséri Őt a menny Dicséri Őt, a nagy Királyt, És mondjuk, mondjuk, Mondjuk, mondjuk, mondjuk: Te Úr vagy, s nagy Király! 2 Mondjátok ezt, ti vértanúk, Kik érte haltatok, Kik érte haltatok Dicsérjük Jesse gyökerét, És mondjuk, mondjuk, Mondjuk, mondjuk, mondjuk: Te Úr vagy, s nagy Király! 3 Te megváltottja, Izráel, Tartsd Királyodnak Őt:, Tartsd Királyodnak Őt Hirdesd: köztünk Immánuel, És mondjuk, mondjuk, Mondjuk, mondjuk, mondjuk: Te Úr vagy, s nagy Király! 4 Ó, embereknek ezrei, Mind hív, hogy jöjjetek, Mind hív, hogy jöjjetek A lelkeket megmentheti, És mondjuk, mondjuk, Mondjuk, mondjuk, mondjuk: Te Úr vagy, s nagy Király! Languages: Hungarian Tune Title: DIADEM

All hail the pow'r of Jesus' name!

Hymnal: Living Hymns #800 (2019) Languages: English Tune Title: [All hail the pow'r of Jesus' name!]

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People

Authors, composers, editors, etc.

Edward Perronet

1721 - 1792 Author of "All Hail the Power of Jesus’ Name (Diadem)" in Soul-stirring Songs and Hymns (Rev. ed.) Edward Perronet was the son of the Rev. Vincent Perronet, Vicar of Shoreham, Kent. For some time he was an intimate associate of the Wesleys, at Canterbury and Norwich. He afterwards became pastor of a dissenting congregation. He died in 1792. In 1784, he published a small volume, entitled "Occasional Verses, Moral and Social;" a book now extremely rare. At his death he is said to have left a large sum of money to Shrubsole, who was organist at Spafield's Chapel, London, and who had composed the tune "Miles Lane" for "All hail the power of Jesus' Name!" --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ------ Perronet, Edward. The Perronets of England, grandfather, father, and son, were French emigres. David Perronet came to England about 1680. He was son of the refugee Pasteur Perronet, who had chosen Switzerland as his adopted country, where he ministered to a Protestant congregation at Chateau D'Oex. His son, Vincent Perronet, M.A., was a graduate of Queen's College, Oxford, though his name is not found in either Anthony Woods's Athenae Oxonienses nor his Fasti, nor in Bliss's apparatus of additional notes. He became, in 1728, Vicar of Shoreham, Kent. He is imperishably associated with the Evangelical Revival under the Wesleys and Whitefield. He cordially cooperated with the movement, and many are the notices of him scattered up and down the biographies and Journals of John Wesley and of Selina, Countess of Huntingdon. He lived to the venerable age of ninety-one; and pathetic and beautiful is the account of John Wesley's later visits to the white-haired saint (b. 1693, d. May 9, 1785).* His son Edward was born in 1726. He was first educated at home under a tutor, but whether he proceeded to the University (Oxford) is uncertain. Born, baptized, and brought up in the Church of England, he had originally no other thought than to be one of her clergy. But, though strongly evangelical, he had a keen and searching eye for defects. A characteristic note to The Mitre, in referring to a book called The Dissenting Gentleman's answer to the Rev. Mr. White, thus runs:—"I was born, and am like to die, in the tottering communion of the Church of England; but I despise her nonsense; and thank God that I have once read a book that no fool can answer, and that no honest man will". The publication of The Mitre is really the first prominent event in his life. A copy is preserved in the British Museum, with title in the author's holograph, and manuscript notes; and on the fly-leaf this:— "Capt. Boisragon, from his oblig'd and most respectful humble servt. The Author. London, March 29th, 1757." The title is as follows:— The Mitre; a Sacred Poem (1 Samuel ii. 30). London: printed in the year 1757. This strangely overlooked satire is priceless as a reflex of contemporary ecclesiastical opinion and sentiment. It is pungent, salted with wit, gleams with humour, hits off vividly the well-known celebrities in Church and State, and is well wrought in picked and packed words. But it is a curious production to have come from a "true son" of the Church of England. It roused John Wesley's hottest anger. He demanded its instant suppression; and it was suppressed (Atmore's Methodist Memorial, p. 300, and Tyerman, ii. 240-44, 264, 265); and yet it was at this period the author threw himself into the Wesleys' great work. But evidences abound in the letters and journals of John Wesley that he was intermittently rebellious and vehement to even his revered leader's authority. Earlier, Edward Perronet dared all obloquy as a Methodist. In 1749 Wesley enters in his diary: "From Rochdale went to Bolton, and soon found that the Rochdale lions were lambs in comparison with those of Bolton. Edward Perronet was thrown down and rolled in mud and