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Tune Identifier:"^engedi_wesley$"

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ENGEDI

Meter: 8.6.8.8.6 Appears in 3 hymnals Composer and/or Arranger: S. S. Wesley Tune Key: F Major Incipit: 12532 12171 25321 Used With Text: O Saviour, where shall guilty man

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O Saviour, where shall guilty man

Author: Catherine E. May Meter: 8.6.8.8.6 Appears in 21 hymnals Topics: Lent Used With Tune: ENGEDI
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Lo! Now the Time Accepted Peals

Author: Anonymous; Robert M. Moorsom Meter: 8.6.8.8.6 Appears in 3 hymnals Lyrics: 1. Lo! now the time accepted peals Its tidings of release; A time that with salvation heals, And to repentant tears reveals The mercy seat of peace. 2. Then let us wisely now restrain Our food, our drink, our sleep; From idle word and jest refrain And steadfastly begin again A stricter watch to keep. 3. Now Heav’n-taught love will haste to rise And seek the cheerless bed, Where cold and wan the sufferer lies, And Christ Himself to heedful eyes Is hungering for bread. 4. ’Tis now that zealous charity Her goods more largely spends, Lays up her treasure in the sky, And freely yields, ere death draw nigh, To God the wealth He lends. 5. Then consecrate us, Lord, anew, And fire our hearts with love; That all we think, and all we do, Within, without, be pure and true, Rekindled from above. 6. Now fuller praise and glory be To Thee, the First and Last, And make us, blessèd Trinity, More faithful soldiers, worthier Thee, Through this our chastening fast. Used With Tune: ENGEDI Text Sources: Supplemental Hymns to Hymns Ancient and Modern, 1889

Ho Dia Patro en ĉiel'

Author: L. I. Gentle Appears in 2 hymnals Used With Tune: Engedi

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Saviour, where shall guilty man

Author: Catherine E. May Hymnal: The Book of Common Praise #111a (1939) Meter: 8.6.8.8.6 Topics: Lent Tune Title: ENGEDI
TextAudio

Lo! Now the Time Accepted Peals

Author: Anonymous; Robert M. Moorsom Hymnal: The Cyber Hymnal #3872 Meter: 8.6.8.8.6 Lyrics: 1. Lo! now the time accepted peals Its tidings of release; A time that with salvation heals, And to repentant tears reveals The mercy seat of peace. 2. Then let us wisely now restrain Our food, our drink, our sleep; From idle word and jest refrain And steadfastly begin again A stricter watch to keep. 3. Now Heav’n-taught love will haste to rise And seek the cheerless bed, Where cold and wan the sufferer lies, And Christ Himself to heedful eyes Is hungering for bread. 4. ’Tis now that zealous charity Her goods more largely spends, Lays up her treasure in the sky, And freely yields, ere death draw nigh, To God the wealth He lends. 5. Then consecrate us, Lord, anew, And fire our hearts with love; That all we think, and all we do, Within, without, be pure and true, Rekindled from above. 6. Now fuller praise and glory be To Thee, the First and Last, And make us, blessèd Trinity, More faithful soldiers, worthier Thee, Through this our chastening fast. Languages: English Tune Title: ENGEDI

Ho Dia Patro en ĉiel'

Author: L. I. Gentle Hymnal: Esperanta Himnaro #4a (1985) Languages: Esperanto Tune Title: Engedi

People

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Authors, composers, editors, etc.

Anonymous

Author of "Lo! Now the Time Accepted Peals" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Composer of "ENGEDI" in The Book of Common Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Samuel Wesley

1691 - 1739 Person Name: Samuel Sebastian Wesley Composer of "ENGEDI" in The Cyber Hymnal Samuel Wesley, M.A., the younger, was the eldest child of Samuel and Susanna Wesley, and was born in or near London in 1691. He received his early education from his mother, who always took a special interest in him as her firstborn. In 1704 he went to Westminster School, where he was elected King's Scholar in 1707. Westminster had, under the mastership of Dr. Busby for 55 years, attained the highest reputation for scholarship, and Samuel Wesley, as a classical scholar, was not unworthy of his school. In 1709, Dr. Spratt, Bishop of Rochester, patronised the young scholar, and frequently invited him to Bromley. In 1711 he went with a Westminster studentship to Christ Church, Oxford, and having taken his degree, returned to Westminster as an Usher. He then received Holy Orders and became an intimate friend of Bishop Atterbury, who was then Dean of Westminster. His intimacy with this prelate was a bar to his advancement, and he was bitterly disappointed at not being appointed undermaster at Westminster when that post was vacant. But he was faithful to his friend in his adversity, and the banished prelate warmly appreciated his attachment. In 1732 he was invited, without solicitation, to accept the headmastership of the Free School at Tiverton, and here he spent the remainder of his life. He strongly disapproved of John and Charles Wesley's proceedings; but though the brothers expressed their opinions to one another with characteristic frankness, the disagreement did not cause any interruption in the friendly relations between them. Samuel Wesley was universally acknowledged to be an honest, conscientious and deeply religious man. He was a most uncompromising High Churchman both in the political and the theological sense of that term; and there is no doubt that he was the mainstay of the Wesley family at Epworth. His kindness to his father and mother was unbounded, and he acted like a father to his younger brothers and sisters. He also took a great interest in works of charity, and was one of the first promoters of the Westminster Infirmary. He died at Tiverton in the 49th year of his age, Nov. 6, 1739. His epitaph in Tiverton Churchyard does not exaggerate his merits, when it describes him as— "a man for his uncommon wit and learning, For the benevolence of his temper, and simplicity of manner, Deservedly loved and esteemed by all: An excellent Preacher; But whose best sermon Was the constant example of an edifying life: So continually and zealously employed In acts of beneficence and charity, That he truly followed His blessed Master's example In going about doing good; Of such scrupulous integrity, That he declined occasions of advancement in the world, Through fear of being involved in dangerous compliances; And avoided the usual ways to preferment As studiously as many others seek them." Samuel Wesley published in 1736 A Collection of Poems on several occasions, some of which are full of a rather coarse humour, but all of a good moral and religious tendency. This work was reprinted in 1743, and again by W. Nichols in 1862. Dr. Adam Clarke specifies eight hymns of S. Wesley's composition which were in use among the Methodists of that time (1823). The Wesleyan Hymn Book of the present day contains five, the best-known of which is "The Lord of Sabbath let us praise." Six of his hymns are in common use, and are annotated as follows:— 1. From whence these dire portents around. 2. Hail, Father, Whose creating call. 3. Hail, God the Son in glory crowned. 4. Hail, Holy Ghost, Jehovah, Third. 5. The Lord of Sabbath, let ns praise. 6. The morning flowers display their sweets. -- Excerpts from John Julian, Dictionary of Hymnology (1907)
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