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Joseph Barnby

1838 - 1896 Meter: 6.8.6.8 Composer of "ST. AGATHA (Barnby)" Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Thomas Ravenscroft

1592 - 1635 Meter: 6.8.6.8 Harmonizer of "LONDON OLD (13122)" Thomas Ravenscroft United Kingdom 1592-1635. Born at Sussex, England, he allegedly sang in the choir at St Paul’s Cathedral. He attended music lectures at Gresham College. He was educated at Cambridge College, graduating in 1607. From 1618-1622 he was music master at Christ’s Hospital. Many of his works were aimed at pleasing a middle class lay public. He collected folk music: “Pammelia” (1609), “Deuteromelia” [includes the song “Three blind mice”](1609), “Melismata” (1611). He also published a metrical Psalter (the whole book of Psalms) in 1621. He composed 11 anthems, three motets, and four fantasies. He also wrote two treatises on music theory: “A briefe discourse of the true (but neglected) use of charact'ring the degrees” (1614), and “A treatise of musick”. He was an author, compiler, composer, editor, arranger, musician, bibliographer, contributor, antecedent, lyricist and creator. No informaton found regarding family. He died at London, England. 672 works. A reprint of his “Psalms” was published in 1844 by Canon Havergal. John Perry

Henry Smith

b. 1848 Meter: 6.8.6.8 Composer of "[O Jesus, God and man] (Smith)" Smith, Henry. Organist of St. Augustine’s, Kilburn, London. b. England, 1848.

Héctor C. Valdovino

Meter: 6.8.6.8 Author of "Mirad cuán grato es" in El Himnario

S. Swire

Meter: 6.8.6.8 Composer of "WALDEGRAVE"

Jane Marshall

1924 - 2019 Person Name: Jane Marshall, 1924- Meter: 6.8.6.8 Composer of "HEALER" in Singing the New Testament Jane Marshall, was born Jane Anne Manton in Dallas in 1924. She became a pianist and organist and composed music as a teenager. She earned a music degree in 1945 from SMU. She married Elbert Marshall. She went on to write more than 200 hymns and other sacred music works. She later earned a Masters degree in 1968 from SMU in choral conducting and composition. She taught at SMU's Perkins School of Theology and tis Church Music Summer School from 1975-2010. She attended Northaven United Methodist Church in Dallas for many years, collaborated often with other hymn writers, and encouraged many students. Dianne Shapiro, from UM News article , May 30, 2019 by Sam Hodges (accessed 6-7-2019)

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-94 Meter: 6.8.6.8 Composer of "REMEMBER ME" in Lutheran Service Book Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman

Samuel Stennett

1727 - 1795 Meter: 6.8.6.8 Author of "On Jordan's stormy banks I stand" Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ====================== Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:— 1. And have I, Christ, no love for Thee? Love for Christ desired. 2. And will the offended God again? The Body the Temple of the Holy Ghost. 3. As on the Cross the Saviour hung. The Thief on the Cross. 4. Behold the leprous Jew. The healing of the Leper. 5. Come, every pious heart. Praise to Christ. 6. Father, at Thy call, I come. Lent. 7. Great God, amid the darksome night. God, a Sun. 8. Great God, what hosts of angels stand. Ministry of Angels. 9. Here at Thy Table, Lord, we meet. Holy Communion. 10. How charming is the place. Public Worship. 11. How shall the sons of men appear? Acceptance through Christ alone. 12. How soft the words my [the] Saviour speaks. Early Piety. 13. How various and how new. Divine Providence. 14. Not all the nobles of the earth. Christians as Sons of God. 15. On Jordan's stormy banks I stand. Heaven anticipated. 16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet." 17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken. 18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore." 19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He." 20. 'Tis finished! so the Saviour cried. Good Friday. 21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken. 22. To God, my Saviour, and my King. Renewing Grace. 23. To God, the universal King. Praise to God. 24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace." 25. Where two or three with sweet accord. Before the Sermon. 26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken. 27. With tears of anguish I lament. Lent. 28. Yonder amazing sight I see. Good Friday. All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.] --John Julian, Dictionary of Hymnology (1907)