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Tune Identifier:"^some_day_with_my_face_gabriel$"

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[Some day, with my face toward the told-tinted west]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 53432 67216 54351 Used With Text: In his likeness

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In his likeness

Author: C. H. G. Appears in 3 hymnals First Line: Some day, with my face toward the told-tinted west Refrain First Line: When I awake, when I awake, in his likeness Topics: Christ, a Friend; Peace and Rest Used With Tune: [Some day, with my face toward the told-tinted west]

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In his likeness

Author: C. H. G. Hymnal: Life and Service Hymns #4 (1917) First Line: Some day, with my face toward the told-tinted west Refrain First Line: When I awake, when I awake, in his likeness Topics: Christ, a Friend; Peace and Rest Languages: English Tune Title: [Some day, with my face toward the told-tinted west]
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In His Likeness

Author: C. H. G. Hymnal: Premier Hymns #20 (1926) First Line: Some day, with my face t'ward the told-tinted west Refrain First Line: When I awake, when I awake Languages: English Tune Title: [Some day, with my face t'ward the told-tinted west]

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Chas. H. Gabriel

1856 - 1932 Person Name: C. H. G. Author of "In his likeness" in Life and Service Hymns Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
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