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REDAL

Appears in 3 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: C Major Incipit: 13455 67111 17716 Used With Text: Encouragement in Prayer

Appears in 10 hymnals First Line: Lord, Thou hast favor shown Thy land Lyrics: 1 Lord, Thou hast favor shown Thy land, Restored again Thy captive band; Thy people's sins Thou pardoned hast, And all their guilt hast covered o'er, Removed from them Thy anger sore, All Thy fierce wrath behind Thee cast. 2 In grace Thy people, Lord, return, Nor longer let Thy anger burn; Wilt Thou forever angry be? Thro' ages shall Thy wrath survive? Wilt Thou not us again revive, That so we may rejoice in Thee? 3 O Lord, to us Thy mercy show, And Thy salvation now bestow; We wait to hear what God will say; Peace to His people He will speak, And to His saints, but let them seek No more in folly's path to stray. Topics: Access to God; Afflictions Comfort under; Anger of God Deprecated; Anger of God Restrained; Aspirations For Grace; Aspirations For Holiness; Assurance Declared; Backsliding; Christ Atonement of; Christ Minstry of; Church Divinely Furnished; Church Saved by Grace; God Love and Mercy; Gospel Fulness of ; Grace Justifying; Grace Redeeming; Mercy of God Prayer for; Obedience; Pardon Set Forth; Pardon Sought; Peace; Praise For Spiritual Blessings; Prayer For the Church; Repentance; Revival; The Christian's Reward; Salvation God's Gift; Salvation Prayers for Scripture: Psalm 85 Used With Tune: REDAL

Instances

Published text-tune combinations (hymns) from specific hymnals

Lord, Thou hast favor shown Thy land

Hymnal: The Psalter Hymnal #156 (1927) Languages: English Tune Title: REDAL

Encouragement in Prayer

Hymnal: The Psalter #231 (1912) First Line: Lord, Thou hast favor shown Thy land Lyrics: 1 Lord, Thou hast favor shown Thy land, Restored again Thy captive band; Thy people's sins Thou pardoned hast, And all their guilt hast covered o'er, Removed from them Thy anger sore, All Thy fierce wrath behind Thee cast. 2 In grace Thy people, Lord, return, Nor longer let Thy anger burn; Wilt Thou forever angry be? Thro' ages shall Thy wrath survive? Wilt Thou not us again revive, That so we may rejoice in Thee? 3 O Lord, to us Thy mercy show, And Thy salvation now bestow; We wait to hear what God will say; Peace to His people He will speak, And to His saints, but let them seek No more in folly's path to stray. Topics: Access to God; Afflictions Comfort under; Anger of God Deprecated; Anger of God Restrained; Aspirations For Grace; Aspirations For Holiness; Assurance Declared; Backsliding; Christ Atonement of; Christ Minstry of; Church Divinely Furnished; Church Saved by Grace; God Love and Mercy; Gospel Fulness of ; Grace Justifying; Grace Redeeming; Mercy of God Prayer for; Obedience; Pardon Set Forth; Pardon Sought; Peace; Praise For Spiritual Blessings; Prayer For the Church; Repentance; Revival; The Christian's Reward; Salvation God's Gift; Salvation Prayers for Scripture: Psalm 85 Languages: English Tune Title: REDAL

Lord, Thou Hast Favor Shown Thy Land

Author: Anonymous Hymnal: The Cyber Hymnal #4046 Meter: 8.8.8.8.8.8 Lyrics: 1. Lord, Thou hast favor shown Thy land, Restored again thy captive band; Thy people’s sins Thou pardoned hast, And all their guilt has covered o’er, Removed from them Thy anger sore, All Thy fierce wrath behind Thee cast. 2. In grace Thy people, Lord, return, No longer let Thy anger burn; Wilt Thou forever angry be? Through ages shall Thy wrath survive? Wilt Thou not us again revive, That so we may rejoice in Thee? 3. O Lord, to us Thy mercy show, And Thy salvation now bestow; We wait to hear what God will say; Peace to His people He will speak, And to His saints, but let them seek No more in folly’s path to stray. Languages: English Tune Title: REDAL

People

Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Composer of "REDAL" in The Psalter William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Anonymous

Author of "Lord, Thou Hast Favor Shown Thy Land" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.