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STABAT MATER
Meter: 8.8.7 Appears in 63 hymnals Tune Sources: Later form of melody from the 'Maintzisch Gesangbuch', Mainz and Frankfurt, 1661 Tune Key: F Major Incipit: 12323 54332 17676 Used With Text: At the cross her vigil keeping
STABAT MATER
At the Cross her station keeping
Author: Rev. E. Caswall; Bishop R. Mant; Jacopone da Todi Meter: 8.8.7 D Appears in 133 hymnals Topics: Passiontide; Good Friday The Seven Last Words; Third Word Scripture: John 19:26-27 Used With Tune: STABAT MATER
At the Cross her station keeping
By the Cross, sad vigil keeping
Appears in 5 hymnals Topics: Hymns on the Passion; Good Friday; The Seven Words Used With Tune: STABAT MATER
By the Cross, sad vigil keeping
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
Author: Jacapone da Todi, 1230-1306; Edward Caswall, 1814-1878 Hymnal: Breaking Bread (Vol. 39) #120 (2019) Meter: 8.8.7 Lyrics: 1 At the cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.
2 Through her heart, his sorrow sharing,
All his bitter anguish bearing,
Now at length the sword has passed.
3 O how sad and sore distressed,
Was that Mother highly blest
Of the sole begotten One!
4 Christ above in torment hangs,
She beneath beholds the pangs
Of her dying, glorious Son.
5 Is there one who would not weep,
Whelmed in miseries so deep,
Christ's dear Mother to behold?
6 Can the human heart refrain
From partaking in her pain,
In that Mother's pain untold?
7 Bruised, derided, cursed, defiled,
She beheld her tender Child,
All with bloody scourges rent.
8 For the sins of his own nation
Saw him hang in desolation
Till his spirit forth he sent.
9 O thou Mother! Font of love,
Touch my spirit from above,
Make my heart with thine accord.
10 Make me feel as thou hast felt;
Make my soul to glow and melt
With the love of Christ, my Lord.
11 Holy Mother, pierce me through,
In my heart each wound renew
Of my Savior crucified.
12 Let me share with thee his pain,
Who for all my sins was slain,
Who for me in torment died.
13 Let me mingle tears with thee,
Mourning him who mourned for me,
All the days that I may live.
14 By the cross with thee to stay;
There with thee to weep and pray,
All I ask of thee to give.
15 Virgin of all Virgins best!
Listen to my fond request:
Let me share thy grief divine.
LATIN -
1 Stabat Mater dolorosa
Juxta crucem lacrimosa,
Dum pendebat Filius.
2 Cujus animam gementem,
contristatam et dolentem,
Pertransivit gladius.
3 O quam tristis et afflicta
Fuit illa benedicta,
Mater Unigeniti!
4 Quae maerebat et dolebat,
Pia Mater, dum videbat
Nati poenas inclyti.
5 Quis non posset contristari,
Piam Matrem contemplari
Dolentem cum Filio?
6 Quis est homo qui non fleret,
Matrem Christi si videret
In tanto supplicio?
7 Pro peccatis suae gentis
vidit Iesum in tormentis,
et flagellis subditum.
8 Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.
9 Eia Mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10 Fac ut ardeat cor meum
in amando Christum Deum,
ut sibi complaceam.
11 Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.
12 Tui Nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.
13 Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14 Juxta crucem tecum stare,
Ac me tibi sociare
In planctu desidero.
15 Virgo virginum praeclara,
Mihi jam non sis amara:
Fac me tecum plangere. Topics: Seasonal Music Lent Languages: English; Latin Tune Title: STABAT MATER
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
Author: Jacapone da Todi, 1230-1306; Edward Caswall, 1814-1878 Hymnal: Glory and Praise (3rd. ed.) #262 (2015) Meter: 8.8.7 Lyrics: 1 At the cross her station keeping,
Stood the mournful Mother weeping,
Close to Jesus to the last.
2 Through her heart, his sorrow sharing,
All his bitter anguish bearing,
Now at length the sword has passed.
3 O how sad and sore distressed,
Was that Mother highly blest
Of the sole begotten One!
4 Christ above in torment hangs,
She beneath beholds the pangs
Of her dying, glorious Son.
5 Is there one who would not weep,
Whelmed in miseries so deep,
Christ's dear Mother to behold?
6 Can the human heart refrain
From partaking in her pain,
In that Mother's pain untold?
7 Bruised, derided, cursed, defiled,
She beheld her tender Child,
All with bloody scourges rent.
8 For the sins of his own nation
Saw him hang in desolation
Till his spirit forth he sent.
9 O thou Mother! Font of love,
Touch my spirit from above,
Make my heart with thine accord.
10 Make me feel as thou hast felt;
Make my soul to glow and melt
With the love of Christ, my Lord.
11 Holy Mother, pierce me through,
In my heart each wound renew
Of my Savior crucified.
12 Let me share with thee his pain,
Who for all my sins was slain,
Who for me in torment died.
13 Let me mingle tears with thee,
Mourning him who mourned for me,
All the days that I may live.
14 By the cross with thee to stay;
There with thee to weep and pray,
All I ask of thee to give.
15 Virgin of all Virgins best!
Listen to my fond request:
Let me share thy grief divine.
LATIN -
1 Stabat Mater dolorosa
Juxta crucem lacrimosa,
Dum pendebat Filius.
2 Cujus animam gementem,
contristatam et dolentem,
Pertransivit gladius.
3 O quam tristis et afflicta
Fuit illa benedicta,
Mater Unigeniti!
4 Quae maerebat et dolebat,
Pia Mater, dum videbat
Nati poenas inclyti.
5 Quis non posset contristari,
Piam Matrem contemplari
Dolentem cum Filio?
6 Quis est homo qui non fleret,
Matrem Christi si videret
In tanto supplicio?
7 Pro peccatis suae gentis
vidit Iesum in tormentis,
et flagellis subditum.
8 Vidit suum dulcem Natum
Moriendo desolatum,
Dum emisit spiritum.
9 Eia Mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.
10 Fac ut ardeat cor meum
in amando Christum Deum,
ut sibi complaceam.
11 Sancta Mater, istud agas,
Crucifixi fige plagas
Cordi meo valide.
12 Tui Nati vulnerati,
Tam dignati pro me pati,
Poenas mecum divide.
13 Fac me vere tecum flere,
Crucifixo condolere,
Donec ego vixero.
14 Juxta crucem tecum stare,
Ac me tibi sociare
In planctu desidero.
15 Virgo virginum praeclara,
Mihi jam non sis amara:
Fac me tecum plangere. Topics: Cross; Mary; Devotions The Way of the Cross; The Liturgical Year Lent (Sundays and Weekdays); The Liturgical Year Palm Sunday of teh Passion of the Lord; The Liturgical Year Friday of the Passion of the Lord (Good Friday); The Liturgical Year The Exaltation of the Holy Cross (September 14) Scripture: Mark 15:1-37 Languages: English; Latin Tune Title: STABAT MATER
At the Cross Her Station Keeping (Stabat Mater Dolorosa)
Stabat Mater dolorosa
Author: Jacopone da Todi d.1306; Anthony G. Petti 1932- Hymnal: The Australian Hymn Book with Catholic Supplement #609 (1977) First Line: At the cross her vigil keeping Tune Title: [At the cross her vigil keeping]
Stabat Mater dolorosa
James Quinn
1919 - 2010 Person Name: James Quinn, B. 1919 Translator of "Stabat Mater Dolorosa" in Catholic Book of Worship III James Quinn (b. Glasgow, Scotland, April 21, 1919; d. Edinburgh, Scotland, April 8, 2010) was a Roman Catholic Jesuit priest who was ordained in 1950. As a consultant for the International Commission on English in the Liturgy, sparked by Vatican II, he has exerted influence far beyond his native Scotland. A collection of his hymn texts is available from Selah Publishing company.
Sing a New Creation
James Quinn
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe (1740-1816) Adapter of "STABAT MATER" in Church Hymnary (4th ed.) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
Richard Proulx
1937 - 2010 Person Name: Richard Proulx, b. 1937 Harmonizer of "STABAT MATER" in Gather Comprehensive Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works.
Bert Polman
Richard Proulx
Small Church Music
Editors: Gregory the Great Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
