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[Salve, Regina, mater misericordiae]
Appears in 17 hymnals Tune Sources: Chant, Mode V Tune Key: G Major or modal Incipit: 46121 24321 21141 Used With Text: Salve, Regina (Hail, Holy Queen)
[Salve, Regina, mater misericordiae]
Salve, Regina (Hail, Holy Queen)
Author: Hermannus Contractus, 1013-1054 Appears in 18 hymnals First Line: Salve, Regina, mater misericordiae Lyrics: Salve, Regina,
mater misericordiae:
Vita, dulcedo,
et spes nostra, salve.
Ad te clamamus,
exsules, filii Hevae.
Ad te suspiramus,
gementes et flentes
in hac lacrimarum valle.
Eia, ergo,
Advocata nostra,
illos tuos misericordes
oculos ad nos converte.
Et Jesum, benedictum
fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia,
O dulcis Virgo Maria. Topics: Solemnities and Feasts Blessed Virgin Mary Used With Tune: [Salve, Regina, mater misericordiae]
Salve, Regina (Hail, Holy Queen)
Salve Regina (Hail, Queen of Heaven) (Salve, Oh Reina)
Author: John C. Selner, SS, 1904-1992 Meter: Irregular Appears in 10 hymnals First Line: Salve Regína (Hail queen of Heaven) (Salve, oh Reina) Topics: Assumption of Mary; Asunción de la Virgen María; Blessed Virgin Mary; Santisima Virgen María; Cielo; Heaven; Comfort; Consuelo; Esperanza; Hope; Evening; Tarde; Exile; Exilio; Jesucristo; Jesus Christ; Suffering; Sufrimiento Scripture: Luke 1:40-42 Used With Tune: SALVE REGINA Text Sources: Spanish tr. R. F. i. C.
Salve Regina (Hail, Queen of Heaven) (Salve, Oh Reina)
Salve, Regina (Hail, Mary)
Author: Hermannus Contractus, 1013-1054; Paul F. Ford, b. 1947 Appears in 2 hymnals First Line: Salve, Regina, mater misericordiae (Hail, Mary, mother and queen of tender mercy) Topics: Devotional; Devotions Rosary; Mary; Musical Style Chant; Night Prayer Antiphon in Honor of the Blessed Virgin Mary; The Liturgical Year The Assumption of the Blessed Virgin Mary (August 15) Scripture: Luke 1:39-42 Used With Tune: [Hail, Mary, mother and queen of tender mercy]
Salve, Regina (Hail, Mary)
Salve, Regina, Señora y Madre de Piedad/Salve, Regina Misericordiae
Author: Hermanus Contractus, 1013-1054; desconocido Hymnal: Flor y Canto (3rd ed.) #404 (2011) First Line: Salve, Regina, Señora y Madre de piedad (Salve, Regina, mater misericórdiae) Topics: Cantos a la Virgen Languages: Latin; Spanish Tune Title: [Salve, Regina, Señora y Madre de piedad]
Salve, Regina, Señora y Madre de Piedad/Salve, Regina Misericordiae
Salve Regina (Hail, Queen of Heaven) (Salve, Oh Reina)
Author: John C. Selner, SS, 1904-1992 Hymnal: Oramos Cantando = We Pray In Song #719 (2013) Meter: Irregular First Line: Salve Regína (Hail queen of Heaven) (Salve, oh Reina) Topics: Assumption of Mary; Asunción de la Virgen María; Blessed Virgin Mary; Santisima Virgen María; Cielo; Heaven; Comfort; Consuelo; Esperanza; Hope; Evening; Tarde; Exile; Exilio; Jesucristo; Jesus Christ; Suffering; Sufrimiento Scripture: Luke 1:40-42 Languages: English; Latin; Spanish Tune Title: SALVE REGINA
Salve Regina (Hail, Queen of Heaven) (Salve, Oh Reina)
Salve Regina
Author: Hermanus Contractus Hymnal: Catholic Book of Worship III #469 (1994) First Line: Salve, Regina Lyrics: Salve, Regina,
Mater misericordiae:
Vita, dulcedo,
et spes nostra, salve.
Ad te clamamus,
exsules, filii Hevae.
Ad te suspiramus,
gementes et flentes
in hac lacrimarum valle.
Eia, ergo,
Advocata nostra,
illos tuos misericordes
oculos ad nos converte.
Et Jesum, benedictum
fructum ventris tui,
nobis post hoc exsilium ostende.
O clemens, O pia,
O dulcis Virgo Maria.
