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Tune Identifier:"^shanti_haugen$"

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SHANTI

Meter: 8.6.8.6 Appears in 32 hymnals Composer and/or Arranger: Marty Haugen, b. 1950; Randall Sensmeier, b. 1948 Tune Key: A Major Incipit: 53455 61551 71322 Used With Text: We Walk by Faith and Not by Sight

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You Are the Way

Author: George W. Doane, 1799-1859 Meter: 8.6.8.6 Appears in 613 hymnals First Line: You are the Way; through you alone Lyrics: 1 You are the Way; through you alone Can we the Father find; In you, O Christ, has God revealed God's heart and will and mind. 2 You are the Truth; your words alone True wisdom can impart; You only can inform the mind And purify the heart. 3 You are the Life; the empty tomb Proclaims your conqu'ring arm; For those who trust you, death and hell Shall be no cause for harm. 4 You are the Way, the Truth, the Life: Grant us that way to know, That truth to keep, that life to win, Whose joys eternal flow. Topics: Trust; Easter V A Used With Tune: SHANTI
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We Walk by Faith

Author: Henry Alford, 1810-1871 Meter: 8.6.8.6 Appears in 74 hymnals First Line: We walk by faith, and not by sight Topics: Christian Initiation; Eucharist Used With Tune: SHANTI

Be Still, My Soul, before the Lord

Author: Herman G. Stuempfle, Jr., 1923-2007 Meter: 8.6.8.6 Appears in 3 hymnals Topics: Petition/ Prayer Used With Tune: SHANTI

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Published text-tune combinations (hymns) from specific hymnals
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We Walk by Faith, and Not by Sight

Author: Henry Alford (1810-1871) Hymnal: Common Praise (1998) #244 (1998) Meter: 8.6.8.6 Lyrics: 1 We walk by faith and not by sight: no gracious words we hear from him who spoke as none e’er spoke, but we believe him near. 2 We may not touch his hands and side, nor follow where he trod; but in his promise we rejoice, and cry, “My Lord and God!” 3 Help then, O Lord, our unbelief, and may our faith abound, to call on you when you are near, and seek where you are found: 4 that, when our life of faith is done, in realms of clearer light we may behold you as you are with full and endless sight. Topics: Easter (season); Easter (second Sunday); Thomas Scripture: Psalm 17 Languages: English Tune Title: SHANTI
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We Walk by Faith

Author: Henry Alford, 1810-1871 Hymnal: Singing Our Faith #247 (2001) Meter: 8.6.8.6 First Line: We walk by faith, and not by sight Lyrics: 1 We walk by faith, and not by sight; No gracious words we hear Of him who spoke as man e'er spoke; But we believe him near. 2 We may not touch his hands and side, Nor follow where he trod; But in his promise we rejoice, And cry, "My Lord and God!" 3 Help then, O Lord, our unbelief, And may our faith abound; To call on you when you art near, And seek where you art found: 4 That when our life of faith is done In realms of clearer light We may behold you as you are, In full and endless sight. 5 We walk by faith, and not by sight; No gracious words we hear Of him who spoke as man e'er spoke; But we believe him near. Topics: Salvation History Languages: English Tune Title: SHANTI

We Walk by Faith

Author: Henry Alford, 1810-1871 Hymnal: The Covenant Hymnal #349 (1996) Meter: 8.6.8.6 First Line: We walk by faith, and not by sight Topics: Grace Through Faith; Trust Scripture: Isaiah 55:6 Tune Title: SHANTI

People

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Authors, composers, editors, etc.

Fred R. Anderson

b. 1941 Versifier of "We Lift Our Eyes unto the Hills" in Catholic Book of Worship III FRED R. ANDERSON is pastor emeritus of Madison Avenue Presbyterian Church in New York City, a liturgical theologian, and a recognized hymn writer whose hymn and psalm texts appear in Protestant and Catholic hymnals around the world. —Singing God's Psalms (Grand Rapids: Eerdmans, 2016) His collections of psalm paraphrases include Singing Psalms of Joy and Praise (1986) and Singing God's Psalms (2016).

Marty Haugen

b. 1950 Person Name: Marty Haugen, b. 1950 Composer of "SHANTI" in Worship (4th ed.) Marty Haugen (b. 1950), is a prolific liturgical composer with many songs included in hymnals across the liturgical spectrum of North American hymnals and beyond, with many songs translated into different languages. He was raised in the American Lutheran Church, received a BA in psychology from Luther College, yet found his first position as a church musician in a Roman Catholic parish at a time when the Roman Catholic Church was undergoing profound liturgical and musical changes after Vatican II. Finding a vocation in that parish to provide accessible songs for worship, he continued to compose and to study, receiving an MA in pastoral studies at the University of St. Thomas in St. Paul Minnesota. A number of liturgical settings were prepared for the Evangelical Lutheran Church in America and more than 400 of his compositions are available from several publishers, especially GIA Publications, who also produced some 30 recordings of his songs. He is composer-in-residence at Mayflower Community Congregational Church in Minneapolis and continues to compose and travel to speak and teach at worship events around the world. Emily Brink