mire. Stones were hurled and windows broken" (Tyerman's Life and Times of the Rev. John Wesley, M.A., 3 vols., 1870 ; vol. ii. 57). In 1750 John Wesley writes: ”Charles and you [Edward Perronet] behave as I want you to do; but you cannot, or will not, preach where I desire. Others can and will preach where I desire, but they do not behave as I want them to do. I have a fine time between the one and the other. I think Charles and you have in the general a right sense of what it is to serve as sons in the gospel; and if all our helpers had had the same, the work of God would have prospered better both in England and Ireland. I have not one preacher with me, and not six in England, whose wills are broken to serve me" (ibid. ii. 85, and Whitehead's Life of Wesley, ii. 259). In 1755 arrangements to meet the emergency created by its own success had to be made for Methodism. As one result, both Edward and Charles Perronet broke loose from John Wesley's law that none of his preachers or "helpers" were to dispense the Sacraments, but were still with their flocks to attend the parish churches. Edward Perronet asserted his right to administer the Sacraments as a divinely-called preacher ibid. ii. 200). At that time he was resident at Canterbury, "in a part of the archbishop's old palace" (ibid. ii. 230. In season and out of season he "evangelized." Onward, he became one of the Countess of Huntingdon's "ministers" in a chapel in Watling Street, Canterbury. Throughout he was passionate, impulsive, strong-willed; but always lived near his divine Master. The student-reader of Lives of the Wesleys will be "taken captive" by those passages that ever and anon introduce him. He bursts in full of fire and enthusiasm, yet ebullient and volatile. In the close of his life he is found as an Independent or Congregational pastor of a small church in Canterbury. He must have been in easy worldly circumstances, as his will shows. He died Jan. 2, 1792, and was buried in the cloisters of the great cathedral, Jan. 8. His Hymns were published anonymously in successive small volumes. First of all came Select Passages of the Old and New Testament versified; London: Printed by H. Cock, mdcclvi. … A second similar volume is entitled A Small Collection of Hymns, &c, Canterbury: printed in the year dcclxxxii. His most important volume was the following:— Occasional Verses, moral and sacred. Published for the instruction and amusement of the Candidly Serious and Religious. London, printed for the Editor: And Sold by J. Buckland in Paternoster Row; and T. Scollick, in the City Road, Moorfields, mdcclxxxv. pp. 216 (12°). [The British Museum copy has the two earlier volumes bound up with this.] The third hymn in this scarce book is headed, “On the Resurrection," and is, ”All hail the power of Jesus' name". But there are others of almost equal power and of more thorough workmanship. In my judgment, "The Lord is King" (Psalm xcvi. 16) is a great and noble hymn. It commences:— “Hail, holy, holy, holy Loud! Let Pow'rs immortal sing; Adore the co-eternal Word, And shout, the Lord is King." Very fine also is "The Master's Yoke—the Scholar's Lesson," Matthew xi. 29, which thus opens:— O Grant me, Lord, that sweet content That sweetens every state; Which no internal fears can rent, Nor outward foes abate." A sacred poem is named "The Wayfaring Man: a Parody"; and another, "The Goldfish: a Parody." The latter has one splendid line on the Cross, "I long to share the glorious shame." "The Tempest" is striking, and ought to be introduced into our hymnals; and also "The Conflict or Conquest over the Conqueror, Genesis xxxii. 24". Still finer is "Thoughts on Hebrews xii.," opening:— "Awake my soul—arise! And run the heavenly race; Look up to Him who holds the prize, And offers thee His grace." "A Prayer for Mercy on Psalm cxix. 94," is very striking. On Isaiah lxv. 19, is strong and unmistakable. "The Sinner's Resolution," and "Thoughts on Matthew viii. 2," and on Mark x. 51, more than worthy of being reclaimed for use. Perronet is a poet as well as a pre-eminently successful hymnwriter. He always sings as well as prays. It may be added that the brief paraphrase after Ovid given below, seems to echo the well-known lines in Gray's immortal elegy:— "How many a gem unseen of human eyes, Entomb'd in earth, a sparkling embryo lies; How many a rose, neglected as the gem, Scatters its sweets and rots upon its stem: So many a mind, that might a meteor shone, Had or its genius or its friend been known; Whose want of aid from some maternal hand, Still haunts the shade, or quits its native land." [Rev. A. B. Grosart, D.D., LL.D.] * Agnew's Protestant Exiles from France in the Reign of Louis XIV. confounds Vincent the father with Edward his son. -- John Julian, Dictionary of Hymnology (1907)