Topics: Mary, Mother of God; Order of Christian Funerals Vigils - Hymns Scripture: Luke 1:26-45 Languages: English; Latin Tune Title: SALVE REGINA
Salve Regina
Omer Westendorf
1916 - 1997 Person Name: Omer Westendorf, 1916-1997 Author of "Salve, Regina (Hail, Blessed Lady)" in One in Faith Omer Westendorf, one of the earliest lyricists for Roman Catholic liturgical music in English, died on October 22, 1997, at the age of eighty-one.
Born on February 24, 1916, Omer got his start in music publishing after World War II, when he brought home for his parish choir in Cincinnati some of the Mass settings he had discovered in Holland. Interest in the new music being published in Europe led to his creation of the World Library of Sacred Music, initially a music-importing firm that brought much of this new European repertoire to U.S. parishes. Operating out of a garage in those early years, Omer often joked about the surprised expressions of visitors who stopped by and found a wide range of sheet music in various states of “storage” (read disarray). Later, as World Library Publications, the company began publishing some of its own music, including new works with English texts by some of those same Dutch composers, for example, Jan Vermulst. In 1955 World Library published the first edition of The Peoples Hymnal, which would become the People's Mass Book in 1964, one of the first hymnals to reflect the liturgical reforms proposed by Vatican II. Omer also introduced the music of Lucien Deiss to Catholic parishes through the two volumes of Biblical Hymns and Psalms.
Using his own name and several pen names, Omer composed numerous compositions for liturgical use, though his best-known works may be the texts for the hymns “Where Charity and Love Prevail,” “Sent Forth by God’s Blessing,” and especially “Gift of Finest Wheat.” As he lay dying, his family and friends gathered around his bed to sing his text “Shepherd of Souls, in Love, Come, Feed Us.” NPM honored Omer as its Pastoral Musician of the Year in 1985.
--liturgicalleaders.blogspot.com/2008
===========================
Pseudonyms:
Paul Francis
Mark Evans
J. Clifford Evers
--Letter from Tom Smith, Executive Director of The Hymn Society, to Leonard Ellinwood, 6 February 1980. DNAH Archives.
Omer Westendorf
Anonymous
Person Name: desconocido español of "Salve, Regina, Señora y Madre de Piedad/Salve, Regina Misericordiae" in Flor y Canto (3rd ed.) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Contractus Hermannus
1013 - 1054 Person Name: Hermanus Contractus Author of "Salve Regina" in Catholic Book of Worship III Hermannus Contractus (also known as Herimanus Augiensis or Hermann von Reichenau) was the son of Count Wolverad II von Altshausen. He was born 18 February, 1013 at Altshausen (Swabia). He was a cripple at birth, but intellectually gifted. Therefore his parents sent him to be taught by Abbot Berno on the island of Reichenau. He took his monastic vows here and died on Reichenau 21 September, 1054. He was a mathematician, astronomer, musician, chronicler, and poet, among other things. He is frequently credited as the author of "Alma Redemptoris Mater" and "Salve Regina"
Dianne Shapiro, from Schlager, P. (1910). Hermann Contractus. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved October 13, 2014 from New Advent: http://www.newadvent.org/cathen/07266a.htm
==================================
Hermannus Contraecus, so called because of his crippled condition, is also known as Hermann of Vöhringen, Hermann of Reichenau, and Hermann der Gebrechliche. He was the son of the Count of Vöhringen in Swabia, and was born on July 18, 1013. He entered the school of St. Gall, circa 1020, and soon developed, although so young, an intense interest in his studies. It is said of him that he rapidly mastered Latin, Greek, and Arabic. History, music, mathematics, philosophy, and theology engaged his attention, and in each study he attained marked success. Some go so far as to say with confidence that he translated Aristotle's Poetics and Rhetoric from the Arabic, but the statement is disputed by others. At thirty years of age he removed from St. Gall to the monastery of Reichenau, where he remained to his death, Sept. 24, 1054. His name is associated with several hymns of historical importance, and notably the following:—
1. Alma Redemptoris, Mater quae pervia coeli.
2. Rex omnipotens die hodierna.
3. Sancti Spiritus adsit nobis gratia.
4. Salve Regina.
5. Veni Sancte spiritus, Et emitte.
6. Veni Sancte spiritus: Reple.
7. Victimae Paschali.
The conclusions arrived at in annotations of these hymns concerning their respective authorship will be found somewhat adverse to Hermannus's claims with regard to Nos. 2 and 4, and positively against him with respect to Nos. 3,5 and 7. Some of these conclusions will be found to be utterly opposed to those of Duffield on the same hymns in his Latin Hymn-Writers, &c, 1889, pp. 149-168. This difference of opinion arises mainly out of the fact that the manuscript at St. Gall and at the British Museum were not examined by Duffield, and are much older and more important than any of those with which he was acquainted.
--Excerpts from John Julian, Dictionary of Hymnology, Appendix I (1907)
Contractus Hermannus