George Washington Doane

1799 - 1859 Person Name: George W. Doane, 1799-1859 Author of "You Are the Way" in Worship (4th ed.) Doane, George Washington, D.D. Bishop Doane was born at Trenton, New Jersey, May 27, 1799, and graduated at Union College, Schenectady, New York. Ordained in 1821, he was Assistant Minister at Trinity Church, New York, till 1824. In 1824 he became a Professor at Trinity College, Hartford, Conn.; in 1828 Rector of Trinity Church, Boston; and, in 1832, Bishop of New Jersey. He founded St. Mary's Hall, Burlington, 1837, and Burlington College, Burlington, 1846. Died April 27, 1859.  Bishop Doane's exceptional talents, learning, and force of character, made him one of the great prelates of his time. His warmth of heart secured devoted friends, who still cherish his memory with revering affection. He passed through many and severe troubles, which left their mark upon his later verse. He was no mean poet, and a few of his lyrics are among our best. His Works, in 4 volumes with Memoir by his son, were published in 1860. He issued in 1824 Songs by the Way, a small volume of great merit and interest. This edition is now rare. A second edition, much enlarged, appeared after his death, in 1859, and a third, in small 4to, in 1875. These include much matter of a private nature, such as he would not himself have given to the world, and by no means equal to his graver and more careful lyrics, on which alone his poetic fame must rest.The edition of 1824 contains several important hymns, some of which have often circulated without his name. Two of these are universally known as his, having been adopted by the American Prayer Book Collection, 1826:-- 1. Softly now the light of day. Evening. This, in addition to its use in American hymnals, is also found in the English Collections, including Snepp's Songs of Grace & Glory.   Written in 1824. 2. Thou art the way, to Thee alone. Christ the Way. This, in the judgment of many, is the first of American hymns, and one of the most admirable and useful in the English language. In the United States its use is most extensive, and since its introduction into the English Collections by Bickersteth in 1833, Hall in his Mitre, in 1836, and others, it has grown in favour until it ranks with the most popular of the great English hymns. Near in merit to the foregoing stands a companion piece in the same work, which deserves to be better known :— 3.  Lord, should we leave Thy hallowed feet. The next three have been overlooked at home, but have obtained considerable circulation in English Collections. 4.  Father of mercies hear,  Thy pardon we implore.    Ash Wednesday or Lent.    A translation of "Audi, benigne Conditor" q.v.), published in his Songs by the Way, 1824, together with several other translations, thus anticipating by twelve years the great English movement in that direction.   Original translation in his Songs by the Way, 1875Miller (S. & S., p. 12) attributes this translation to Dr. Neale in error. 5.  Return and come to God.   Invitation.   In his Songs, &c, 1824.   It is found in  Hall’s Mitre, 1836; the Baptist Hymnal, 1879, and several others. 6.  To thee, 0 Lord, with dawning light.  Morning.    This hymn is attributed to Heber by Miller (S. & S. , p. 381) in error.  It is included in the Society for Promoting Christian Knowledge Hymns, 1852; in Windle and others.    It is from the Songs, &c, 1824. His later hymns, the dates of which are generally preserved in the last edition of his Songs by the Way, include the following, which are more or less in use :— 7.  Beloved, it is well.   All well in Christ.   This is entitled "To my wife"; is dated Mar. 12, 1833, and was written in a copy of Dr. Bedell's "It is well."    It is given in Kennedy, 1863. 8.  Broken-hearted, weep no more.    Assurance of Peace.    The date of this hymn is not preserved. It is found as early as 1829, when it appeared in the 2nd edition of Cleland's (Baptist) Hymns. 9.  Fling out the banner, let it float.    Missions, Home & Foreign.    This hymn, sometimes dated 1824 in error, was written at Riverside, 2nd Sunday in Advent, 1848, and is one of the author's latest effusions.    It is in extensive use both in Great Britain and America. 10.  He came not with His heavenly crown.   The two Advents. In his Songs by the Way, edition 1875, this poem is dated Dec. 1827.    In Dale's English Hymnbook, 1879, it is given with the omission of stanza iii., and in the American Protestant Episcopal  Hymnal,   1871,  it begins  with stanza iv., "Once more, O Lord, Thy sign shall be."    Full text in Lyra Sac. Amer., p. 92. 11.  Lift not thou the wailing voice.   Burial.   A funeral hymn, adopted by the Anglican Hymnbook, but dated 1826 in error, for 1830. 12.  What is that, mother?  The lark, my child. This is not a hymn, but a familiar and long popular song. 13.  "When darkness erst [once] at God's command. Israel in Egypt.    In Kennedy, 1863, No. 722. 14.  Young and happy while thou art.    Youth for Christ.   A favourite piece in many juvenile collections.   It is dated Sept., 1827, and is given in Songs by the Way, 1875. The Lyra Sacra Americana also contains the following:— 15.  Brightness of the Father's glory.    Morning. A tr. of "Consors Paterni luminis " (q.v.).   It is from the Songs, &c, 1824. 16.  Child that kneelest meekly there.     Child at Prayer.    Suggested by a cast from a piece of sculpture by Greenough representing a child at prayer. 17.  Grant me, Lord, Thy graces three.    Faith, Hope, and Charity desired. 18.  Perfect through suffering may it be.     Uses of suffering.    Dated in Songs by the Way, "The Breakers, June 1, 1853." 19.  Yes, it is a faithful saying.   Redemption. In his Songs, &c, 1824.             [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)
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