James Ellor

1819 - 1899 Composer of "DIADEM" in Soul-stirring Songs and Hymns (Rev. ed.) James Ellor United Kingdom 1819-1899. Born at Droylesden, Lancashire, England, he was trained as a hat maker. By age 18 he was leading the Methodist Wesleyan Chapel choir. He later worked for the railroad. In 1838 he brought his choir a new tune he had written for the hymn, “All hail the power of Jesus' name”. It became well received and has been used with the hymn ever since. In 1843 he emigrated to America and resumed the hat making trade. He died in New York City. It is the only hymn he is now remembered for. John Perry

John Rippon

1751 - 1836 Alterer of "All Hail the Power of Jesus’ Name (Diadem)" in Soul-stirring Songs and Hymns (Rev. ed.) Rippon, John, D.D., was born at Tiverton, Devon, April 29, 1751, and was educated for the ministry at the Baptist College, Bristol. In 1773 he became Pastor of the Baptist church in Carter Lane, Tooley Street (afterwards removed to New Park Street), London, and over this church he continued to preside until his death, on Dec. 17, 1836. The degree of D.D. was conferred on him in 1792 by the Baptist College, Providence, Rhode Island. Dr. Rippon was one of the most popular and influential Dissenting ministers of his time. From 1790 to 1802 he issued the Baptist Annual Register, a periodical containing an account of the most important events in the history of the Baptist Denomination in Great Britain and America during that period, and very valuable now as a book of reference. But his most famous work is his Selection of hymns for public worship, which appeared in 1787. The full title of the first edition is A selection of Hymns from the best authors, intended as an Appendix to Dr. Watts's Psalms and Hymns. In 1791 he published a Selection of Psalm and Hymn Tunes from the Best Authors, adapted to Dr. Watts's Psalms and Hymns, and to his own Selection, and from that time the names of tunes were prefixed to the hymns in the successive editions of his hymn-book. In 1800 he published the 10th ed. of his Selections, containing more than sixty additional hymns. In 1827 it was still further enlarged, and in 1844, after his death, appeared The Comprehensive Edition, commonly known as The Comprehensive Rippon, containing most of the additional hymns, with about 400 then first added, making in all upwards of 1170, in 100 metres. A rival to the Comprehensive was also afterwards published under the old title, somewhat enlarged. In the preparation of the original book, and its subsequent improvement, Dr. Rippon performed an important service to Baptist Hymnody, and also, it is said, gained for himself "an estate" through its immense sale. In the preface to the tenth edition lie claims for himself the authorship of some of the hymns, but as he refrained from affixing his name to any of the hymns it is impossible now to say with certainty which ought to be ascribed to him. There can, however, be no reasonable doubt that hymn 535, 3rd part, "The day has dawned, Jehovah comes" (q.v.), is one of his compositions. Other hymns, probably by him, are, "Amid the splendours of Thy state" (Love of God), 1800; and "There is joy in heaven, and joy on earth" (Joy over the Repenting Sinner), 1787. He also altered the texts of and made additions to several of the older hymns. Some of these altered texts are still in common use. In 1830 the additions given in the 27th ed., 1827, of Rippon's Selections were reprinted, with notes by Dr. Slater, as:— Hymns Original and Selected; interspersed in the Twenty-seventh edition of the Selection, with Numerous Doxologies, in the Usual, the Peculiar, and in the less Common metres. By John Rippon, D.D. A second edition of this pamphlet of 82 hymns and doxologies appeared in 1832. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)

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