
Johann Schop Germany 1590-1667. Born at lower Saxony, Germany, he became a Lutheran composer and violinist, much admired for his virtuoso and technical ability. In 1614 Duke Friedrich Ulrich made him a probationary musician in the Hofkapelle at Wolfenbuttel. He performed playing various instruments, but excelled as a violinist. He was engaged permanently in 1615, but the same year he responded to a summons to join the flourishing musical establishment of King Christian IV of Denmark in Copenhagen. There he met English viol player, William Brade, who had earlier been in service to Hamburg, Germany (and may have taught Schop there). Schops compositions for the violin set impressive demands for that area at that time. He also played oth… Go to person page >| Title: | ERMUNTRE DICH |
| Composer: | Johann Schop (1641) |
| Meter: | 8.7.8.7.8.8.7.7 |
| Incipit: | 11234 55453 43232 |
| Key: | E♭ Major |
| Copyright: | Public Domain |
Johann Schop (PHH 122) composed ERMUNTRE DICH in triple meter for the Rist text with which it was published in Himmlische Lieder (1641). Johann Crüger (PHH 42) adapted the tune for his Praxis Pietatis Melica (1648). The isorhythmic (all equal rhythms) setting in the Psalter Hymnal is the Johann S. Bach (PHH 7) arrangement from his Christmas Oratorio (1734).
ERMUNTRE DICH is a bar form (AAB) tune consisting of four long, majestic, and stately lines. Often congregations will sing this hymn in unison, but Bach's rich harmonization could be an interesting challenge for choir. When the hymn is sung in harmony, the tempo should be slower. Use lots of bright mixtures on the organ. The harmonization is one of the more difficult ones in the Psalter Hymnal but is well worth the effort.
--Psalter Hymnal Handbook
Harmonizations, Introductions, Descants, Intonations
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Organ Solo
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Piano Solo
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My Starred Hymns