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W. Howard Doane

1832 - 1915 Person Name: William H. Doane Topics: Nations Owe Allegiance to Christ Composer of "VISION" in The Psalter An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)
W. Howard Doane

George Duffield

1818 - 1888 Topics: Allegiance Author of "Stand UP, Stand Up For Jesus" in Christian Service Songs Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church
George Duffield

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Topics: Nations Owe Allegiance to Christ Composer of "NICÆA" in The Psalter As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
John Bacchus Dykes

C. R. Dunbar

1830 - 1895 Topics: Allegiance Composer of "[My life, my love, I give to Thee] (Dunbar)" in Christian Service Songs Rv Charles R Dunbar USA 1830-1895. Born in Pulaski,NY, he became a minister. He died in Columbus, OH. John Perry
C. R. Dunbar

H. P. Danks

1834 - 1903 Topics: Nations Owe Allegiance to Christ Composer of "[O God, to us show mercy]" in Bible Songs
H. P. Danks

Sallie Hume Douglas

1867 - 1944 Topics: Allegiance Composer of "[To the knights in the days of old]" in Hymns for Praise and Service Sallie Hume Douglas was something of a hobbyist in song writing. She had published her “Garden of Paradise: Hawaiian Love Song” in 1915, and “Her Pink Mumu” in 1916. Living in Honolulu, Sallie Hume Douglas taught and was active in the League of American Pen Women, the Honolulu Press Club, the Daughters of the American Revolution and the National Society Magna Charta Dames and Barons. She pursued her hobby of genealogy, and wrote more songs: “Ocean of Love,” “Idol of My Heart,” “Deep in My Heart” and “Hawaiian Holiday” among them. “Garden of Paradise” was recorded at least twice, once on the Victor Talking Machine label by Keeaumoku Louis, a famed Hawaiian operatic baritone. Douglas even became the inadvertent composer of the University of Idaho alma mater, “Our Idaho.” In 1917, when “Garden of Paradise” was popular, a student at the University of Idaho “adapted” its melody for a song contest, with lyrics by another student. The song became a regular feature at university athletic events. New verses were written to create “Here We Have Idaho,” the state song. In 1930, the fact came out that the composer of the melody was, in fact, Sallie Hume Douglas. By this time, stadium-loads of the Idaho faithful knew the songs by heart and there was no turning back. The state’s regents and legislature cut a deal with Douglas and gained formal permission to use the melody. Before she died in 1944, Sallie Hume Douglas said that “Follow the Gleam” was the high point of her life. --kihm2.wordpress.com/2009/02/06/ (excerpts)
Sallie Hume Douglas

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