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[Shoulder to shoulder, heart to heart]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 11217 12345 65156 Used With Text: Shoulder to Shoulder

Author: C. H. G. Appears in 2 hymnals First Line: Shoulder to shoulder, heart to heart Refrain First Line: Forward go, the order of the king Topics: Fellowship; Progress; Resolution; Warfare Used With Tune: [Shoulder to shoulder, heart to heart]

Instances

Published text-tune combinations (hymns) from specific hymnals

Shoulder to Shoulder

Author: C. H. G. Hymnal: Joyful Praise #66 (1902) First Line: Shoulder to shoulder, heart and heart, in proud array Refrain First Line: Forward go, the order of the king Languages: English Tune Title: [Shoulder to shoulder, heart and heart, in proud array]

Shoulder to Shoulder

Author: C. H. G. Hymnal: Pentecostal Hymns Nos. 5 and 6 Combined #174 (1911) First Line: Shoulder to shoulder, heart to heart Refrain First Line: Forward go, the order of the king Topics: Fellowship; Progress; Resolution; Warfare Languages: English Tune Title: [Shoulder to shoulder, heart to heart]

People

Authors, composers, editors, etc.

Chas. H. Gabriel

1856 - 1932 Person Name: C. H. G. Author of "Shoulder to Shoulder" in Pentecostal Hymns Nos. 5 and 6 Combined Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman